When I first heard this recording of men gathered around a guitar, singing fragments of traditional songs and inventing lyrics on the spot, with women and children laughing in the background - it hit me: music isn’t just sound, it’s connection. It's a reminder of the timeless beauty in coming together, sharing stories, passing down traditions, and creating something meaningful in the moment.

Curious about what the singers were saying, I reached out to people from Central Africa, and the response was surprising - those improvised lyrics were built from single words in regional slang. In this kind of music-making, it often starts with one word, then another, and before you know it, a whole verse is born. It’s spontaneous, alive, and beautifully organic.

For my remix, I used the main melody of the original field recording as the foundation, blending in those improvised words as fillers. I also incorporated the traditional rhythm of Soukous - a guitar-driven genre from Congo, often referred to as Congolese rumba, which mixes Afro-Cuban folkloric influences.

Just like our ancestors sang around the fire, united by song, we too continue this tradition today - whether around a campfire or through modern technology, remixing old recordings into something new. Music is more than entertainment; it’s a bond, a message, a celebration of community, and a bridge to the past. From kings sending musicians ahead of their armies to show unity, to modern-day communities of music lovers sharing sounds across the globe - we keep passing the sound from generation to generation. And that’s what keeps us together.

Afternoon beneath a palm shelter reimagined by micca.

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Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds