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At first light the band came back. Every channel the enemy owns woke up chattering like the middle of the night never happened, like a flat voice never spoke one word into the dead air over a camp full of sleepless rifles. The men at the gatehouse bench read it for exactly what it is. The silence was cover. Something moved in the dark, and it is out there now, and the enemy talking normally again is a dare.

Camp Ridge goes out anyway, because six new mouths and a coming winter do not negotiate. The route is planned by the newest man inside the wire, walked in his head before any boot touches it, overwatch set, angles counted. JJ Morris is outside the fence for the first time since Calloway took his rifle at the gate, and the pastor gave it back for this and nothing more. And on that route, half-hidden in a drainage ditch off a rural North Georgia road, they find a child. Alone. Alive. Maybe.

Sarah is already moving, because there is a child in a ditch and she did not survive the end of the world to walk past that. Mark is not moving, because every angle he can see is a firing lane, and the enemy down that road has spent two weeks learning exactly what this camp will not refuse. Between them, the big man reads the ground the way other men read a page, because chosen ground and unchosen ground leave different sign, and the difference is everything. There are hostile adults working the country close by, searching for something. And if the child is real, the camp is about to learn that the fierce thing they took in off the ridge is also the finest field medic any of them will ever see. Mercy just became a tactical decision, made under exposure, on a clock, and what it costs follows everyone home.

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