Battle for Bittora

The late Binodini Thakur had been very clear that she would never agree to sell her hissa in her Bauji's big old house on Hailey Road. And her daughter, Bonu, is determined to honor her mothers wishes. But what to do about her four pushy aunts who are insisting she sell?

Justice Laxmi Narayan Thakur and his wife, Mamta, spend their days watching anxiously over their five beautiful (but troublesome) alphabetically named daughters. Anjini, married but an incorrigible flirt; Binodini, very worried about her children's hissa in the family property; Chandrakanta, who eloped with a foreigner on the eve of her wedding; Eshwari, who is just a little too popular at Modern School, Barakhamba Road; and the judge's favourite (though fathers shouldn t have favourites): the quietly fiery Debjani.

When the younger players in India's cricket team find out that advertising executive Zoya Singh Solanki was born at the very moment India won the World Cup back in 1983, they are intrigued. When having breakfast with her is followed by victories on the field, they are impressed. And when not eating with her results in defeat, they decide she's a lucky charm. The nation goes a step further. Amazed at the ragtag team's sudden spurt of victories, it declares her a goddess.

When 26-year-old Ayan is sent to live with his grumpy old grandfather Gopal Shanker in a tiny village in Kerala, he is understandably devastated. What can a sleepy, idyllic village without even internet connectivity offer a young man?

It’s the mid-’90s. Studious, smart and sincere, Veda harbours big dreams for the future. But her parents arrange a marriage for her, and the 20-year-old discovers she has no say in the matter. Forced to leave behind an idyllic life in the hill town of Joshimath - filled with conversations and pleasurable times with her siblings and her best friend, the handsome Suraj - she puts aside her ambitions and moves into a flat in Pune with an indifferent husband and a mother-in-law from hell. Though brought up to be quiet and obedient, Veda chafes at the meaninglessness of her existence.

Delhi in the '90s. And this time, it's going to be Gudia's summer. So what if she's the quintessential awkward middle child? So what if it seems like everything - from the hair sprouting on her legs to teachers making her life miserable - is conspiring against her? She's taking matters into her own hands, and there's no way that she's going to fail. After all, there are three things Gudia is obsessed with - basketball, the boy with the American accent...and winning.

A Suitable Boy is Vikram Seth's epic love story set in India. Funny and tragic, with engaging, brilliantly observed characters, it is as close as you can get to Dickens for the twentieth century. The story unfolds through four middle class families: the Mehras, Kappoors, Khans, and Chatterjis. Lata Mehra, a university student, is under pressure from her mother to get married. But not to just anyone she happens to fall in love with.

The Ramayana, one of the world's greatest epics, is also a tragic love story. In this brilliant retelling, Chitra Banerjee Divakaruni places Sita at the centre of the novel: this is Sita's version. The Forest of Enchantments is also a very human story of some of the other women in the epic, often misunderstood and relegated to the margins: Kaikeyi, Surpanakha, Mandodari. A powerful comment on duty, betrayal, infidelity and honour, it is also about women's struggle to retain autonomy in a world that privileges men.

The trajectories of Arvind and Arbaaz, both businessmen of a kind whose lives are unwillingly intertwined, ricochet off one another while they play out their sinister and murderous plots of personal and professional one-upmanship, all the while breaking every rule in the book. Both are unaware that what they seek and fight over is the very obstacle in realising an ancient secret that dates back to a time long forgotten. And yet, at the heart of it all, there lies tenderness...and pathos...and blood...and rare moments of an almost exalted happiness.

In The Rozabal Line, a thriller swirling between continents and centuries, Ashwin Sanghi traces a pattern that curls backward to the violent birth of religion itself.

Not all love stories are meant to have a perfect ending. I Too Had a Love Story is one such saga. It is the tender and heartfelt tale of Ravin and Khushi - two people who found each other on a matrimonial site and fell in love...until life put their love to the ultimate test.  

Shruti and Aman were once inseparable. Theirs was a love that would last forever and more. Then, out of the blue, Shruti left Aman. A devastated Aman moved abroad in the hope of forgetting Shruti and to heal. Shruti married Rishabh. Now Aman is back in India and looking for a fresh start. But he is still haunted by memories of his love. Can he ever break free from it? His head tells him to move on, to find love with Anjali, but his heart won't listen. No matter what he does, Shruti's shadow looms large. Can there be a happily ever after for any of them?

Karna's Wife: The Outcast's Queen tells the extraordinary story of Karna, the unsung hero of the Mahabharata, through the eyes of his wife, Uruvi, bringing his story to the listener from a unique perspective. An accomplished Kshatriya princess who falls in love with and dares to choose the sutaputra over Arjun, Uruvi must come to terms with the social implications of her marriage and learn to use her love and intelligence to be accepted by Karna and his family.

It is a popular belief that the Ramayana is idealistic while the Mahabharata is realistic. Yet these two epics have identical building blocks, identical themes, and identical history. In this groundbreaking book, Devdutt Pattanaik, India’s most popular mythologist, explores the similarities and dissimilarities between the two epics in a ‘playful analaysis’. Whether it is the family structure, forest exile, or war, the comparison between the two epics prove a startling point - the Mahabharata is in fact a reaction to the events in the Ramayana.

Five thousand years ago, there came to earth a magical being called Krishna, who brought about innumerable miracles for the good of mankind. Humanity despaired of its fate if the Blue God were to die but was reassured that he would return in a fresh avatar when needed in the eventual Dark Age - the Kaliyug. In modern times a poor little rich boy grows up believing that he is that final avatar. Only, he is a serial killer.