Bhartiya Pauranik Kathaein [Indian Mythology]

One of the three Gods of Trinity in Hinduism is Lord Vishnu, also called the Lord of the world. In mythological texts, Vishnu is considered as the 10 incarnations of Dashavtar. Shri Ram and Shri Krishna are his most important incarnations. Vishnu's residence is in two different places: in the world, in Baikunth, and second, in the Kshir-Sagar, where he is seated on the eternal balance. In Bhagavad Gita, Vishnu has been considered as Vishwaroop or Virat Purusha. This book attempts to unlock the seven secrets of Vishnu that are relevant even in modern times.

It is a popular belief that the Ramayana is idealistic while the Mahabharata is realistic. Yet these two epics have identical building blocks, identical themes and identical history. In this groundbreaking book, Devdutt Pattanaik, India’s most popular mythologist, explores the similarities and dissimilarities between the two epics in a ‘playful analysis’. Whether it is the family structure, forest exile or war, the comparison between the two epics proves a startling point - the Mahabharata is in fact a reaction to the events in the Ramayana.

Shiva, ‘the destroyer’ among the Hindu trinity (of gods), is depicted in many contradictory manners. He is an ascetic who wears animal skin, his body smeared with ashes. Contradictory to his wild nature, he is also depicted as having a family, with a beautiful wife and two children. There are many more such varied representations of Shiva, the most prominent of these being the Linga and the Nataraja. The author, Devdutt Pattanaik, introduces listeners to these varied aspects and representations and then sets about interpreting them.

It is an irony of fate that despite being an extremely important and immortal character in the saga of Mahabharata, Ashwatthama has always been neglected. There are other characters in puranic literature, including Ashwatthama, who are considered immortal. But where other characters have received immortality in the form of a boon, Ashwatthama received in the form of a curse! 

In Meri Gita, acclaimed mythologist Devdutt Pattanaik demystifies The Bhagavad Gita for the contemporary listener. His unique approach - thematic rather than verse-by-verse - makes the ancient treatise eminently accessible.In a world that seems spellbound by argument over dialogue, vi-vaad over sam-vaad, Devdutt highlights how Krishna nudges Arjuna to understand rather than judge his relationships. This becomes relevant today when we are increasingly indulging and isolating the self.

In this audiobook, mythologist Devdutt Pattanaik explores the ancient Greek tales, opening us to a whole new world of stories. This audiobook toys with the idea of whether there was a connection between the Greek and Hindu mythologies. Could it have something to do with a common Indo-European root? Or were ideas exchanged when Greek emissaries travelled to the kingdoms of Mathura and Magadha?

Many modern scholars say Shiva’s linga is a phallic symbol. Most devotees disagree. Who is right? This book looks at the sexual metaphors associated with Shiva and uncovers the meaning beneath.

The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet , is a tragedy written by William Shakespeare sometime between 1599 and 1602. Set in Denmark, the play depicts Prince Hamlet and his revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother. Hamlet is Shakespeare's longest play and is considered among the most powerful and influential works of world literature, with a story capable of "seemingly endless retelling and adaptation by others".

Hindu mythology is full of tales in which animals play important roles. Some animals are looked upon with fear and dread while some are worshiped along with the gods. Some shape the fate of the world, others form everlasting bonds with humans. Where did the animals come from? From Vishnu’s avatars or Shiva’s asanas? How was a deer responsible for the events of the Ramayana? Why is Garuda the sworn enemy of the nagas? How did a mongoose teach Yudhishtira the true meaning of sacrifice?  

This is a collection of stories written by the world famous writer Rabindranath Tagore. This collection includes stories such as Goongi, Prem ka Mulya and Nayi Roshini. 

In 1707, when Emperor Aurangzeb went to his grave, the Mughal empire began to crack into a hundred fractured pieces. It was the lure of the Deccan that drained this conqueror’s energies, putting him on a course of collision with his most threatening adversaries. After all, the Deccan was a land that inspired wonder. Its treasures were legendary, and its kings magnificent. It was a horizon of rousing adventure, attracting talent from beyond oceans.

The Mahabharata endures as the great epic of India. But while Jaya is the story of the Pandavas, told from the perspective of the victors of Kurukshetra, Ajaya is the narrative of the ‘unconquerable’ Kauravas, who were decimated to the last man. At the heart of India’s most powerful empire, a revolution is brewing. Bhishma, the noble patriarch of Hastinapura, is struggling to maintain the unity of his empire. On the throne sits Dhritarashtra, the blind King, and his foreign-born Queen - Gandhari.

The second book in the Ajaya series, Kali ka Uday tells the story of the vanquished in the epic war Mahabharata. The book narrates the story from the point of view of the Kauravas. The story starts with the Kaurava prince Duryodhana challenging Krishna before the apocalyptic war breaks out. The author describes a city waiting with bated breadth for the outcome of the war. While women, noblemen, priests and humble beings helplessly watch the war and its consequences unfold in front of them, the greedy traders circle the skies in anticipation of what's to come next.

In the Republic of Vaishali - which comprises eight different states and is run by their elected representatives - lives the beautiful Ambapali. Considered to be the most beautiful woman in the whole republic, she is eventually forced to dedicate herself to the republic as a Nagarvadhu (literally, the wife of the city). She, however, demands various privileges in exchange for this and is granted all of them by the authorities, with the condition that she must fulfil her duties well.  

मृतसर के जलियांवाला बाग में हुए हत्याकांड की पृष्ठभूमि पर लिखा यह उपन्यास उस समय के माहौल का अत्यंत सजीव चित्रण प्रस्तुत करता है।