Diwan-e-Ghalib

'iraaq’ saahab ne anginat ghazalein, nazmein, rubaayiyaan, katye, ityaadi likhein hain. Samalochak bhi vah ucch-koti ke the lekin smaran ve sadaa apni ghazalon aur ghazalon ke unn sheron ke kaaran kiye jaayeingay jinki sankhya sainkdon tak pahuchti hai aur jo nihsandeh classic ka darza rakhte hain, unhee sheron ke kaaran jinmein tassafuk ghazal ki paramparaagat kathavastu se lekar raajneeti aur varFg-sangharsh tak sabhi kuch hai. Mashhoor shayar Firaaq Gorakhpuri ki chuni hui behtareen ghazalon ka sankalan hai Sargam.    

Do Kadam Aur Sahi is an excellent compilation of selected poems by the renowned Urdu poet Rahat Indoori. The compiler, Sachin Chaudhary, has named the collection as ‘selected pearls of the ocean’. The magic that flows from the pen of Rahat Indauri gives a different feeling.

Mohammad Iqbal was a poet and political philosopher who is known both for his poetry and his ideas that were influential in the creation of Pakistan. Mohammad Iqbal was born in Sialkot, Punjab, in 1877 and graduated from Government College, Lahore, with a master's degree in philosophy. He then taught there until 1905. This book presents a collection of some of the best poems and ghazals of Iqbal, along with their English translation as well as transliteration so that the listeners can enjoy the original flavor of Urdu poetry.

This book by Prakash Pandit reflects upon the life of an 18th-century Urdu poet named Meer Taqi Meer who lived in Mughal, India. Meer Taqi was one of the pioneers who gave shape to the Urdu language. A few of his important literary works are given in a separate section of the book. He was one of the principal poets of the Delhi school of Urdu ghazal, and most of his literature has been written under his nom de plume, Mir.

In 1707, when Emperor Aurangzeb went to his grave, the Mughal empire began to crack into a hundred fractured pieces. It was the lure of the Deccan that drained this conqueror’s energies, putting him on a course of collision with his most threatening adversaries. After all, the Deccan was a land that inspired wonder. Its treasures were legendary, and its kings magnificent. It was a horizon of rousing adventure, attracting talent from beyond oceans.

Amritalaal naagar kee lekhanee se haasy-vyang mishrit jin vibhinn rachanaaon kaa srijan huaa ve apane aap mein vilakṣhaṇ hain. Ye samay-samay par vividh patr-patrikaaon mein prakaashit huii theen. Unke kayi sangrah nikle jinhein behad pasand kiyaa gayaa.

Characteristically candid, Rishi Kapoor brings Punjabi brio to the writing of Khullam Khulla. This is as up close and personal a biography as any fan could have hoped for. A foreword by Ranbir Kapoor and a stirring afterword by Neetu Singh bookend the warmest, most dil se biography an Indian star has ever penned.

Kurukshetra is a Hindi classic. It gives an extraordinary account of the Kurukshetra war mentioned in the Mahabharata. It describes in vivid details the armed confrontation that took place between the Pandavas and the Kauravas. This bloody war lasted eighteen days. The author's own views on war are showcased in this work. He criticizes war but also admits that it is a necessary evil. It describes the demerits of war and the damage it does to mankind, through the medium of poetry.

 Talkhiyan literally means ‘bitterness’ and was written in the poet’s student days. He discovered his unique style of expression by weaving his poetry with shades of bitterness that captured the decadence of the contemporary world. His romanticism was not in praising beauty or the consuming passion of love, but in sensitively urging the reader to empathise with other challenges of the world. His heart went out to the suffering of people in war, debt, poverty, homelessness, political conflict and gender inequality.  

Dr. Bashir Badra is considered an poet of such stature, who has not only transcended into his readers' hearts and minds through the fame of his published couplets but also into the literary hall of fame of well-received poets. For his contribution to Urdu and Hindi literature, he was awarded the prestigious Padma Shree in 1995. Dr. Badra has been a part of many prestigious mushayraas world over. Dr. Badra's style of poetry resonates with the common man and demystifies the world of Urdu shayari while staying true to its essence. 

It is an irony of fate that despite being an extremely important and immortal character in the saga of Mahabharata, Ashwatthama has always been neglected. There are other characters in puranic literature, including Ashwatthama, who are considered immortal. But where other characters have received immortality in the form of a boon, Ashwatthama received in the form of a curse! 

Raghupati Sahay, jinhein duniya Firaaq Gorakhpuri ke naam se jyaada pehchaanti hai, ek lekhak, shayar, kavi, samalochak aur apne samay ke mashoor Urdu lekhak-kavi hue hain.  

Satyajit Ray is well known for his contributions to Indian literature. His short stories often explore the macabre and the supernatural and are often marked by keen characterization. This collection brings together Ray’s best short stories - including such timeless gems as ‘Professor Hijibijbi’, ‘Ratan Babu aur Veh Admi’ and ‘Bhakt’. A collection of 12 short stories.

This book revolves around the life of renowned Indian Urdu poet and lyricist of films in Hindi, Majrooh Sultanpuri. This book describes his life and career as an Urdu poet, lyricist, and songwriter in the Hindi film industry. He has written lyrics for a number of Hindi–Urdu soundtracks. He was one of the most dominant figures in Indian Urdu poetry and is still considered to be one of the finest avant-garde poets of 20th-century Urdu literature.

This book is about Sahir Ludhianvi, one of the greatest poets and lyricists of Hindi films. Sahir Ludhianvi, whose original name was Abdul Hayee, wrote poems that were different from his contemporaries who limited themselves to singing paeans on god, beauty, or wine. Instead, his poems were about other things: declining values of society, the meaninglessness of war and the subsummation of love by consumerism.