Dark Horse is one of the most popular novels of this decade written in Hindi. Such a live and vivid portrayal of the life of candidates preparing for the civil services examination in the Hindi medium were not focused in any other book to date. A candidate preparing for the country's highest honored examination is not only an aspirant but also has a multifaceted lifestyle and struggles in his lap. This is the story of the same struggle.

The story of Yayati is perhaps one of the most intriguing and fascinating episodes of Mahabharata. Yayati was a great scholar and one of the noblest rulers of olden times. He followed the shastras and was devoted to the welfare of his subjects. Even the king of gods, Indra, held him in high esteem. Married to seductively beautiful Devyani, in love with her maid Sharmishtha, and father of five sons from two women, Yayati unabashedly declared, 'My lust for pleasure is unsatisfied'. His quest for the carnal continued.

Kushavaahaa kaant jinakaa pooraa naam kaant prasaad kushavaahaa thaa, ve 34 varṣ kee chhoṭee umr men hindee saahity jagat ko bahut kuchh de gaye. Ve vilakṣaṇa pratibhaa ke dhanee the. Jahaan ek or unhonne romaanṭik aur saamaajik upanyaas likhe vaheen doosaree or jaasoosee aur kraantikaaree upanyaason kaa srijan kiyaa. Nissndeh laal rekhaa unakaa sabase lokapriy upanyaas hai.  

Amritalaal naagar kee lekhanee se haasy-vyang mishrit jin vibhinn rachanaaon kaa srijan huaa ve apane aap mein vilakṣhaṇ hain. Ye samay-samay par vividh patr-patrikaaon mein prakaashit huii theen. Unke kayi sangrah nikle jinhein behad pasand kiyaa gayaa.

A young girl was forced to marry a widower of her father's age, who has three sons from his former wife. The plot unfolds to reveal her husband’s suspicion of a relationship between her and his eldest stepson, a suspicion that leads to the death of many family members and destroys the family. 

द्रौपदी महाभारत ही नहीं, भारतीय जीवन तथा संस्कृति का एक अत्यन्त विलक्षण और महत्वपूर्ण चिरत्र है-परन्तु साहित्य ने अब तक उसे प्रायः छुआ नहीं था।

Kitne Pakistan? is a 2000 Hindi novel by Kamleshwar, a noted 20th-century Hindi writer. A pioneer of the Nayi Kahani (New Story) movement of the 1950s, and later a screenwriter for Hindi cinema, Kamleshwar’s novel, employing allegory and realism, deals with a vast expanse of human history, as it follows the rise of sectarianism, nationalism, Hindutva and communalism. Kitne Pakistan? casts doubts about the true motives of the people who make decision on behalf of and for common people, who throughout history have been bearing the brunt of their decision.

This novel, based on the life of Sarat Chandra Chatterjee, a well-known Bengali novelist and short story writer, is literary and biographical fiction. Sarat Chandra Chatterjee was arguably one of the most popular novelists in the Bengali language. He mainly wrote about the lifestyle, tragedy and struggle of the common people and social practices, because of which he was able to touch the lives of several people. While there are several books published on the life of Sarat, however, no book has been as well-researched and detailed.   

Mustaq Ahmed Yusufi Urdu ke jaane-maane lekhak the, jinki vyang rachnaayein apna ek alag sthaan rakhti hai. 1990 mein likhe unke upanyaas aabe-gum ka yeh Hindi anuvaad hai. Tufail Chaturvedi ne iska anuvaad aisi sehaj bhasha mein kiya hai ki padhte hue lagta hai maano yeh hindi ki hee moolkriti ho. 

Urdu Ki Chuni Hui Kahaniyan is an anthology of some of the classic Hindi stories (afsāna) by great writers like Saadat Hassan Manto, Ismat Chughtai, Qurratulain Hyder, Rajinder Singh Bedi, and many other major writers of Hindi literature. This collection of stories varies in style and subject, but one thing that unites all the stories is the enduring quality of the finest Hindi writing, which places them among Urdu masterpieces. An enriching addition in Hindi literature, Urdu Ki Chuni Hui Kahaniyan is presented to listeners by the famous Hindi novelist Kamleshwar. 

It is an irony of fate that despite being an extremely important and immortal character in the saga of Mahabharata, Ashwatthama has always been neglected. There are other characters in puranic literature, including Ashwatthama, who are considered immortal. But where other characters have received immortality in the form of a boon, Ashwatthama received in the form of a curse! 

The second book in the Ajaya series, Kali ka Uday tells the story of the vanquished in the epic war Mahabharata. The book narrates the story from the point of view of the Kauravas. The story starts with the Kaurava prince Duryodhana challenging Krishna before the apocalyptic war breaks out. The author describes a city waiting with bated breadth for the outcome of the war. While women, noblemen, priests and humble beings helplessly watch the war and its consequences unfold in front of them, the greedy traders circle the skies in anticipation of what's to come next.

Sachchidananda Hirananda Vastyayana ‘Agyeya’ (Ajneya) is an important poet and writer of the ‘adhunik kaal’ (modern period) of Hindi literature. Meri Priya Kahaniyan (My Favourite Stories) is an anthology of 12 of his selected stories, where after 15 years of hiatus, he revisits his old writings as an exercise to reflect on questions of audience reception, truth and the position of a writer vis-à-vis the world he inhabits and the world that he creates.

Meri Priya Kahaniyaan contains the favourite stories by the fierce and celebrated poet Amrita Pritam, selected by her. Amrita Pritam, the first female Punjabi poet, novelist, and essayist, and the leading voice of 20th-century Indian literature, was awarded Jnanpith in the year 1982. She authored more than a hundred compositions and has left a special mark in the stories, just like her poems, which are about female sexuality, self-realisation and the pain of loss at a time when women mostly wrote on conservative themes.

First published in 1930, Kankal is among the only two completed novels by famous ‘Chhayavadi’ Hindi poet and playwright Jaishankar Prasad. Kankal is his exploration into the prevalent social issues of Indian society, as well as his critique of religious institutions, superstitions, and their role in the exploitation of women.