Howards End

'Ah for darkness...not the darkness of a house which coops up a man among furniture, but the darkness where he can be free!' Maurice Hall knows he must choose between living life in the shadows or denying himself a chance at love and fulfilment. Aware of his attraction to the same sex, in a time where it was considered unlawful and immoral to have homosexual desires, Maurice must decide whether to battle or submit to a prejudiced 20th-century English society.

Celie has grown up poor in rural Georgia, despised by the society around her and abused by her own family. She strives to protect her sister, Nettie, from a similar fate, and while Nettie escapes to a new life as a missionary in Africa, Celie is left behind without her best friend and confidante, married off to an older suitor, and sentenced to a life alone with a harsh and brutal husband. In an attempt to transcend a life that often seems too much to bear, Celie begins writing letters directly to God.

In these four dialogues, Plato develops the Socratic belief in responsibility for one's self and shows Socrates living and dying under his philosophy. In Euthyphro, Socrates debates goodness outside the courthouse, Apology sees him in court, rebutting all charges of impiety, in Crito, he refuses an entreaty to escape from prison, and in Phaedo, Socrates faces his impending death with calmness and skillful discussion of immortality.

Shuklaji Street, in Old Bombay: In Rashid's opium room a young woman holds a long-stemmed pipe over a flame as men sprawl and mutter in the gloom. In Shuklaji Street they say you introduce only your worst enemy to opium. But then whispers build of a new terror, something that shifts the tenuous balance of survival for the city's nameless, invisible poor. A rich, hallucinatory dream of a novel, Narcopolis captures the Bombay of the 1970s in all its compelling squalor. With a cast of pimps, pushers, poets and gangsters, it is a lyrical and unforgettable journey into a sprawling underworld.

In one of the most acclaimed novels of recent years, Kazuo Ishiguro imagines the lives of a group of students growing up in a darkly skewed version of contemporary England. Narrated by Kathy, now thirty-one, Never Let Me Go dramatizes her attempts to come to terms with her childhood at the seemingly idyllic Hailsham School and with the fate that has always awaited her and her closest friends in the wider world.

Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour, and wit. Maybe Adrian was more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is retired.

An assembly of family, friends, lovers, and enemies are ensnared by the long-running court case Jarndyce and Jarndyce. For orphan Esther Summerson, it might lead to the truth of her parentage. The arrogant Lady Dedlock fears the legal tangle could expose her secret. For the malevolent solicitor Mr. Tulkinghorn, the costly dispute is a gainful opportunity. As for John Jarndyce, Esther’s guardian and master of Bleak House, it’s a chance to correct the past. When questions of inheritance become a trigger for murder, the sharp-eyed Inspector Bucket enters the fray.

We all write, all the time: books, blogs, tweets, emails, emails, emails - and we all want to write better. Benjamin Dreyer is here to help. As Random House’s copy chief, Dreyer has upheld the standards of the legendary publisher for more than two decades. He is beloved by authors and editors alike - not to mention his followers on social media - for playfully, brilliantly deconstructing the English language. 

Possession is an exhilarating novel of wit and romance, at once a literary detective novel and a triumphant love story. It is the tale of a pair of young scholars investigating the lives of two Victorian poets. Following a trail of letters, journals and poems they uncover a web of passion, deceit and tragedy, and their quest becomes a battle against time. 

Mano Majra is a place, Khushwant Singh tells us at the beginning of this novel, where Sikhs and Muslims have lived together in peace for hundreds of years. Then one day, at the end of the summer, the "ghost train" arrives, a silent funeral train loaded with the bodies of thousands of refuges, bringing the village its first taste of the horrors of the civil war. Train to Pakistan is the story of this isolated village that is plunged into the abyss of religious hate. It is also the story of a Sikh boy and a Muslim girl whose love endures and transcends the ravages of war.