Interrogating My Chandal Life

Seventy years have passed since the Partition, and a momentous event now recedes in memory. Generations have grown up outside the shadow of the communal killings and mass displacement that shaped the contemporary history of the subcontinent. Despite being born into a family affected by the Divide, artist and oral historian Aanchal Malhotra too had thought little about the Partition until she encountered objects that had once belonged to her ancestors in an Undivided India. 

 In 1526, when the nomadic Timurid warrior-scholar Babur rode into Hindustan, his wives, sisters, daughters, aunts and distant female relatives travelled with him. These women would help establish a dynasty and empire that would rule India for the next 200 years and become a byword for opulence and grandeur. In Daughters of the Sun, we meet remarkable characters like Khanzada Begum who, at 65, rode on horseback through 750 kilometres of icy passes and unforgiving terrain to parley on behalf of her nephew, Humayun....

My Seditious Heart collects the work of a two-decade period when Arundhati Roy devoted herself to the political essay as a way of opening up space for justice, rights and freedoms in an increasingly hostile environment. Taken together, the essays speak in a uniquely spirited voice, marked by compassion, clarity and courage.  

There was one partition of the land in 1947. Harsh Mander believes that another partition is underway in our hearts and minds. How much of this culpability lies with ordinary people? What are the responsibilities of a secular government, of a civil society, and of a progressive majority? In Partitions of the Heart: Unmaking the Idea of India, human-rights and peace worker Harsh Mander takes stock of whether the republic has upheld the values it set out to achieve and offers painful, unsparing insight into the contours of hate violence. 

In a city graveyard, a resident unrolls a threadbare Persian carpet between two graves. On a concrete sidewalk, a baby appears quite suddenly, a little after midnight, in a crib of litter. In a snowy valley, a father writes to his five-year-old daughter about the number of people who attended her funeral. And in the Jannat Guest House, two people who've known each other all their lives sleep with their arms wrapped around one another as though they have only just met.

Taking one of the most politicised and misused words associated with Muslim women and Islamophobia, It’s Not About the Burqa is poised to change all that. Here are voices you won’t see represented in the national news headlines: 18 Muslim women speaking frankly about the hijab and wavering faith, about love and divorce, about feminism, queer identity, sex and the twin threats of a disapproving community and a racist country. Funny, warm, sometimes sad and often angry, each of these essays is a passionate declaration.

Besharam is an audiobook on young Indian women and how to be one, authored from the author's personal experience in several countries. It dissects the many things that were never explained to us and the immense expectations placed on us. It breaks down the taboos around sex and love and dating in a world that's changing with extraordinary rapidity.

From a renowned historian comes a groundbreaking narrative of humanity’s creation and evolution - a number one international best seller - that explores the ways in which biology and history have defined us and enhanced our understanding of what it means to be “human”.

Centred around a gripping account of Operation Black Thunder, by one who initiated it and was intimately involved in executing it, this absorbing book analyses the factors responsible for the rise and growth of terrorism in Punjab, including the role of Pakistan in promoting terrorism in India. 

Focusing on relationships between women of different generations in India, this book is comprised of narratives demonstrating how each contributor established her own personhood through engagement with a wider kin group. Did the women portrayed in the narratives find space for themselves within orthodox structures? Or, were they so constrained by the social roles of the greatest importance to their families - as wives and mothers - that ending these roles meant some kind of death? How did their lives mould those of the narrators of these life histories?