Ravana's Sister

At the heart of India’s most powerful empire, a revolution is brewing. Bhishma, the noble patriarch of Hastinapura, is struggling to maintain the unity of his empire. On the throne sits Dhritarashtra, the blind King, and his foreign-born Queen - Gandhari. In the shadow of the throne stands Kunti, the Dowager-Queen, burning with ambition to see her firstborn become the ruler, acknowledged by all. And in the wings: Parashurama, the enigmatic Guru of the powerful Southern Confederate, bides his time to take over and impose his will from mountains to ocean.

The story of the Ramayana had been told innumerable times. The enthralling story of Rama, the incarnation of God, who slew Ravana, the evil demon of darkness, is known to every Indian. And in the pages of history, as always, it is the version told by the victors that lives on. The voice of the vanquished remains lost in silence. But what if Ravana and his people had a different story to tell? The story of the Ravanayana had never been told. Asura is the epic tale of the vanquished Asura people, a story that has been cherished by the oppressed outcastes of India for 3,000 years.

The dark age of Kali is rising, and every man and woman must choose between duty and conscience, honour and shame, life and death.... The Pandavas, banished to the forest following the disastrous games of dice, return to Hastinapura. Draupadi has vowed not to bind her hair till she washes it in the blood of the Kauravas. Karna must choose between loyalty and gratitude, friend and Guru. Aswathama undertakes a perilous mission to the mountains of Gandhara, in search of the Evil One. Kunti must decide between her firstborn and her other sons.

1700 BCE, Harappa - The devta of Harappa has fallen tortured and condemned to the dungeons of the dead. His murdered wife’s pious blood falls on the sands of the metropolis, sealing the black fate of Harappa forever. 2017, Banaras - A master assassin bites into cyanide, but not before pronouncing the arrival of an unstoppable, dark force. A maha-taantric offers a chilling sacrifice. AD 325, Bithynian City (modern-day Turkey) - Unable to foresee the monster he was untethering, an extraordinary monarch commissions a terrifying world-vision spanning millennia.

2017, Delhi - Vidyut’s dying ancestor summons him to Banaras. The old Brahmin chieftain of the Dev-Raakshasa Matth, or the God-Demon Clan, bears a chilling secret. Their bloodline carries an ancient curse that will plague mankind - towards its own violent extinction. 1700 BCE, Harappa - Harappa is a magnificent city on the banks of the mighty Saraswati river. The darkness of treachery, taantric exorcism and bloodshed unleashes itself on the last devta, paving the way for his devastating revenge...and the horrifying truth behind the fall of the glorious civilisation.

Chanakya's Chant is a thrilling novel that tells its listeners about a sharp parallel story between two individuals. One of these individuals is the very person who brought the scattered Indian subcontinent under the reign of Chandragupta Maurya-Chanakya. Chanakya is one of the wisest political strategists to have ever lived in the history of India. The second protagonist is Gangasagar Mishra, who is a rather insignificant Brahmin teacher who seems to be struggling to make ends meet but is actually a reincarnation of Chanakya himself.

A Pallava prince travels to Cambodia to be crowned king, carrying with him secrets that will be the cause of great wars many centuries later. A Buddhist monk in ancient China treks south to India, searching for the missing pieces of a puzzle that could make his emperor all-powerful. A Neolithic tribe fights to preserve their sacred knowledge, oblivious to the war drums on the Indo-China border. Meanwhile, far away in the temple town of Kanchipuram, a reclusive scientist deciphers ancient texts even as a team of secret agents shadows his every move.

In The Rozabal Line, a thriller swirling between continents and centuries, Ashwin Sanghi traces a pattern that curls backward to the violent birth of religion itself.

Five thousand years ago, there came to earth a magical being called Krishna, who brought about innumerable miracles for the good of mankind. Humanity despaired of its fate if the Blue God were to die but was reassured that he would return in a fresh avatar when needed in the eventual Dark Age - the Kaliyug. In modern times a poor little rich boy grows up believing that he is that final avatar. Only, he is a serial killer.

It is a popular belief that the Ramayana is idealistic while the Mahabharata is realistic. Yet these two epics have identical building blocks, identical themes, and identical history. In this groundbreaking book, Devdutt Pattanaik, India’s most popular mythologist, explores the similarities and dissimilarities between the two epics in a ‘playful analaysis’. Whether it is the family structure, forest exile, or war, the comparison between the two epics prove a startling point - the Mahabharata is in fact a reaction to the events in the Ramayana.

Sita: An Illustrated Retelling of Ramayana is an epic story based on the life of India’s most admired prince - ‘Rama’ and his wife ‘Sita’. Ramayana is a mythological story, which has been passed down for many generations. Since ages, the character that is most emphasized has been that of Rama, who has always been known to keep his word whatever be the circumstances. The role of Sita has been generally overlooked in the past. Sita, too, is a pivotal character. Still, she has often been portrayed as a frail and meek character.

The Ramayana, one of the world's greatest epics, is also a tragic love story. In this brilliant retelling, Chitra Banerjee Divakaruni places Sita at the centre of the novel: this is Sita's version. The Forest of Enchantments is also a very human story of some of the other women in the epic, often misunderstood and relegated to the margins: Kaikeyi, Surpanakha, Mandodari. A powerful comment on duty, betrayal, infidelity and honour, it is also about women's struggle to retain autonomy in a world that privileges men.

Welcome back to the shadowy and addictive world of Ashwin Sanghi. After The Rozabal Line, Chanakya’s Chant, The Krishna Key and The Sialkot Saga, Ashwin Sanghi returns at last with another quietly fearsome tale - this time of men who guard the ‘Kalachakra’, or The Wheel of Time. Sanghi describes a world of people at war with one another - a boomeranging conflict of faiths that results in acts of such slow and planned human cruelty that they defy human imagination.

Darrow is a Red, a member of the lowest caste in the color-coded society of the future. Like his fellow Reds, he works all day, believing that he and his people are making the surface of Mars livable for future generations. Yet he spends his life willingly, knowing that his blood and sweat will one day result in a better world for his children. But Darrow and his kind have been betrayed. Soon he discovers that humanity reached the surface generations ago. Vast cities and sprawling parks spread across the planet.

The trajectories of Arvind and Arbaaz, both businessmen of a kind whose lives are unwillingly intertwined, ricochet off one another while they play out their sinister and murderous plots of personal and professional one-upmanship, all the while breaking every rule in the book. Both are unaware that what they seek and fight over is the very obstacle in realising an ancient secret that dates back to a time long forgotten. And yet, at the heart of it all, there lies tenderness...and pathos...and blood...and rare moments of an almost exalted happiness.