Saturday

Winner of the British Book Awards, Author of the Year and Book of the Year, 2008.
Shortlisted for the Man Booker Prize, 2007.
Shortlisted for the Audiobook Download of the Year, 2007.
It is June 1962. In a hotel on the Dorset coast, overlooking Chesil Beach, Edward and Florence, just married that morning, are sitting down to dinner in their room. Neither is entirely able to suppress anxieties about the wedding night to come. On Chesil Beach is another masterwork from Ian McEwan - a story about how the entire course of a life can be changed by a gesture not made or a word not spoken.

Serena Frome, the beautiful daughter of an Anglican bishop, has a brief affair with an older man during her final year at Cambridge, and finds herself being groomed for the intelligence services. The year is 1972. Britain, confronting economic disaster, is being torn apart by industrial unrest and terrorism and faces its fifth state of emergency.

Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour, and wit. Maybe Adrian was more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is retired.

On a chilly February day two old friends meet in the throng outside a crematorium to pay their last respects to Molly Lane. Both Clive Linley and Vernon Halliday had been Molly's lovers in the days before they reached their current eminence, Clive as Britain's most successful modern composer, Vernon as editor of the quality broadsheet The Judge. Gorgeous, feisty Molly had had other lovers too, notably Julian Garmony, Foreign Secretary, a notorious right-winger tipped to be the next prime minister. 

Machines Like Me occurs in an alternative 1980s London. Charlie, drifting through life and dodging full-time employment, is in love with Miranda, a bright student who lives with a terrible secret. When Charlie comes into money, he buys Adam, one of the first batch of synthetic humans. With Miranda’s assistance, he co-designs Adam’s personality. This near-perfect human is beautiful, strong and clever - a love triangle soon forms. These three beings will confront a profound moral dilemma.

Julian Treslove and Sam Finkler are old school friends. Despite a prickly relationship and very different lives, they've never quite lost touch with each other - or with their former teacher, Libor Sevick. Now all three are recently widowed, in their own way, and spend sweetly painful evenings together reminiscing. Until an unexpected violent attack brings everything they thought they knew into question.

In May 1937, a man in his early 30s waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now, and few who are taken to the Big House ever return.

In 1946, June and Bernard set off on their honeymoon. Fired by their ideals and passion for one another, they had planned an idyllic holiday, but in France they witness an event that alters the course of their lives entirely. Forty years on, their son-in-law is trying to uncover the cause of their estrangement and is led back to this moment on honeymoon and an experience of such darkness it was to wrench the couple apart.

Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy and the colour hit of Pop Art - via a bit of skullduggery - Autumn is a witty excavation of the present by the past. Autumn is a take on popular culture and a meditation in a world growing ever more bordered: what constitutes richness and worth?

England, the 1520s. Henry VIII is on the throne but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk and later his successor. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events.

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs. Brilliantly conceived and executed, this powerful evocation of 21st-century America gives full rein to Margaret Atwood's devastating irony, wit and astute perception.

Penguin presents the audiobook edition of The Reluctant Fundamentalist, written and read by Mohsin Hamid. 'Excuse me, sir, but may I be of assistance? Ah, I see I have alarmed you. Do not be frightened by my beard. I am a lover of America....' So speaks the mysterious stranger at a Lahore cafe as dusk settles. Invited to join him for tea, you learn his name and what led this speaker of immaculate English to seek you out.

One boy, one boat, one tiger.... British comedian, actor and broadcaster Sanjeev Bhaskar, OBE performs this brilliant edition of a work of fiction that is loved by fans around the world. After the tragic sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild, blue Pacific. The only survivors from the wreck are a 16 year-old boy named Pi, a hyena, a zebra (with a broken leg), a female orangutan - and a 450-pound Royal Bengal tiger. The scene is set for an extraordinary adventure.

By the Nobel Prize-winning author of The Remains of the Day and Never Let Me Go. Ryder, a renowned pianist, arrives in a Central European city he cannot identify for a concert he cannot remember agreeing to give. But then as he traverses a landscape by turns eerie and comical - and always strangely malleable, as a dream might be - he comes steadily to realise he is facing the most crucial performance of his life.

The setting is a comedy club in a small Israeli town. An audience that has come expecting an evening of amusement instead sees a comedian falling apart onstage - an act of disintegration, a man crumbling, as a matter of choice, before their eyes. They could get up and leave or boo and whistle and drive him from the stage, if they were not so drawn to glimpse his personal hell.