Shyam: An Illustrated Retelling of the Bhagavata

Locked in the stories, symbols and rituals of Vishnu is the wisdom of the ancestors, transmitted over hundreds of years. This book attempts to unlock seven secrets that are relevant even in modern times.

Sita: An Illustrated Retelling of Ramayana is an epic story based on the life of India’s most admired prince - ‘Rama’ and his wife ‘Sita’. Ramayana is a mythological story, which has been passed down for many generations. Since ages, the character that is most emphasized has been that of Rama, who has always been known to keep his word whatever be the circumstances. The role of Sita has been generally overlooked in the past. Sita, too, is a pivotal character. Still, she has often been portrayed as a frail and meek character.

It is a popular belief that the Ramayana is idealistic while the Mahabharata is realistic. Yet these two epics have identical building blocks, identical themes, and identical history. In this groundbreaking book, Devdutt Pattanaik, India’s most popular mythologist, explores the similarities and dissimilarities between the two epics in a ‘playful analaysis’. Whether it is the family structure, forest exile, or war, the comparison between the two epics prove a startling point - the Mahabharata is in fact a reaction to the events in the Ramayana.

This special omnibus edition brings together two best-selling books by Devdutt Pattanaik, India’s most famous and renowned mythologist. My Gita and My Hanuman Chalisa are part of a series where Devdutt does ‘darshan’ of the scriptures, not just gods, and helps listeners navigate through scriptures that seem forbidding (Bhagavad Gita) and simple ones whose sophistication is often overlooked (Hanuman Chalisa). 

Is there a connection between Greek and Hindu mythology? Does it have something to do with a common Indo-European root? Or maybe an exchange of ideas in the centuries that followed the arrival of Alexander the Great, when Greek emissaries travelled to the kingdoms of Mathura and Magadha? In this book, mythologist Devdutt Pattanaik turns his attention to ancient Greek tales and explores a new world of stories. Long have Europeans and Americans retold Indic mythologies. It is time for Indians to reverse the gaze.

Devdutt Pattanaik is the author of over 25 books and 500 articles on the relevance of mythology in modern times. Trained in medicine (MBBSfrom Grant Medical College, Mumbai University), he worked in the healthcare and pharmaceutical industries for 15 years before devoting all his time to his passion for decoding beliefs of all cultures, modern and ancient, located beneath the veneer of rationality. To know more, visit www.devdutt.com. 

Taken literally, stories, symbols and rituals of Hindu mythology have much to say about gender relationships. Taken symbolically, they reveal many more things about humanity and nature. Which is the correct reading? The third title in the bestselling Hindu Trinity series focuses on the goddess, and respected mythologist Devdutt Pattanaik tries to unravel the secrets locked within her stories, symbols and rituals.

Hindus have one God. They also have 330 million gods: male gods; female gods; personal gods; family gods; household gods; village gods; gods of space and time; gods for specific castes and particular professions; gods who reside in trees; in animals; in minerals; in geometrical patterns and in man-made objects. Then there are a whole host of demons. But no Devil.

The book Siva is a vivid retelling of the Siva Purana for today's listener. The book contains all the major legends of Siva, bringing them alive again for a new generation. The characters and events one encounters here are awesome, many are cosmic. Siva himself is the Auspicious One. He is Mahadeva, the greatest god.

Sanskrit for "Song of the Lord", the Bhagavad Gita is a 700-verse Hindu epic that constitutes part of the faith's vast cornerstone work, the "Mahabharata." The book provides timeless truths and indispensable advice for believers trying to overcome internal tensions, doubt and indecision. The teachings are conveyed in the form of a dialogue between the Pandava general Arjuna and the deity Krishna, who helps Arjuna understand his position in the Kurukshetra War, and guides him towards the right course of action. 

The ancient Indian Sanskrit epic the Rāmāyana was composed some time between the first and fifth centuries BCE. As is the case with most ancient literature firmly rooted in the oral tradition, precise dating is problematic. Traditionally attributed to the sage Valmīki, and composed in rhyming couplets, it is one of the two great Indian epics (the other being the Mahābhārata); consequently it is known and revered not just throughout the Indian subcontinent but also in South-East Asian countries as well, indeed wherever Hindu culture became established.  

In My Gita, acclaimed mythologist Devdutt Pattanaik demystifies The Bhagavad Gita for the contemporary reader. His unique approach - thematic rather than verse by verse - makes the ancient treatise eminently accessible. In a world that seems spellbound by argument over dialogue, vi-vaad over sam-vaad, Devdutt highlights how Krishna nudges Arjuna to understand rather than judge his relationships.

Upanishads are mankind's oldest works of philosophy, predating the earliest Greek philosophy. They are the concluding part of the Vedas, the ancient Indian sacred literature, and mark the culmination of a tradition of speculative thought first expressed in the Rig-Veda more than 4,000 years ago. Remarkable for their meditative depth, spirit of doubt and intellectual honesty, the Upanishads are concerned with the knowledge of the Brahman, the Ultimate Reality, and man's relationship with it.

She’s a small town girl who takes admission in Delhi University (DU). An idealist, studies are her first priority. He’s a Delhi guy, seriously into youth politics in the DU. He fights to make his way. Student union elections are his first priority. A scandal on campus brings them together; they begin to walk the same path and, somewhere along, fall in love.... But their fight against evil comes at a heavy price, which becomes the ultimate test of their lives.

He appears out of nowhere in a sleepy little neighbourhood in suburban Kerala. He calls himself Shunya, the zero. Who is he? A lunatic? A dark magician? A fraud? Or an avadhuta, an enlightened soul? Saami, as they call him, settles into a small cottage in the backyard of the local toddy shop. Here he spins parables, blesses, curses, drinks endless glasses of black tea and lives in total freedom. On rare occasions, he plays soul-stirring melodies on his old bamboo-reed flute. Then, just as mysteriously as he arrived, Shunya vanishes, setting the path for a new avadhuta, a new era.