R.K. Narayan’s reputation as one of the founding figures of Indian writing in English is re-examined in this comprehensive study of his fiction, which offers detailed readings of all his novels. Arguing against views that have seen Narayan as a chronicler of “authentic” Indianness, John Thieme locates his fiction in terms of its specific South Indian contexts and cultural geography and its non-Indian intertexts.

Well into his 50s, Jagan runs a shop of sweets. A Gandhian by principle, he himself has given up both sugar and salt and announces his desire for an austere life. He spends his days attempting to enlighten those around him with his interpretation of the Bhagavad Gita, faltering when his listeners pose deeper questions. His son, Mali, quietly rebels against his father’s way of life and holds him responsible for his mother’s death due to his reluctance to allow treatment through modern medicine.  

रस्किन बाॅन्ड ने एक बार कहा था कि वे भूत-प्रेत में विश्वास नहीं करते लेकिन उनको हर समय, हर जगह भूत नज़र आते -जंगल में, सिनेमा के बाहर भीड़ में और बार में। 

Maati hee vinaashleela bani aur ussi maati se fhir mila punarjeevan. 1999 mein Odisha mein ek aisa bhayankar cyclone aaya jo uttari mahasagar mein abhi tak ka sabse vinaashkari cyclone tha. Samudra ka paani tatt ko paar kar 35 kilometer andar tak pahuch kar Jagatsinhpur zile ke tamaam gaaon ko tahas-nahas kar gaya aur anumaan hai ki 50,000 logon ki ismein jaan gayi.

Malgudi Ki Kahaniyan (Hindi) is a set of stories that are based in the fictional town of Malgudi. The town of Malgudi is a South Indian village created by the author and offers a valuable peek into the quality of rural life during the pre-independence era. The characters in these stories come from different walks of life, and each has a unique tale to tell. These stories have characters such as astrologers, postmen, doctors, beggars and priests.