The Ministry of Utmost Happiness

Buried in the undergrowth of a forgotten garden

I can only think that Ms Roy used almost every fibre of her being to write this book. For anybody who has lived in a place where all is not as it seems on a fairly grand, enduring scale you'll appreciate the layers upon layers of this narrative. If those are not experiences familiar to you then the beauty of the images countered by others quite unexpected, some funny, many thought provoking, may hold your attention. I hope the person who gave the first review tries again. Ms Roy's reading may not be polished to perfection, but that is what gives this audiobook both charm and a sense of the story's immense wealth.

7 of 7 people found this review helpful

A definite should-read!

Arundhati Roy’s follow-up to her 1997 Booker Prize winning The God of Small Things has been long awaited, and after her twenty years as a high profile political activist, it is no surprise that listening to 16 hours of The Ministry of Utmost Happiness is a challenging, deeply uncomfortable but rewarding experience.

There’s a sort of narrative following mainly Anjum, a transwoman struggling to live in Delhi and finally finding some kind of peace along with others in a city graveyard, and Tilo a strong woman activist not unlike Roy herself and the three men who fall unhappily in love with her. Around these few lives are woven looping skeins of other lives in this huge, sprawling, disjointed, polemical, hydra-headed work - fiction blended with myth, poetry and a justified raging fury against the myriad corruptions and cruelties of modern India and a fired by a determination to give a voice to the disregarded suffering millions.

For me, it’s a work of righteous fury based on Roy’s 20 years of activism – whether it’s concerning the victims of Bhopal walking 3 weeks to make another protest with their ‘macabre bunting’ of birth defects to be ignored once again; 2000 Muslims killed in revenge for Hindu pilgrims burned alive in their train; or most importantly her focus in this labyrinthine work the on-going, unsolved vicious battle over Kashmir in all its heart-breaking detail.

In between these huge concerns are a torrent of others woven in including the building of dams at the expense of communities of poor people and the vast range of government scams – and all those on a small scale – bodies returned without eyes to their relatives; sharp practice in the Eid goat market; precious dead cows swollen with ingested plastic bags; vultures killed by eating carcasses of cows injected to increases their milk yield resulting in dead bodies not being disposed of...

It’s the details that are so telling – the high-heeled young women who think it would such ‘fun’ to visit Kashmir, the woman chucking her rubbish over her balcony as her driver cleans the Toyota Corolla; the little girls in gold slippers trying to avoid the goats’ blood flowing down the street.

Roy reads this lengthy work herself which is entirely appropriate as she knows where to communicate emphasis, compassion, horror and irony. She also reads the quite considerable amount of Hindi / Urdu (I don’t know what language it is) which I would skip if reading the book, but even without understanding the words, it adds to the absorption of the work.

Definitely a 'should-read'!

11 of 12 people found this review helpful

Couldn't finish 😢

Sadly gave up listening. I was so looking forward to Arundhati Roy's new book and was excited by the thought of the narration given by the author as I had heard her being interviewed.
The first hour or two was just lovely but as the story became more complex the quality of the narration faltered. Some long passages sounded monotone and small phrases were paused at the end of sentences then quickly added as if the voice was catching up with the readers eyes. It really detracted from the enjoyment of and concentration on the story. I suspect we are getting used to such fabulous and professional narration that when a slightly amateurish attempt is presented, it is just too noticeable. Happy to have another go with another narrator at a later time.

16 of 19 people found this review helpful

Harrowing Book, Awful Delivery

Would you recommend this book to a friend? Why or why not?

Yes and No. I found the book an eye opening tale of politics in modern India. The sections based in Kashmir were haunting and a real eye opening (the abuses are not widely reported in world media).

I would only recommend this book to the right sort of person or a person interested in politics/ human rights. The book does not follow a standard narrative, and in some ways the characters only exist as a conduit for the reader to explore the local environment/ politics.

The book is beautifully/ poetically written. However the book did seem disjointed in some sections.

What didn’t you like about Arundhati Roy’s performance?

The narration was performed by the author instead of a professional actor/ narrator. While the author can certainly write exceptionally well, the book is read as someone would speak in poetry recital! Her slow melodic voice akin to a lullaby is often at complete odds with the tension/ atrocities endured by the character.
By the end of the book I found myself desperate to continue the story, but dreaded listening to the narration! I would have give the book 4-41/2 stars out of 5 if the narration had been better.

3 of 3 people found this review helpful

A marathon

I did finish it however it was not enjoyable at all. The first quarter was wonderful but then it just became so complicated and impenetrable. Possibly a really tough edit would have helped!

2 of 2 people found this review helpful

Couldn't keep listening

Like many others, I gave up on this one due to the terrible narration. I loved 'The God of Small Things' and was so looking forward to this book - but after listening for several hours I couldn't go on because of the narration. This isn't the first good book I've listened to that's been narrated, terribly, by the author - I'll be avoiding them in the future. The story was interesting so I'll get the book from the library and enjoy in the old fashioned way when I have time to sit down and read (rather than listen and walk, which is how I most often access novels these days). A real shame.

2 of 2 people found this review helpful

Beautiful writing

I loved this book at first. The writing is poetic and evocative and it’s wonderful to hear it read by the author.

However the story gets so co fusing with sooooo many characters. In the end I was listening just to the snapshots of writing having lost the plot completely.

1 of 1 people found this review helpful

Hard to listen to

I hoped the narration would improve but it's really not good, very monotonous and without any intonation. It's a mistake to have the author read their book I think, and would have been much better with an actor who could give it life. I bought the audio with the book, thinking I would enjoy having it read to me, but it actually made me want to run away and hide, just hearing that boring, boring voice (actually she has a lovely voice, but not as a reader) grating on me. Tried listening to it in bed at night, and had to turn it down as it was so irritating. What a shame. I gave the story only 3 stars because the narration has spoiled it for me, and I haven't been able to give it a fair go. Back to the good old reading version.

1 of 1 people found this review helpful

Poor narration. Will buy the book instead😕

Loved Roy's last book The God of Small Things and I think I will love this one too, but sadly have given up on this audible version as the narrator is just so poor. I was initially pleased when purchasing that Roy herself was the narrator as it can work well. This is a book of great detail, with many complex intertwining character's and their lives. The narration at times was flat and hurried. Understandably not all great author's are great narrator's - two very different skills.
Audio should have picked this up. Will definitely buy and read the book!

7 of 11 people found this review helpful

disjointed

Well written but disjointed story, had difficulty following narrative. What started as a study of diversity transformed into a political history of violence in Kashmir.