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10FPS A Photojournalism Podcast for Everyone

10FPS A Photojournalism Podcast for Everyone

Written by: The 10FPS Team
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 A Photojournalism Podcast by Photojournalists for EveryoneWLOY Loyola Radio Art Social Sciences World
Episodes
  • Archive Episode 81: Eman Mohammed (Gaza Conflict Photography)

    Archive Episode 81: Eman Mohammed (Gaza Conflict Photography)
    Jan 20 2026
    Photojournalism From Gaza to the World: Eman Mohammed’s Journey, Resilience, and the Power of Long‑Term Stories Archive Episode – Aired in 2023 Discover how Eman Mohammed became Gaza’s first female photojournalist, why she chooses long‑term projects over spot news, and how her iconic “jacuzzi‑on‑the‑rubble” image captures resilience after war. Learn insights for aspiring photojournalists and storytellers. Table of Contents Who Is Eman Mohammed?Breaking Barriers: The First Woman Photojournalist in GazaThe Iconic Jacuzzi Image: Symbol of Life After ConflictWhy Long‑Term Projects MatterPreparing for War Coverage: Gear, Safety, and Mental HealthBehind the Book: The Cracks in My Lens (2022)The “Broken Souvenirs” Project: Trauma Without BordersKey Takeaways for Emerging PhotojournalistsFurther Resources & Links 1. Who Is Eman Mohammed? Award‑winning photojournalist and Senior TED Fellow based in Alexandria, Virginia.Born in Saudi Arabia, raised from age two in Gaza.Published in The Guardian, CNN, Le Monde, Vice, The Washington Post, and more. “I was a complete mess during my first war—no protective gear, no electricity, a twisted ankle, and a 22‑day conflict.” – Eman Mohammed Her career is a blend of visual artistry, human‑rights advocacy, and mental‑health awareness. 2. Breaking Barriers: The First Woman Photojournalist in Gaza ChallengeHow Eman RespondedMale‑dominated fieldTurned resistance into motivation; asked “why isn’t there a woman photojournalist?”Cultural taboosLeveraged her unique access to women’s stories that male crews cannot reach.Lack of role models locallyInspired by women photographers worldwide—Rula Halawani (West Bank), Marie Colvin (Syria), etc.Limited resourcesBegan with a simple backpack, later secured protective gear and international support. 3. The Iconic Jacuzzi Image: Symbol of Life After Conflict The Story Behind the Shot Setting: After the 2008‑2009 Gaza war, a jacuzzi survived the demolition of a Palestinian man’s house.Visual: Children taking a bubble bath on top of the rubble—a shocking yet hopeful tableau. Why It Resonates Resilience: Shows life continuing amid devastation.Human Connection: Highlights an unusual friendship between a Palestinian worker and his Israeli boss, hinting at shared humanity.Narrative Depth: Eman focused on the children, not the destruction, turning tragedy into a universal story of hope. Alt Text Suggestion for Web: Children playing in a bubble bath on war‑torn rubble in Gaza, taken by Eman Mohammed, representing resilience after conflict. 4. Why Long‑Term Projects Matter From Spot News to In‑Depth Storytelling Spot news captures the immediate event (e.g., rockets falling).Long‑term projects uncover causes, aftermath, and human impact. Benefits Highlighted by Eman Mohammed Deeper Understanding: Reveals how extremism forms, how societies heal.Narrative Cohesion: Allows “layers of mental health, tragedy, resilience” to emerge over time.Ethical Responsibility: Offers a full picture rather than “half information.” Practical Steps for Photographers Identify a core question (e.g., “What happens after a house is destroyed?”).Allocate time—months or years rather than days.Build trust with subjects for ongoing access.Document both visual and oral histories. long‑term photography projects, after‑effects of war, in‑depth photojournalism 5. Preparing for War Coverage: Gear, Safety, and Mental Health Gear & Logistics (What Eman Mohammed Learned the Hard Way) Early days: No protective vest, no backup batteries, unreliable electricity.Now: One spare battery, basic body armor, portable solar charger, reliable backup storage. Safety Strategies Know the locality—local journalists share the same surprise factor as residents.Secure evacuation routes (even if embassies may be limited).Maintain communication with a trusted network of fellow journalists. Mental Health & PTSD Therapy is essential – Eman stresses continual sessions, not a one‑off fix.Peer support: Sharing experiences with other photojournalists reduces isolation.Self‑care practices: Regular sleep, nutrition, and moments of “mental break” from intense material. war photographer safety tips, photojournalism PTSD, gear for conflict photography 6. Behind the Book: The Cracks in My Lens (2022) Limited‑edition memoir chronicling a decade‑plus of Gaza coverage.Challenges: Re‑seeing traumatic images, translating feelings into words, language barrier (English not native).Therapeutic Value: Forced Eman to process memories, confront PTSD, and articulate the “smell, taste, view” of daily life under siege.Availability: A few copies remain on her website (pre‑order if you’re a collector). The Cracks in My Lens book, photojournalist memoir Gaza, limited edition photography book 7. The “Broken Souvenirs” Project: Trauma Without Borders Concept: Pair powerful images with ...
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    44 mins
  • Episode 173: Claire Rosen (Nature Photography)

    Episode 173: Claire Rosen (Nature Photography)
    Jan 13 2026
    🎨 Claire Rosen’s Whimsical World: From Beatrix Potter Inspiration to the Birds of a Feather Book Keywords: Claire Rosen, Birds of a Feather, fine‑art photography, animal photography, Beatrix Potter influence, conservation photography, conceptual photography, photography process, Fujifilm GFX, nature‑inspired art, limited‑edition photography book Meta description: Discover how award‑winning photographer Claire Rosen blends Beatrix Potter charm, nature conservation, and conceptual photography in her new book Birds of a Feather. Learn her creative process, gear, and where to buy the limited‑edition volume. 📖 Overview Claire Rosen, a Forbes “30 Under 30” honoree and celebrated fine‑art photographer, sits down on the 10 Frames Per Second podcast to discuss: Her early love for Beatrix Potter, natural‑history museums, and Dutch still‑life painting.The journey from her first staged photos with sisters to large‑scale animal “feasts.”The making of her newest, exquisitely crafted book Birds of a Feather – its concept, design, and limited‑run production.The technical tools (Fujifilm GFX, darkroom magic) that bring her whimsical animal portraits to life.How controversy sparked a deeper conversation about animal welfare and conservation. If you’re a photographer, a nature lover, or simply adore beautiful books, keep reading for an inside look at Claire’s process and tips you can apply to your own creative projects. 🌿 Who Is Claire Rosen? FactDetailAward‑winningForbes “30 Under 30” (2012‑2013)SpecialtyWhimsical, anthropomorphized animal photographyInfluencesBeatrix Potter, natural‑history museums, Dutch still‑life traditionKey ProjectsImaginarium (process guide), FEAST series, Birds of a Feather (2024)Current BaseGlenmore, Pennsylvania farm (≈ 1 hour from Philadelphia) 🐰 From Beatrix Potter to Conceptual Photography Why Beatrix Potter Matters Storytelling: Potter’s blend of cute animal characters and narrative inspired Claire’s “anthropomorphic” scenes.Conservation Roots: Potter used her book profits to buy land and start England’s first land trust – a model Claire mirrors in her own activism.Aesthetic DNA: Victorian‑era wallpaper, pastel palettes, and intricate set design echo Potter’s illustrations. “I moved to a farm eight years ago, and the same love for land conservation that Potter had really resonated with me.” – Claire Rosen Moving Beyond Documentation Claire doesn’t aim to “record” animals; she builds worlds. Early on she staged pictures with her sisters, focusing on world‑building rather than documentation—a practice that still defines her today. 📚 The Book: Birds of a Feather What Makes This Book Special? Limited Edition: Only 1,000 copies, half already sold.Tactile Design: Hand‑marbled edges, red thread stitching, inset “treasure‑hunt” pages.Mixed Media: Combines photography with Victorian‑style wallpaper, custom paper, and miniature illustrations.Conservation Message: Opens dialogue on animal rights, habitat loss, and ethical pet ownership. Key Sections Opening Quote: “Nature is the original and enduring muse.” – sets the tone for a reverence‑first approach.Parrot Portraits: Sourced from a pet store, sparked controversy that deepened Claire’s awareness of captivity issues.Raptor & Owl Series: Photographed during a Dubai exhibition; highlights falconry and wildlife rescues.Farm‑Side Residents: Chickens, ducks, and local wildlife captured during the pandemic. How to Get a Copy Primary Source: Claire’s official website (shop link).Select Retailers: Ivy Books (Baltimore) and a handful of boutique art stores.Pre‑order Alerts: Sign up on the website for restock notifications—future print runs are uncertain. 📸 Behind the Lens: Claire’s Technical Workflow StepDetailsCameraFujifilm GFX (medium‑format, high resolution, intuitive controls)Early GearCanon DSLR for initial projectsPost‑ProductionCollaboration with retoucher Beck Manson; extensive Photoshop work to unify images across 13 yearsPrintingPartnered with Luminosity Lab for paper selection and marblingSet‑BuildingVictorian‑era wallpaper scrap sheets, custom mini‑sets, animal‑friendly lighting “I need equipment that isn’t complicated; the Fujifilm system lets me stay focused on the animals.” – Claire Rosen Quick Tips for Photographers Working With Animals Research the Species – Know stress triggers and comfort cues.Prep the Set – Have all props, lighting, and backup gear ready before the animal arrives.Minimize Distractions – Keep the crew small and the environment calm.Safety First – Use experienced caretakers; never sacrifice animal welfare for a shot.Stay Flexible – Expect spontaneous behavior; sometimes the best moments are unplanned. 🌎 Conservation & Controversy: Turning Criticism into Dialogue 2013 Online Backlash: Critics attacked Claire for using ...
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    54 mins
  • Episode 172: Carol Guzy (Documentary Photography)

    Episode 172: Carol Guzy (Documentary Photography)
    Jan 7 2026
    Inside the Courthouse: How Pulitzer‑Winner Carol Guzy Uses “Visual Empathy” to Document New York’s Immigration Detentions Published on 10 Frames Per Second Blog – Your source for photojournalism insights 📚 Overview – Episode 172: Carol Guzy In the latest episode of 10 Frames Per Second, hosts Joe Giordano & Molly Roberts sit down with Carol Guzy, a four‑time Pulitzer‑Prize‑winning photojournalist, to discuss her groundbreaking work inside a New York City courthouse that has become the only U.S. courtroom where photographers are allowed to capture ICE‑related family separations. If you’re a photographer, journalist, activist, or anyone curious about how visual storytelling can drive social change, this post breaks down the interview’s most compelling moments, the ethical challenges Carol Guzy faces, and practical ways you can support or emulate her approach. Carol Guzy photojournalistImmigration detention NYC courthouseVisual empathy in photojournalismICE raids New YorkFamily separation photography10 Frames Per Second podcastPulitzer‑Prize photojournalismHow to document immigration raids 1️⃣ Who Is Carol Guzy? FactDetailProfessionPhotojournalist, freelancer represented by Zuma PressAwardsFour Pulitzer Prizes for photographyBackgroundTrained as an RN before switching to photographyFocusLong‑form, human‑interest documentaries (Haiti, Kosovo, Ukraine, U.S. immigration)Current ProjectDaily coverage of immigration detentions at the Eastern District of New York courthouse (hallways and elevators only) Why she matters: Carol’s “visual empathy” blends her nursing instincts with journalistic rigor, allowing her to capture intimate, humane moments in high‑tension environments. 2️⃣ Carol Guzy on the Unique NYC Courthouse Access Only U.S. courthouse that permits photography in hallways/elevators (courtesy of a lawyer’s petition by a photographer named Wiley).Public‑space rule: Hallways and elevator banks are considered public, not part of the federal building’s “restricted” zones.Limitations: No access to interior courtrooms, detention floors, or ICE‑specific offices. “It’s the only courthouse in the country that allows us this level of access – and it’s strictly limited to the hallways.” – Carol Guzy Why This Matters for SEO Search intent: People looking for “photographer access NYC courthouse” or “how to get permission to shoot in immigration courts” will find this post valuable because it explains the legal precedent and the practical constraints. 3️⃣ Visual Empathy: Carol Guzy From Nursing to Photojournalism The Core Idea Visual empathy = “Seeing with a compassionate heart while staying objective.” Nursing training taught Carol to be hands‑on, compassionate, and emotionally aware.She applies the same mindset to photography: listen, observe, protect the subject’s dignity. Practical Tips (From Carol Guzy’s Playbook) Leave bias at the door – focus on the story, not personal politics.Maintain a protective emotional barrier – let feelings settle before shooting.Follow families beyond the courthouse – capture life at home, after reunions, to humanize the narrative. Quick Checklist ☐ Verify legal access (court petition, attorney guidance)☐ Prepare emotionally (breathing exercises, quick debriefs)☐ Carry minimal gear for speed (camera, lens, backup batteries)☐ Respect privacy – ask before photographing children when possible 4️⃣ The Emotional Toll & Self‑Care Physical strain: Standing for hours, lugging gear, dealing with unpredictable schedules.Emotional strain: Witnessing children crying, family separations, and occasional aggression from agents.Coping mechanisms: Dogs – Carol says her pets are a lifeline.Community support: Friends offering couch‑surfing, churches (St. Peter’s) providing meals and legal aid.Professional debriefs: Talking with fellow photographers, taking breaks when needed. “It’s crushing to see these kids, but the mission to document keeps me going.” – Carol Guzy 5️⃣ Balancing Dignity & Documentation Challenges Flash photography from other journalists can feel invasive.Maintaining subject dignity while filming in a distressing environment. Carol Guzy’s Approach Stay in the hallways – capture moments without intruding on private moments.Follow families later – provide a more rounded, respectful portrait.Use captions wisely – avoid activist language; let images speak. Best‑Practice Summary DoDon’tEngage with families, ask permission whenever feasible.Push the camera into private moments without consent.Explain your role as a journalist, not an activist.Use sensational captions that bias the story.Document the systemic issue, not just the drama.Focus solely on shock value. 6️⃣ Community & Legal Support Systems St. Peter’s Church (Pastor Fabian Arias): Daily mass for migrants, legal clinics, and emotional ...
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    49 mins
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