This episode of All Pop, No Culture is a deep dive into Wonder Man, the Marvel series that sidesteps traditional superhero tropes in favor of a character-first story about passion, vulnerability, and artistic identity. Kevin and Andrew discuss why the show works as a meta character study, praising Yahya Abdul-Mateen II's performance as Simon and Ben Kingsley's return as Trevor Slattery.

They break down Simon's transformation, the authenticity of the Los Angeles acting world, and the standout "Doorman" episode as a sharp metaphor for the actor/agent grind. The conversation expands into MCU future talk—how the universe evolves after its biggest legacy stars, which characters could carry the next era, and where Wonder Man might appear next.

They wrap with thoughts on upcoming live-action adaptations and a candid discussion about AI's growing impact on creativity and entertainment.

This episode of All Pop, No Culture covers three wildly different stories with one common thread: power, vulnerability, and what people become under pressure.

Kevin and Lauren review Send Help, a Sam Raimi-directed survival thriller starring Dylan O'Brien and Rachel McAdams. They break down its shifting power dynamic, corporate toxicity bleeding into personal relationships, and how the film turns trust, gender roles, and emotional manipulation into its real danger.

They then shift to Broadway with Maybe Happy Ending, a warm, kid-friendly musical about two retired helper robots in Seoul that explores AI, emotion, and what it means for something "programmed" to still feel real.

Finally, they discuss If I Had Legs I'd Kick You, led by Rose Byrne, a dark and potentially triggering film about a mother coping with a sick child. Kevin shares personal perspective on parenting through medical uncertainty and the importance of support communities.