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Ann Kroeker, Writing Coach

Ann Kroeker, Writing Coach

Written by: Ann Kroeker
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With Ann Kroeker, Writing Coach, you'll gain clarity and overcome hurdles to become a better writer, pursue publishing, and reach your writing goals. Ann provides practical tips and motivation for writers at all stages, keeping most episodes short and focused so writers only need a few minutes to collect ideas, inspiration, resources and recommendations they can apply right away to their work. For additional insight, she incorporates interviews from authors and publishing professionals like Allison Fallon, Ron Friedman, Shawn Smucker, Jennifer Dukes Lee, and Patrice Gopo. Tune in for solutions addressing anything from self-editing and goal-setting solutions to administrative and scheduling challenges. Subscribe for ongoing input for your writing life that's efficient and encouraging. More at annkroeker.com.Copyright 2026 Ann Kroeker, Writing Coach Art Economics Marketing Marketing & Sales Self-Help Success
Episodes
  • Dear [favorite author]
    Apr 20 2026
    Dear [favorite author]Release Date: April 20, 2026

    Use this prompt to write a letter to your favorite author, alive or dead. Listen and you'll hear the letter I wrote (and who I wrote it to). This simple act reveals your creative values as you tell the author what it is you admire about their work.

    Listen or head to to read it and access additional related reading: https://annkroeker.com/2026/04/20/dear-favorite-author/

    And to get a copy of 52 Creative Writing Prompts, head to annkroeker.com/52prompts.

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    7 mins
  • Are Abandoned Projects a Sign of Creative Weakness?
    Mar 25 2026
    Are Abandoned Projects a Sign of Creative Weakness?Release Date: March 25, 2026

    Writers I work with—and if I’m honest, I myself—launch multiple projects, enthusiastic about every idea. We open a document, give it a working title, tap out a few paragraphs with loads of energy. Like the squirrel, we scamper around the Internet or library doing research, gathering quotes and anecdotes to incorporate into this shiny new work-in-progress.

    A few days or weeks later, we abandon it, our sentences as sparse as the squirrel’s twigs up in that tree. The raw materials of a project—research, paragraphs, quotations—sit on our hard drive. Will we return to it and continue building or abandon it for projects with more potential?

    Often we do abandon the project and scamper off to start another one.

    Weeks or months later, we might open our Finder window or Google Drive and scroll through our archives, astonished to see so much unfinished business: half-drafted projects, a concept of a book, or the start of a post. We can feel like we’ve wasted our time and resources.

    Are we quitters? Are we creatively weak? Are we people who love to start things but get bogged down in the messy middle, throwing in the towel when we can’t find our way through?

    Our inability to finish can leave us feeling embarrassed, ashamed, or frustrated.

    But that’s unhelpful self-talk. Instead, in this episode, we reframe it.

    Listen or head to https://annkroeker.com/2026/03/25/are-abandoned-projects-a-sign-of-creative-weakness/ to read it and access additional related reading.

    And to work with one-on-one, head to https://annkroeker.com/writing-coach - I can provide you with human support for writing you produce as the thoughtful human you are...no AI necessary!

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    12 mins
  • Don’t want to say it yourself? Put a frame around it!
    Mar 22 2026
    Don’t want to say it yourself? Put a frame around it!Release Date: March 22, 2026

    In novels, memoir, nonfiction, and poetry, a narrator can set up the main story so that we have a frame effect. This is, in fact, called the “frame narrative.” The main story, then, becomes “the story within the story.” Learn all about it and study examples in this episode.

    The frame narrative sets up the “main” narrative, and provides context and lends plausibility to the story within the story. The nested story likely has a completely different narrator from the frame’s narrator (and the frame might also offer insight into that nested-story’s narrator).

    The frame creates distance and reduces criticism of the first storyteller who sets things up. If you dislike or don’t agree with the story told, well, don’t blame the messenger. The main narrator is simply telling someone else’s the story (”Hey, this is what I heard a guy say”).

    The frame narrative’s speaker says the bold thing by letting someone else say the bold thing. In other words, the frame narrative delegates to someone else the task of saying the hard or controversial thing.

    You can see how you can try the frame narrative yourself to add distance from topics that matter to you. It’s a way of telling it slant. Invent one or both narrators, and create the story that sets up the nested story. You, too, can say the bold thing by letting someone else say the bold thing.

    Listen or head to https://annkroeker.com/2026/02/25/do-you-really-want-to-write-quietly-its-an-ai-favorite/ to read it and access all my sources in the footnotes. And to work with one-on-one, head to https://annkroeker.com/writing-coach - I can provide you with human support for writing you produce as the thoughtful human you are...no AI necessary!

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    8 mins
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