This week on the pod, something a little different: instead of the usual one-on-one interview with a Milwaukee arts leader, we welcome the entire Imagine MKE team to share their early memories that sparked a love of the arts and their Milwaukee origin story. Lindsay is joined by co-host Esteban Contreras, Communications and Network Development Fellow with Imagine MKE. Enjoy some holiday whimsy before we dive in to the interviews. Happy Holidays, all.

Welcome to Arts Forward MKE hosted by Lindsay Sheridan, Director of Marketing and PR at Imagine MKE. Each episode, Lindsay sits down with an arts leader and asks them about their early memories that sparked a love of the arts, what they're up to in their work now, and their dreams for the future of arts and culture in Milwaukee.

This week, Lindsay speaks with David Bloom, co-artistic director of Present Music. They talk about David's personal musical mission, Present Music's virtual fall programming (buy tickets to watch still at www.presentmusic.org), Milwaukee's enthusiastic new music audiences, and much more.

Intro and outro music is from Present Music's virtual Thanksgiving concert, "Wherein Lies The Good."

Intro: Mark Stewart: To Whom It May Concern: Thank You (2008) performed by Mark Stewart, electric guitar and Present Music musicians

Outro: V. Poetry (text: Abraham Sutzkever) | פּ ָאעזיע from Alex Weiser's and all the days were purple (2017) | און ַאלע טעג ז ַײנען געװען פּורפּורן, performed by Eliza Bagg, soprano and Present Music musicians.

Welcome to Arts Forward MKE hosted by Lindsay Sheridan, Director of Marketing and PR at Imagine MKE. Each episode, Lindsay sits down with an arts leader and asks them about their early memories that sparked a love of the arts, what they're up to in their work now, and their dreams for the future of arts and culture in Milwaukee.

This week, Lindsay talks to Richard Hynson, Music Director of Bel Canto Chorus. They talk about Rick's memories of growing up singing in Washington National Cathedral (where Lindsay worked for several years - here's a favorite photo of the space), his musical journey to Milwaukee and years with Bel Canto Chorus, and more.

They also talk about the process of rehearsing virtually (from the perspectives of Music Director and choir alto) for a Christmas program which will be released Friday, Dec. 18. Visit Bel Canto's website to learn more.

Music: Silent Night, arr. Michelle Hynson, perf. Bel Canto

Welcome to Arts Forward MKE! Each week, we talk with an artist or arts leader in Milwaukee about their early arts memories, their Milwaukee origin story, and their vision for the future of the city. Today we hear from Katie Cummings, founder and Executive Director of Pink Umbrella Theater Company. Head to their website to learn more about their work and sign up for their many opportunities (virtual classes, teaching artist cohort, etc.).

Welcome to Arts Forward MKE! Each week, we talk with an artist or arts leader in Milwaukee about their early arts memories, their Milwaukee origin story, and their vision for the future of the city. Today we hear from Debra Loewen, Artistic Director of Wild Space Dance Company. To see her work live - soon! - head to www.wildspacedance.org to buy tickets for their Nov. 19 and 20 Parking Lot Dances. You'll watch from the safety of your car, under the exit ramp of the Hoan Bridge.

Fun bonus: In the episode, Deb talks about her dance scores. See an example here.

Music: "I Want You to Be Kind to Yourself," by Cullah

Welcome to Arts Forward MKE! Each week on this show, we sit down with an artist or arts administrator in Milwaukee and dive deep into their story – asking them about their Milwaukee origin, their early memories that sparked a love of the arts, their present work, and their vision for the future of the city.

On today’s episode, we speak with Brent Hazelton, Artistic Director of Milwaukee Chamber Theatre, about his transition into his new role, the production of the recent MKE Black Theater Festival, and much more.

Music: "I Want You to Be Kind to Yourself," by Cullah

Welcome to Arts Forward MKE, a podcast out of the Imagine MKE podcast shop hosted Lindsay Sheridan, Director of Marketing and PR. We're back from break with a double feature episode about professional vocal early music ensemble Aperi Animam. In this second part, we welcome three panelists from Aperi Animam's recent virtual event #BlackVoicesMatter. The conversation starts on being Black in the classical music world, and broadens from there. The panelists, in order you first hear them, are:

Austin Bare | Venmo: @Austin-Bare-4 | FB: Austin Bare

Tiana Sorenson | Venmo: @TianaSorenson | IG: @stoic.but.hollering

Nicole McCarty | Venmo: @McCarty22 | FB: Nicole Corinne McCarty

We also hear from Daniel Koplitz, Executive Artistic Director of Aperi Animam.

Music: Both clips courtesy Aperi Animam

Outro: Selection on the Hebrew letter “Daleth" from Thomas Tallis’s second set of Lamentations. Says Daniel, "This was the opener for our concert meditation Libera nos, which we presented at Early Music America’s Emerging Artists Showcase in May 2019. It contains a very spicy “false relation" at the end, where a pitch and its sharpened equivalent sound at the same time creating a jarring dissonance."

Intro: Live recording from the final dress rehearsal of Utterance, a work of music theatre Aperi Animam developed with Milwaukee Opera Theatre, Cadance Collective, and Amanda Schoofs last October. The piece itself is from a 16th-century collection of chromatic songs called "The Sibylline Prophecies,” written by Orlande de Lassus for the Duke of Bavaria’s court.

More info

www.aperianimam.com | FB: Aperi Animam | IG: @aperianimam

Welcome to Arts Forward MKE, a podcast out of the Imagine MKE podcast shop hosted Lindsay Sheridan, Director of Marketing and PR. We're back from break with a double feature episode about professional vocal early music ensemble Aperi Animam. In this first part, we hear from Daniel Koplitz, Executive Artistic Director, and Jackie Willis, General Manager. We'll hear from them about their experiences that sparked a love of early music, their Milwaukee origin, the founding of the group, and more.

Then, head over to Part 2 for a conversation with panelists from Aperi Animam's recent virtual event #BlackVoicesMatter.

Music: Both clips courtesy Aperi Animam

Intro: Live recording from the final dress rehearsal of Utterance, a work of music theatre Aperi Animam developed with Milwaukee Opera Theatre, Cadance Collective, and Amanda Schoofs last October. The piece itself is from a 16th-century collection of chromatic songs called "The Sibylline Prophecies,” written by Orlande de Lassus for the Duke of Bavaria’s court.

Outro: Selection on the Hebrew letter “Daleth" from Thomas Tallis’s second set of Lamentations. Says Daniel, "This was the opener for our concert meditation Libera nos, which we presented at Early Music America’s Emerging Artists Showcase in May 2019. It contains a very spicy “false relation" at the end, where a pitch and its sharpened equivalent sound at the same time creating a jarring dissonance."

More info

www.aperianimam.com | FB: Aperi Animam | IG: @aperianimam