Austin Heitzman has made an indelible mark on bonsai, and put his stamp on the art form in North America. Beyond the technique and engineering that have allowed him to make some of the most gravity defying and cutting-edge designs in the bonsai realm, Austin’s passion for the unseen, never-before done, and the assumed impossible make his work something that stands alone. Ryan and Austin sat down on a cool spring evening to catch up and discuss recent happenings and upcoming ambitions. As usual, the conversation meandered through many topics including fossil hunting, unicorns of the wood world, and the rarely discussed marvels of hernia surgery. Perhaps the most intriguing discussion though, was Austin’s perspective of the life of an artist and the balance creative living has to strike with the compromising necessity to make a living doing what we love. The discussion was enlightening and thought provoking as Austin and Ryan go deep on the directions they’ve chosen in life and what it takes to make it all work in this wild world of bonsai. Enjoy!

In the world of being a bonsai professional at Mirai the end of repotting season makes the beginning of another very exciting and dramatically different scope of work. Think of the season for garden building and landscape work as a palette cleanser for the long season of watering and bonsai madness that awaits once trees enter the post-flush phase. Every year, Ryan takes time to celebrate a job well done repotting and indulges in his second love of building Mirai. This year, Brock and Brandon are here to help and pick up a few tips and tricks of the garden and landscape design realm they can incorporate into their own future bonsai facilities.

Listen in for a light conversation about the team’s garden ambitions, hopes for the next month, and random tangents of inspiration and fascination that will inform the shape Mirai takes in 2026.

The longstanding question of how to get more people involved in bonsai has been asked and pontificated about since the beginning of bonsai clubs in North America. This obscure art form has so many barriers to entry and at times seems impossible to expand due to its intricacies and nuances. However, Tim Arsenault and his team at Bonsai BAR found a common past time to pull beginners into the art and have started building a broader and better community, not by breaking new ground, but by applying the proven method of social engagement, mixed with a little liquid bravery, and an encouraging guide to a newbie’s first encounter with the tiny trees. Tim took the sip and paint method that swept the country by storm in the beer and wine boom of the past decade and applied it to the art of bonsai. Since its inception, Bonsai BAR has been a happening across North America. Riding on the shoulders of passionate instructors who want to share their love of bonsai, combined with some brilliant ingenuity of formalizing beginner education, Bonsai BAR is forging relationships that allow Tim and his team to address the growing demand for their offerings. Bonsai BAR might be the biggest thing to hit bonsai since its inception in modern western culture, and the sky is the limit for how this evolved touch point of beginning bonsai education could be applied to involve more people in the bonsai endeavor.

Ryan and Tim sit down to discuss Tim’s beginnings, how Bonsai BAR got off the ground and came to be, and to discuss the seemingly limitless future of Tim’s concept and how it truly can create a bigger and better bonsai community that fosters the expansion of the art for years to come.

Take a look at Bonsai BAR’s offerings here.

To become a Bonsai BAR teacher or ambassador check this out to start your journey.