This week, Steve trudges through familiar trash territory by going to the Sasquatch well once again with Bigfoot: The Conspiracy. Miros looks to deal a season two death blow by countering with The 90 Day Rule; a shot-on-a-cell-phone, Atlanta-based rom com.

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Two titans of Hollywood square off when Miros pits a late-career, trashy no-budget Ted V. Mikels film (Astro Zombies: M3 - Cloned) against Steve's choice, the slick Hollywood magical realism mindfuck from Stuart Paul: Deadly Lessons. Plus, for the first time in Caustic Content history, we watch a film featuring an Oscar award winning actor.

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Just when we think we've found rock bottom, we find a way to dig deeper and unearth the most abhorrent trash cinema buried in the bowels of the internet. This week, Steve forces everyone to watch a deranged, three-hour, one-man show that lands somewhere between shitty Tom Clancy novel and lunatic/conspiracy theory YouTube rant. Miros counters with what we can only assume is a CIA PsyOp. Or maybe it's just an hour-long video of a couple of Ukrainian guys banging toy dinosaurs together and mumbling.

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Caustic Content wades into uncharted territory, abandoning our usual trash films this week in favor of the worst streaming stand-up comedy we could dredge up. Steve goes to bat for the self-proclaimed "Queen of Clean" Chonda Pierce and Miros counters with low-rent shock comic, Donzilla.

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COVID-19 cinema has officially established itself as its own genre, flooding various streaming services with extended Zoom calls sprinkled with bits of stock footage. And, as everyone knows, you can only make a film during the coronavirus pandemic if it's about a global pandemic. What else is there in the world?

This week, we're pitting two Covid flicks against each other. For the first time in Caustic Content history, Steve chooses a direct sequel to a film he's never seen (Save Rosemary Too) and begs the question, "What if Orphan Black was completely unwatchable?" Miros counters with the only Covid-inspired faux-documentary that dares to dream of a world run by the Yang Gang (SARS-29).

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This week, Steve channels the power of THE TROOPS and tries to stop his unprecedented losing streak with A Warm Wind, a heartwarming tale about how we all need to believe that the Iraq War kicked ass. Miros counters with Sex, Drugs, and Nasty Nell's; The only movie that dares to ask "What happens when you get a half dozen porn stars, two aging pickup artists, and a few Sunset strip burnouts and then film them without a script?"

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Maybe patience is rewarded, or maybe a broken clock is just right twice a day. Either way, Caustic Content may have unintentionally stumbled onto a pair of completely fine examples of microbudget independent cinema. Or maybe they're still shit. It's impossible to tell what's actually good anymore.

This week Steve heads back to the show's old standby (cheaply made midwestern horror) with the Wisconsin Northwoods slasher, Attack of the Tattie-Bogle. Miros counters with a Canadian puppet-driven interspecies rom com, Divorcee at Large.

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In the spirit of podcast variety and keeping our brains from melting out of our skulls, we've temporarily banned films from Amazon Prime Video. Both Steve and Miros found refuge in trash cinema from Tubi, a free streaming service that breaks up your film-watching experience commercials so you can take a moment to think about the choices you've made.

This week, Steve chose Sex Pot (2009), a self-proclaimed comedy and our first film from the legendary film distributor, The Asylum. Miros counters with the ultra-high contrast sci-fi/horror/action/exploitation head-scratcher, Powerplegic (2013).

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