The season finale of Company Secrets: The Nutcracker Paradox closes with a powerful conversation featuring Sir Matthew Bourne, one of the most influential dance theatre makers of our time. Bourne reflects on his landmark 1992 Nutcracker, a bold reimagining that begins in a Dickensian orphanage and transforms into a vivid fantasy world, redefining how this holiday classic can tell an emotionally grounded story.

In this wide-ranging finale, Bourne shares his creative philosophy of finding the “big idea,” his deep respect for music as the foundation of storytelling, and his belief in humor, humanity, and audience connection as essential tools for making dance feel accessible. He also discusses why The Nutcracker remains a lasting gateway to the performing arts, his enduring relationship with the work more than 30 years later, and how New Adventures continues to evolve amid a changing global landscape.

A fitting close to the season, this conversation reflects on tradition, reinvention, and why The Nutcracker continues to matter.

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In this episode of Company Secrets: The Nutcracker Paradox, Jared Redick is joined by renowned dance scholar and cultural critic Dr. Brenda Dixon-Gottschild for a bracing conversation about why The Nutcracker may no longer deserve its outsized place in American ballet culture.

Rather than arguing for yet another reinvention of the holiday classic, Dixon-Gottschild challenges the field to de center The Nutcracker altogether, questioning its cultural neutrality, its mythologized role as an entry point, and the disproportionate time, money, and discourse it absorbs. She reframes the ballet as a uniquely American obsession, likening it to a kind of institutional Santa Claus that is comforting, lucrative, and rarely interrogated.

Drawing on personal history, scholarship, and decades of observing the field, Dixon-Gottschild explores issues of access, class, Eurocentric validation, and whose stories are perpetually foregrounded or ignored. Together, she and Jared ask what might become possible if ballet organizations invested the same energy in living artists, diverse communities, and multiple traditions as they do in preserving a single seasonal ritual.

This episode is not about canceling The Nutcracker. It is about loosening its grip, expanding our imagination, and making space for many nutcrackers, many audiences, and many futures for dance.

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In this episode of Company Secrets, Jared Redick is joined by choreographer and director Christopher Wheeldon for a deep dive into The Nutcracker as narrative, tradition, and opportunity for reinvention.

Wheeldon reflects on why The Nutcracker has become the definitive holiday ballet, from its concise storytelling and iconic Tchaikovsky score to its role as both a family introduction to ballet and a vital economic engine for companies. Drawing on his background in creating richly layered narrative worlds, he discusses why clarity of story and emotional access are essential to sustaining audience connection today.

The conversation centers on Wheeldon’s Chicago-set Nutcracker for Joffrey Ballet, reimagined on the eve of the World’s Fair. He explains how anchoring the ballet in the city’s history allowed for a more inclusive and socially conscious narrative, transforming Marie into a child of immigrant workers and reframing the second act through the international villages of the fair. From architectural inspiration and immersive lighting to puppetry, live theatrical illusion, and a redefined pas de deux, Wheeldon shares how design and storytelling worked hand in hand.

Wheeldon also speaks to the importance of narrative ballet as an entry point for audiences who may feel intimidated by the art form, arguing that accessible storytelling opens the door to deeper engagement with dance. The episode closes with a look ahead at his newly launched Toy Theater Productions and his vision for creating space for collaborative, story-driven work across theater, dance, and music.

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