This week’s reading was heavy—emotionally and intellectually. We paired Narrative of the Life of Frederick Douglass(1845) with W.E.B. DuBois’ The Souls of Black Folk (1903), and the contrast was striking.

Douglass’ firsthand account of slavery is harrowing, beautifully written, and unforgettable. From his stolen childhood to his carefully guarded escape, his story exposes not only the cruelty of slavery but its spiritual damage to everyone caught in its system. His reflections on faith, suffering, and corrupted Christianity are especially powerful. This is one book I believe every American should read.

DuBois offers a sociological lens on life after Emancipation—Reconstruction failures, education debates, segregation, and his idea of the “Talented Tenth.” While insightful, his approach felt more theoretical to me than Douglass’ lived experience.

Both are worth reading—but Douglass, especially, will stay with you.

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This week’s readings on Ted Gioia’s Immersive Humanities List felt unexpectedly thin and disjointed. We stepped backward in time to Gustave Flaubert and Charles Baudelaire, which made me keenly aware of how much I’ve come to rely on the list’s chronological momentum. I also continue to struggle with “selections,” especially in poetry, where I suspect I shortchange the material when time and energy are limited.

Flaubert’s short story “A Simple Life,” from Trois Contes, follows the entire life of Félicité, a housemaid whose quiet existence unfolds in a series of small, often bleak episodes. It’s beautifully written but profoundly sad—an example of realism so stripped of meaning that the character almost disappears.

Baudelaire proved even harder for me. Despite repeated attempts (in both English and French), I found Les Fleurs du Mal abrasive rather than illuminating. This week reminded me that this project isn’t about comfort or personal taste—and sometimes, that’s the point.

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Stepping inside an Impressionist painting? Yes, please.

Week 41 of Ted Gioia’s Immersive Humanities Course made me realize something startling: these books weren't picked for my enjoyment--and yet I loved them anyway. This week’s readings, Henry James’s The Spoils of Poynton and the “Overture” to Marcel Proust’s Remembrance of Things Past, carry us right into the early twentieth century.

I approached James with dread, expecting a slow narrative, but instead I found a moody, infinitely readable novel built around obsession, property, and desire. With a small cast and dialogue-driven scenes, it feels almost theatrical, no surprise since James briefly wrote plays. But it's also chilling in its fixation on “stuff” and ownership. This one was a winner.

Proust, meanwhile, surprised me with prose that felt dreamlike, luminous, and unexpectedly funny. I had expected dense, boring, and pointless--Proust was none of those. The famous madeleine scene becomes a meditation on memory that expands from a sensation as small as a crumb into an entire world.

Though radically different on the surface, James and Proust share a similar impressionistic quality, finding vast meaning in subtle gestures. A brilliant pairing--and a week I adored, even if Ted doesn’t care.

The Housekeeping:

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Ted Gioia/The Honest Broker’s 12-Month Immersive Humanities Course (paywalled!)

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