Kylie King-Hazel is a portrait painter living in Pōneke Wellington.

https://www.instagram.com/kyliekinghazel/

Kylie's practice inhabits the space of a soliloquy - an internal dialogue shaped by uncomfortable questions and self-reflection. It begins as a love letter to her Māori husband and children and moves to questioning her responsibility in creating work shaped by love, proximity and relationships.

Kylie's practice sits intentionally in an uneasy place and explores the uncomfortable question of what it means to be Tangata te Tiriti in Aotearoa. Rather than finding resolution, her work is shaped by ongoing questioning and reflects her responsibility as a Pākehā artist, wife and mother.Through painting she explores the emotional and political weight of portraiture, where gaze, visibility, histories, relationships and power dynamics combine, considering the accountability of making work in relation to Māori.

This episode is unique, thought provoking, authentic, beautifully honest and even raw and emotional at times.

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Tracey Coakley is a narrative oil painter working primarily in figurative painting and portraiture. Born in Melbourne, Australia, Tracey has lived in New Zealand since 2007 and now works from her studio in Waipu, Northland.

https://www.instagram.com/traceycoakleyart/

Predominantly self-taught, she has been painting since 2000 and working full-time as an artist since 2017, completing a Diploma of Visual Arts in 2006. Her subjects are often friends, family, and self-portraits, and over time have included her children as they navigate from childhood into adolescence and adulthood.

Art That Connects

Opening Day Ceremony

16th May 2026 2-4pm

Depot Artspace, Devonport, Auckland

https://www.betweenus.co.nz/

https://depot.org.nz/

https://www.instagram.com/figurativeartnz/

This exhibition has been developed to showcase the plurality of voices in contemporary figurative art and portraiture in Aotearoa New Zealand by exploring the rich themes of identity and lived experience with a goal to expand audience appreciation for the genres of figurative art and portraiture, and foster greater expression and connection in our communities.

We start talking about this show 1 hour and 6 minutes in to this episode. Tracey and Karlalise would like to sincerely thank Depot Artspace in Devonport for their wonderful venue and all their support.

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Lynne Sandri is a contemporary artist and a curious idealist living in Seatoun in Wellington.

With a career spanning over 25 years as a full time artist Lynne has had over 100 exhibitions and numerous artist residencies, she has built studios and opened them to the public, she's taught students and mentored artists and she sells just about everything she makes throughout NZ and internationally.

Lynne’s artwork delves into the beauty of nature, the cycles of life and the evolving concept of home and being a care-taker of land. She’s a maker, curator and collector with an insatiable appetite and curiosity for art in all its glorious forms.

I see Lynne as an amazing experienced role model for artists with some sound advice. as well as a damn good human! In this episode we talk about the benefits of art communities, creating and opening her studio to the public, stepping away from being represented by galleries and why she has chosen to do this, why she loves working 'her own gig', and how she sustains her practice by thinking creatively and outside the box as well as taking calculated risks and her business like approach to her art career.

As a past judge, selector, member of the board and part of the founding team of the NZ Art Show, and a guest judge in other art shows, Lynne shares her experiences selecting and judging art.

Lynne talks in depth about her various series, including floral paintings on long rolls of canvas that gather on the ground, her landmark paintings, painting on books, her still life and landscape paintings, and her heavily textured sculptural paintings. http://www.lynnesandri.co.nz/

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Jo Tricker is a glass artist based in Tauranga in the Bay of Plenty, Aotearoa NZ.

Jo creates glass fused, slumped, cast and lamp worked objects that are shaped by a love of literature and travel and the people from different cultures that she has met along the way.

Jo is an exuberant storyteller. In this episode she talks about her younger life living in the UK and studying English and linguistics at Massey University and her initial love of mosaics which 14 years ago led to learning about glass screen printing, lamp working and glass fusing. She shares why she only now feels she's getting to really understand what she's all about as an artist and why she does what she does. Jo works in series which often use different techniques or are based on different ideas. She explains how she juggles the various series of work, her time making as a busy mother and how she manages being an extrovert alongside spending so much time alone in her studio. And she describes the process for her most current series Mythology of Fruit.

Jo shares some excellent advice, philosophies and reflections for artists and people wanting to develop a creative career.

https://www.jotrickerglass.com/

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Rosanne Croucher is a landscape oil painter from Hamilton New Zealand. She sees herself as a 'painter of moments' as well as landscapes, capturing the splendour, light and mood of ordinary everyday Aotearoa scenes.

In this episode we talk about Rose's experience completing a masters degree of design and visual arts at Unitec in Auckland, which she completed in 2013; how she juggles being a mother of 3 children whilst still prioritising time to paint; why she likes to capture ordinary scenes as well as magestic landscapes; how she brings her imagination into her landscape work and why she loves to paint still water, mist and atmosphere.

We talk process - from her preference for preparing her own ACM boards and mounting and adhering canvas or linen on top, to techniques she uses for priming and colour mixing, using a rag as well as brushes and the joys and challenges of plein air painting.

Roseanne generously shares a mental health condition she has lived with for 30 years called TTM or Trichotillomania which she has recently overcome, how this has affected her life and why she now feels ready to share this with others.

This is a wonderful episode I know you'll enjoy. Ngā mihi thank you to Roseanne for sharing her beautiful practice and for sharing her personal beliefs and mental health with us.

https://rosannecroucher.com/

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Katie Robinson is a painter based in both Alexandra, Central Otago and in Devonport, Auckland. https://www.katierobinson.co.nz/

Katie makes work that sits at the intersection of memory, emotion, and mischief. Her art is grounded in its making, but often not in its mood. It’s underpinned by real stories and personal heritage, often tangled up with humour, oddness, and where I unexpectedly find emotion.

Much of her inspiration comes from the Otago region—its landscapes, its histories, its ghosts (real and imagined).

In this beautiful meandering episode we talk about Katie's academic background and varied career: the science PHD Katie achieved in her twenties; her moves into banking, management consulting then intellectual property law and how she finally "grew up" and tapped into her creativity once she became a mother.

Katie shares how she manages her life between Alexandra and Devonport and how these 2 places influence her work in different ways. We talk about leading from the heart, managing vulnerable feelings, painting on found objects, layering colour, the stories of stones, the challenges of solo shows, abstracting shapes and seeing things differently in her landscapes.

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Janet Mazenier is a contemporary visual artist living in Te Hau Kapua Devonport in Tāmaki Makaurau Auckland.

Janet's practice engages with place, time, affect, world bending, and materiality. Her drawn-paintings are characterised by texturally rich, excavated, and striated surfaces that evoke ancientness, the hidden, the unseen, and the ephemeral.

Janet's paintings are created using oil paint mixed with beeswax (known as cold wax medium), enabling a low-toxic practice that results in beautiful textural works.

In this episode we talk about how Janet got started as a full time artist 13 years ago after a corporate career, her experience gaining a masters degree in fine art at Whitecliffe School of Art in Auckland and going on to complete a PHD in Creative Practice at Elam School of Fine Art, which she completed in March 2026. Janet describes the medium of cold wax, its qualities, how it is made and applied and the effects she achieves with this medium in her paintings. We explore concepts around contextual and conceptual thinking, the ideas behind Janet's work related to heritage and place and her involvement in 2 formative artist residencies in Ireland. We talk scale, art collectives, collaboration, working with light, time and responding to the land.

Janet teaches a number of creative classes that encompass painting, drawing, collage and critical thinking, and is also offering one-on-one mentoring for creatives who wish to have a guiding hand to navigate your way through your creative practice. https://www.creativeconnections.nz/post/janet-mazenier-contemporary-visual-artist

https://janetmazenier.com/

Janet's workshops

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Mark Whippy is a Kiwi-Fijian artist born and raised in Auckland, New Zealand. Mark’s figurative and portrait art is inspired by observing the ordinary everyday people and scenes of his environment, hoping to capture their stories and characters, finding the beauty of every day life.

Mark's style is a playful blend of realism and abstraction. His focus currently has been on the urban environment of Auckland City life.​ As well as being a practising artist, Mark has a passion for teaching art and helping others gain confidence and grow their skills.

In this episode we talk about life drawing, teaching art, participating in art battles, Mark's experience studying fine art at Whitecliffe in Auckland, his experiences drawing people's portraits in public, Mark's painting process, entering art awards, neurodiversity and the ideas behind Mark's paintings. Mark talks about his introverted younger self and the ways he has gained confidence in himself and his practice over the years through his time at Whitecliffe Art School, participating in online art classes and stepping out of his comfort zone.

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