In Episode 61 Justin Pearson and Luke Henshaw get into a slew of wild topics with Chuck Tingle, an amazing writer of modern "niche" gay erotica. But strap yourself in, pun intended, because Chuck's writing often ropes in dinosaurs, unicorns, sasquatches, and lands in the realm of horror and science fiction. However, there is an abundance of depth with Chuck and the hosts, since more often than not, these conversations often circle back to the larger umbrella of punk ethics. Most of the conversation, which focuses on various topics such as performance art, politics, genetics, creating community, everything in between which seems to circle back to Chuck's notable and righteous slogan, which is always on his masked face, Love is real.

In episode 60 Justin Pearson and Luke Henshaw dive into conversation with Vique Simba of Simba Fanzine, to discuss their shared history in the punk and hardcore music scene. They specifically get into Vique's involvement in DIY zine culture, and the overarching issue with subcultures toting themselves as progressive while consisting of mainstream societies' patriarchal structures. Vique's position on sexual politics, hey involvement with Chicks Up Front, as well as her friendship and appreciation for bands which she may or may not enjoy musically, are what helped define her in the music industry.

Part 5, the final episode in the Oak Cliff Film Festival series wherein Luke Henshaw and Justin Pearson talk with Brandon Daley about the upcoming film, $POSITIONS, as well as Brandon's previous work. They discuss the off the wall dark comedy style of his films, and dive into topics related to $POSITIONS such as gambling addiction, and specifically with cryptocurrency. They also touch upon the massive topic of late stage capitalism and where any ethics may or may not exist, while trying to point out the parallels with addiction to religion, drugs, and the fact that online gambling is equivalent to the stock market that never closes. The conversation weaves in and out of many topics, some serious and some not so serious, since Brandon's work has characters that you want to loathe and at times, somehow love.