Drama. Creepy crushes. Body horror. A very interesting designed kaiju fighting the X-Men. The second act of the season wraps up as with the reveal that MAY have been a bit obvious... except to Rod (who must have looked away to write his episode notes).

A video version of the podcast is also available on YouTube or Facebook.

Cyclops is Waiting for Me is our podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way we’ve completed X-Men: Evolution, Wolverine & The X-Men and have our companion interview show The Xavier Files!

Season 2 of X-Men '97 is coming this Summer, but until then, we’re going to be diving into the Marvel Anime, X-Men

All our links: https://linktr.ee/cyclopsiwfmpod

Affiliate Links:

X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31

Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

"Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)

Sneaky doctor turns out to be sneaky. The team waits out the storm at the Sisake Institute, Armor has memory loss, Xavier finds out he has ANOTHER hidden baby (in every version of the multiverse) and the Blackbird is stuck in hard, white... stuff.

A video version of the podcast is also available on YouTube or Facebook.

Cyclops is Waiting for Me is our podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way we’ve completed X-Men: Evolution, Wolverine & The X-Men and have our companion interview show The Xavier Files!

Season 2 of X-Men '97 is coming this Summer, but until then, we’re going to be diving into the Marvel Anime, X-Men

All our links: https://linktr.ee/cyclopsiwfmpod

Affiliate Links:

X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31

Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

"Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)

The X-Men with new members Emma Frost and Armor in tow head back to Japan to figure out what's blocking Cerebro. They see some rather gross ghosts... snow... something that eats the ship before taking on the remnants of the U-Men head on!

A video version of the podcast is also available on YouTube or Facebook.

Cyclops is Waiting for Me is our podcast series where we are going back and watching EVERY-SINGLE-X-MEN-ANIMATED-EPISODE we can find. This podcast started with the original 1992 X-Men: The Animated Series building up to the release of X-Men ‘97. Along the way we’ve completed X-Men: Evolution, Wolverine & The X-Men and have our companion interview show The Xavier Files!

Season 2 of X-Men '97 is coming this Summer, but until then, we’re going to be diving into the Marvel Anime, X-Men

All our links: https://linktr.ee/cyclopsiwfmpod

Affiliate Links:

X-Men 97 - The Art and Making of The Animated Series: https://amzn.to/3WZjA31

Previously on X-Men: The Making of an Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3v2uxpG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

X-Men: The Art & Making of The Animated Series: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3PocfWS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

X-Men: The Animated Series - The Adaptations Omnibus: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://amzn.to/3VlyU9L⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

"Cyclops is Waiting for Me" Theme written and performed by Ron Wasserman (ASCAP) and Rod Kim (ASCAP)