Max Headroom - a glitchy cyberpunk face that seemed like a novelty in the 1980s - somehow became a pop culture anchor through commercials, parodies, and wall-to-wall brand exposure. If you mostly remember New Coke or a weird talking head you saw on TV, you’re not alone and that’s part of the story.

We step away from our sci-fi channel mini-series for Pride Month to give slash fiction the spotlight it deserves, because it is not just “spicy fanfic.” It is a long-running tradition of readers and viewers naming queer subtext, building community around it, and creating stories where mainstream media stays silent.

In a break from our mini-series we’re taking a hard look at why UFO disclosure and UAP transparency keep feeling “right around the corner” while delivering almost nothing on which people can agree. Along the way we touch the viral political chatter, the shifting tone from outright denial to careful acknowledgment, and the way the internet turns every half-statement into proof of a hidden program.

In one of the last episodes of the series we take a hard look at Voyagers!, the 1982 time travel series that barrels from setup to action in seconds. If you’ve ever loved Quantum Leap, Doctor Who, Back to the Future style causality, or TVA style “sacred timeline” drama, this one is a missing link worth revisiting.

We’re continuing our Sci-Fi Channel origin series by digging into LEXX: a cult space opera about a cowardly non-hero, an undead assassin, a love-obsessed robot head, and a former love slave flying a living ship built to destroy planets. It’s silly, dark, occasionally bad, sometimes brilliant, and almost never safe.

In our ongoing series we’re tracing Jerry Anderson’s strange, essential legacy and why early Sci Fi Channel programming kept looping Supercar, Stingray, and Space: 1999 into the brains of American kids who had no idea what they were watching, only that it felt like a secret door into another era of science fiction TV.

This is a preview of our ongoing series on the origins and programming of the Sci-Fi Channel. I promise we do actually talk about Gerry Anderson in this one.

William Shatner's TekWar is a so-so cyberpunk cop story that somehow grew into novels, comics, trading cards, syndicated TV movies, a USA Network and Sci Fi Channel series, and a PC video game that many people still call one of the worst ever made. The real story is not the plot, it’s the momentum. We follow the money, the branding, and the era’s obsession with recognizable names to figure out how this franchise kept getting revived even as it struggled to become genuinely good.