Nathan and Ryan blast off into the Heisei era with Godzilla vs. SpaceGodzilla (1994), one of the strangest and most divisive entries in the franchise. The hosts break down SpaceGodzilla’s wild origin story, the crystal-covered battlefields, and the introduction of fan-favorite MOGUERA. From telekinetic kaiju powers to baby Godzilla in peril, this episode explores how the film balances big ideas, uneven effects, and classic Godzilla spectacle. Is it an underrated gem or a cosmic misfire? Either way, it’s peak ’90s

Nathan and Ryan strap on their 3D glasses and dive into Saw 3D (aka Saw: The Final Chapter), the movie that promised to end the franchise… and very clearly did not. The hosts break down the gimmicky 3D gore, the returning legacy characters, and the soap-opera-level twists that push Jigsaw mythology to its absolute limit. From public traps to pink blood splatter to one last “gotcha” reveal, this episode examines whether Saw 3D works as a franchise finale or just another cruel game in a series that refused to die.

Nathan and Ryan crank the insanity dial to maximum with The Machine Girl (2008), a no-holds-barred Japanese splatter film that turns revenge into a geyser of blood, severed limbs, and absurd weaponry. The hosts dive into the film’s gleefully over-the-top violence, DIY energy, and cartoonish tone, where bullies get pulverized and a schoolgirl upgrades her missing arm with a fully functional machine gun. From low-budget ingenuity to punk-rock filmmaking spirit, this episode celebrates The Machine Girl as a cult classic that knows exactly how ridiculous it is—and loves every second of it.

Nathan and Ryan sharpen their Hattori Hanzō swords and dive into Kill Bill: The Whole Bloody Affair, Quentin Tarantino’s elusive, fully assembled vision of his two-part revenge epic. Combining Vol. 1 and Vol. 2 into a single, blood-soaked experience—with altered edits, restored scenes, and extended carnage—the hosts break down how the film plays as one continuous saga. They discuss its genre-hopping insanity, anime violence, spaghetti western soul, and whether this version truly stands as Tarantino’s definitive cut. It’s operatic revenge, pop-culture maximalism, and arterial spray at its finest.

Nathan and Ryan dive into Merry Matrimony (2015), a Hallmark holiday romance where a marriage of convenience becomes the key to saving a family business just in time for Christmas. The hosts break down the film’s cozy vibes, predictable-but-comforting tropes, and the undeniable charm that keeps these seasonal cable movies endlessly watchable. From fake dating to festive sweaters and last-minute realizations of true love, this episode asks the important question: does Merry Matrimony earn its spot in the holiday movie rotation?

Nathan and Ryan unwrap Holiday Heist (2011), a made-for-TV Christmas movie that blends lighthearted family drama with a surprisingly competent bank robbery. When two siblings get caught up in a holiday hostage situation, the season of goodwill collides with small-time crooks, parental bonding, and cable-movie tension. The hosts break down the movie’s Hallmark-meets-heist vibes, its earnest performances, and why this oddball holiday thriller stands out among the usual parade of festive romances and talking animals. It’s Christmas cheer… with a criminal twist!

Nathan and Ryan take a chilling listen to The Shout (1978), a strange and unsettling British psychological horror film adapted from a story by Robert Graves. Starring Alan Bates, John Hurt, and Susannah York, the film weaves folklore, repression, and unreliable narration into a hypnotic tale about an ancient Aboriginal scream capable of killing anyone who hears it. The hosts discuss its fractured storytelling, eerie sound design, and surreal tone, exploring why The Shout remains a haunting and often overlooked gem of late-’70s art-horror.

Nathan and Ryan dive headfirst into Despiser (2003), a bizarre direct-to-video hybrid that mixes live-action, early-2000s CGI, and animated hellspawn into one surreal action-horror experience. When a crooked cop is killed and dragged into a war between Heaven and Hell, he’s forced to battle demons, angels, and his own conscience—often as a glowing cartoon character. The hosts break down the movie’s ambitious-but-rough visuals, oddball mythology, and why Despiser feels like a lost late-night cable fever dream that only the Drive-In Double Feature Podcast would dare to resurrect.