A movie can have rough critic scores and still steamroll the box office, and this week’s numbers prove it. We come in buzzing about big upcoming releases (yes, we talk about the Odyssey trailer hype) and then immediately put our own forecasting skills on trial with a fresh round of box office predictions vs reality.

From there, we dig into what’s actually working for audiences right now. We recap the surprise strength of Michael and the huge opening for Devil Wears Prada (plus how advanced screenings can juice the totals), and we shout out a local win with Sergeant Honey. Then we pivot to new movies worth your time: Sheep Detectives delivers a clever family-friendly mystery with a genuinely funny hook, Mortal Kombat 2 brings R-rated franchise chaos with Karl Urban as Johnny Cage, and The Drama goes dark with a wedding-week confession that flips a relationship inside out.

We also get honest about the movie theater experience and the film industry economics behind the ticket counter: phones in the auditorium, rising fuel and delivery costs, and why some cinemas are drawing a hard line on Afterpay. If you care about movies, New Zealand cinema, and the future of affordable moviegoing, you’ll find plenty to argue with and plenty to agree with. Subscribe, share this with a movie friend, and leave a review with your best box office guess for next week.

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A romantic comedy opens during school holidays and gets absolutely steamrolled at the box office. That one result kicks off a bigger conversation we all feel as moviegoers but rarely name out loud: release timing can matter as much as the movie itself. I’m joined by cinema insider Ross Churchell as we unpack how school-holiday crowds reshape programming, why adults and retirees “rediscover” the cinema right after the kids go back to school, and what that awkward in-between period means for New Zealand cinemas trying to keep seats filled.

Then we jump to what’s next on the big screen, starting with Exit 8, a Japanese psychological thriller based on a hit video game. A man trapped in a sterile subway loop has to spot tiny anomalies and follow strict rules to escape, and the concept sounds minimal until you realize how tense that can get. If you like high-concept thrillers, video game movies, or stories built around repetition and dread, this one is worth a trailer watch.

We also dig into the Michael Jackson biopic, talk about the music, the mythology, and what fan reactions can signal when critic scores lag behind. And we put real numbers on the line with our opening-week box office predictions for both Michael and the massive nostalgia play The Devil Wears Prada 2, including why the sequel could be a true runaway hit. If you enjoy movie news, box office predictions, and upcoming movies, hit play, subscribe, and share the show with a film friend, then leave us a review and tell us which opening weekend you think wins?

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You can tell it’s the school holidays the moment the rain hits: queues get longer, faces get more stressed, and the same question keeps coming up at the counter. Will we get in. We kick things off with the moviegoing advice we wish every family heard before jumping in the car, from when to visit during peak holiday crowds to why booking ahead saves your whole day.

From there we zoom out into the New Zealand box office and what it reveals about timing. Why do some kids’ movies start slow and then surge. Why do holiday releases pop immediately. And why can a franchise like Super Mario pull massive numbers even when critics are grumpy. We also share the trailers that feel like genuine events, including the Michael Jackson docudrama and why it could be a true crowd magnet.

We then dig into the “nice surprise” corner of the schedule: You Me And Tuscany as a light Italy-set rom-com that people may need to discover, plus why we’re making space for language films like Adu 3 with English subtitles when locals request them. Finally, we preview what’s coming next, including Fuse, Solomio, and The History of Sound, a music-rich drama that deserves a proper cinema run.

If you like smart, friendly movie chat and practical cinema tips, subscribe, share this with a film-loving friend, and leave us a review. What are you seeing on the big screen next?

Book your tickets to the movies at Cathay Cinemas Kerikeri here - or at Lido Cinema Hamilton here!

School holidays don’t just test your patience, they test your planning. We kick things off by settling our Oscars scorecard and checking how our New Zealand box office predictions stacked up, then we jump straight into the real question parents are asking: what’s actually worth seeing at the cinema over the break?

We walk through a lineup built for families and kids, including The Magic Faraway Tree and why nostalgia is driving interest, the Super Mario Galaxy movie as the likely blockbuster, and Pixar’s Hoppers as a younger-leaning animated pick with a clear environmental message. We also touch on extra options still on screens, plus special programming like the Hunt for the Wilderpeople 10th anniversary re-release, an R16 horror-comedy called They Will Kill You, and even a marathon-length opera screening for the diehards. With budgets tight, we spotlight where $10 tickets can make a proper night out feel possible again.

Then we zoom out to the moviegoing experience itself. We both rate Project Hail Mary a strong 9/10 and talk about why it’s the kind of sci-fi you should see on the biggest screen you can find, along with the smart marketing that’s helping it cut through. We finish with practical cinema tips that save your day when it’s raining and busy: pre-booking, leaving earlier, handling queues, picking aisle seats with kids, and the simple etiquette rules that make a shared theatre work.

If you found this helpful, subscribe, share the episode with a fellow moviegoer, and leave a quick review with your top school holiday pick.

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Oscars season turns smart people into coin flippers, and we are no exception. We sit down with our ballots open and our confidence shrinking by the minute, then make the call anyway: our final predictions for Best Actor, Best Actress, Best Supporting Actor, Best Supporting Actress, Best Director, and Best Picture. Along the way we argue the cases for the films and performances that feel like front runners, the ones that might sneak up late, and the reasons our “sure thing” picks keep changing as the Academy Awards buzz shifts.

We also keep it grounded in what’s actually playing for real moviegoers right now. We celebrate a strong New Zealand box office result for Holy Days, give love to local storytelling, and share what we’re hearing from audiences walking out of My Name Is Party. On the new release side, we hit a quick guide to Cold Storage as a Liam Neeson and Joe Keery horror comedy, plus a limited release pick for art lovers with Turner and Constable. We even make time for a classic movie spotlight with Clint Eastwood’s The Outlaw Josey Wales, because sometimes the best way to reset your movie brain is to watch a great film on a big screen.

Then we zoom out to the movie industry question that affects everything: the theatrical window. A major studio is reportedly slowing down how fast movies hit streaming services, and we unpack why that change could help cinemas survive and help audiences remember what a theatrical release is supposed to feel like. That leads straight into our excitement for Project Hail Mary with Ryan Gosling, a sci fi crowd pleaser getting rave reviews and promising practical filmmaking that sounds made for theaters.

If you’re playing along with Oscars predictions, building a watchlist, or just want a smart, funny movie podcast from New Zealand cinema people, hit play and join us. Subscribe, share the show with a film nerd friend, and leave a review, then tell us what’s your Best Picture pick this year?

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The week’s lineup swings from iconic concert energy to sly, satirical thrills to a heartfelt Kiwi adventure—and we’re here for all of it. We kick off with Elvis Presley In Concert, Baz Luhrmann’s restoration that swaps reenactment for the real thing. Unearthed footage from the Vegas years puts you right on stage with Elvis—sweat, swagger, and sly asides intact—beautifully remastered for modern ears and eyes. It’s a rare chance to see why a voice can become a myth and how a myth can still feel human.

Then we tackle a box office riddle: Scream 7 slicing through US charts while showing softer legs in New Zealand. We unpack the franchise’s roots in meta-horror and why the original’s ruthless opening still echoes today. More importantly, we explore why straight horror struggles locally while horror comedies often break through. That leads us to How To Make A Killing, a darkly funny thriller channeling the spirit of Kind Hearts and Coronets. Glenn Powell plays an heir many rungs down from $28 billion, nudged toward an outrageous solution. It’s sharp, stylish, and perfectly timed for audiences who want stakes with a smirk.

We keep it close to home with Holy Days, a 1970s-set road trip where a boy teams up with three nuns to save their convent. With Miriam Margolyes, Judy Davis, Jacki Weaver, and standout newcomer Elijah Tamity, the film blends cheeky humor with real warmth, echoing the Kiwi classics that make you laugh first and feel later. Along the way, we place our opening weekend bets, reflect on why people crave communal laughs in heavy times, and flag a near-future must-watch: Project Hail Mary. To cap it off, we tee up next week’s Oscars prediction special—reckless optimism, zero cheating, maximum accountability.

Love smart movie talk with real stakes and a few laughs? Follow the show, share it with a friend, and drop your own predictions in a review. Who gets your ticket this week—and are you Team Elvis, Team Scream, or Team Holy? Subscribe and tell us your pick.

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A YouTuber-backed indie horror just ran circles around studio titles at the New Zealand box office—and that upset sets the tone for a week packed with big swings. We start with the data and dig into why Iron Lung connected: a tight hook, social reach, and a promise horror fans could rally around. From there, we turn to three fresh releases competing for very different moods and audiences, mapping out who each film serves and how they might perform once the first-week buzz fades.

First up: Wuthering Heights, led by Margot Robbie and Jacob Elordi, aims to bring Brontë’s storm-soaked romance to a new crowd. We talk chemistry, style risk, and whether modern sheen helps or hurts a story built on obsession and ruin. Then we switch gears to Crime 101, a sleek heist thriller with Chris Hemsworth as an elusive thief, Halle Berry in the crosshairs, and Mark Ruffalo closing in. With Bart Layton at the helm, the film promises sharp set pieces and character-driven stakes—exactly what’s been missing in crime cinema lately.

We also spotlight Marama, a Kiwi gothic revenge horror set in Victorian England, threaded with Māori taonga and the weight they carry. Early audience reactions are glowing, and the RP16 rating could broaden access for teens when a straight R might have kept them out. We break down how ratings shape turnout, why cultural specificity can make horror hit harder, and where this film could land in the weekend rankings. Plus, we share a listener’s path into the cinema industry and tease a special 10th anniversary celebration for Hunt for the Wilderpeople that we’re helping bring to screens across the country.

Hit play for clear picks, smart context, and a few bold predictions. If you’re into box office strategy, star chemistry, and standout local stories, you’ll feel right at home. Subscribe, share with a friend who needs movie plans, and tell us: which film are you seeing first and why?

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What happens when a creator-led indie horror storms 3,000+ theaters while studio tentpoles still rule the charts? We kick off Season 4 by unpacking a summer that brought crowds back, from Zootopia 2’s family juggernaut to Avatar: Fire and Ash proving its staying power without chasing old records. Then we turn to the wild card everyone’s talking about: Iron Lung, a claustrophobic nightmare born from a cult video game and powered into cinemas by a massive online fanbase. It’s not just a release—it’s a distribution experiment that could reshape how audience-driven films reach the big screen.

We pair that with Send Help, a sharp, survival-driven thriller starring Rachel McAdams as a competent worker stranded with her overbearing boss after a crash. The result is equal parts tension and dark humor, with Sam Raimi’s genre instincts pushing the pace. For a contrast in tone and texture, The Coral offers a moving British period drama set in 1916 Yorkshire, where a choral society recruits wounded veterans and welcomes a brilliant yet mistrusted choirmaster. It’s a story about loss, suspicion, and the healing force of shared music—perfect for viewers who crave resonance over spectacle.

Awards talk adds spice: Timothy Chalamet’s acclaimed turn in Marty Supreme, a nomination tsunami for Sinners, and a spirited debate over Mercy, where an AI judge weighs guilt and probability. We also celebrate the local side of cinema: a packed festival stop, a heartfelt Q&A and song from Don McGlashan, and new indie shoots happening inside the theater itself. We close with our box office predictions for Iron Lung in New Zealand—split picks, no spoilers—and an open invite to weigh in. If you love bold releases, smart genre blends, and the community that keeps cinemas alive, you’re in the right place. Subscribe, share with a friend, and tell us: which film has your ticket this week?

Book your tickets to the movies at Cathay Cinemas Kerikeri here - or at Lido Cinema Hamilton here!