Ricardo Moreno Beasley was not an artist who painted the West—he was a rancher who lived it. In this episode, Homero and David dive into the life of the self-taught South Texas artist who captured the true stories of the vaqueros he worked alongside, sketching their daily struggle and skill in the chaparral. Learn about Beasley’s deep family roots in the original Mexican land grants like La Trinidad, and how his honest, authentic work, largely unknown during his lifetime, was finally brought to light in the foundational text, Tejano Empire. It's not a comparison to the giants, it is "Simply... Beasley."

Head south to Alice, Texas, with El Mesteno Podcast! In this episode, "Rancho Alegre: El Origen," hosts David Flores and Homero Vera dive into the uplifting story of how the barrio of Rancho Alegre, or "Happy Ranch," got its name. Based on the firsthand account of pionero Juan C. Rodriguez, discover the tale of the Rodriguez family, who put down roots in South Texas with the purchase of two and a half acres in 1939. The name, a blend of a classic Mexican movie and the joyful spirit (la alegría) of migrant farmworkers gathering for social dances after a hard day's labor, is a monument to the resilience and unbreakable spirit of the Mexican American community. ¡Escúchale! (Listen up!)

Homero Vera shares the true, dramatic story of his great-grandfather, vaquero Eleno Salinas. In the late 1800s, Eleno unknowingly takes a job with a gang of rustlers in South Texas. When his sharp eye recognizes a stolen horse by its brand, his life is suddenly at risk—with the outlaws plotting to kill him and throw him into a well ("el pozo"). What follows is a tale of a desperate escape, a warning from a loyal cook, the quick thinking of one man, and a dramatic standoff at the ranch of Doña Virginia Salinas de Garcia, a fierce matriarch who risks everything to save him. Discover the story of how a single act of recognition led to a life of danger, survival, and eventually, great success as a landowner and businessman in Concepcion.

*Episode Note from Homero

Doña Virgiña’s grandchildren, Heriberto Barrera and Genoveva Barrera Leach, independently confirmed the story as my dad had told it to me. Recently, while viewing the vaquero artist Ricardo Beasley’s website, he also mentions in his notebook that he needed to follow up on Don Eleno’s story of the bandits.