In this second installment of “El Speakeasy” our hosts take on fatherhood, the masculinity question and the disillusionment of leftist revolutionary narratives in contemporary culture. The fellas engage in a lively and personal discussion around the new movie release by Paul Thomas Anderson’s “One Battle Battle After Another” which sparks conversations around our current political moment, fatherhood and the role of art in social change.

• One Battle After Another, Directed by Paul Thomas Anderson and starring Leonardo Dicaprio, Benicio Del Toro, Regina Hall and Teyana Taylor. The three compadres engage multi-layered conversation around why this film either resonates or does not in this particular cultural moment. Our hosts dive deeper into character, plot development and more nuanced ideas around the idea of revolution, fatherhood and resistance.
• Bill Kelley Jr has been reading The Two Parent Privilege by Melissa Kearney. She argues that the number of parents in one's household is the single greatest determining factor in a child's life and that the decline of married, two-parent households, especially among college-educated Americans, has widened inequality by limiting children’s access to time, stability, and resources.
• Francisco Ortega recommended we all watch the Netflix Documentary Film Come See Me in the Good Light, which focuses on the relationship between Poet Andrea Gibson and her partner Poet Megan Falley as they grapple with Gibson’s terminal cancer diagnosis. This is a moving depiction of two deeply creative and expressive individuals coming to terms with death and mortality.
• Juan Devis recommended we watch Apocalypse in the Tropics, another Netflix documentary film that tracks the growing influence of the evangelical movement in Brazilian politics, especially during the presidency of Jair Bolsonaro’s tenure as President of Brazil. This film depicts eerily similar dynamics of the growing political power the evangelical movement in Brazil that mirror what is taking place here in the United States as well.

In this episode of El Speakeasy, the hosts dig into Monuments: The Art of Un-Monumenting and Cancellation, using the MOCA / The Brick exhibition as a starting point for a wide-ranging conversation about statues, power, and how societies confront racist histories.

With differing reactions, the three amigos debate the show before moving into broader questions about Confederate monument removal, cancellation, and consequence — including a personal story that complicates easy narratives about accountability. Through candid debate and lived experience, the episode examines what it means to take something down, how to reckon with the past, and who is affected in the process.

Monuments runs until May 3rd 2026 in Los Angeles at The Geffen Contemporary at MOCA/The Brick.

At the end of this episode, Bill, Francisco, and Juan share their recommendations for the week.

• Bill Kelley Jr. loves Shop Class as Soulcraft dives into why rolling up your sleeves and doing hands-on work is kind of a game-changer in our tech-heavy world. It covers the changing nature, and consequences, of our public education's shift from manual labor to cognitive labor.
• Francisco Ortega swears by Yoga Beyond Belief by Ganga White who has been a teacher and practitioner of Yoga for over 50 years. This book has a foreword by the musician Sting and gives a detailed view of the origins of yoga and a roadmap to the current practice of Hatha Yoga.
• Juan Devis was moved by the works of the 2025 Winner of the Nobel Prize for Literature, Hungarian writer, Lazlo Krasznahorkai for his visionary oeuvre, and his novel The Last Wolf & Herman which details the account of a weary writer drawn into the tale of the final wolf hunted in the desolate Spanish region of Extremadura.