Tomasz Stańko (1942–2018) was an extraordinary trumpeter and jazz composer, a towering figure of European free jazz. He first achieved international recognition as a member of Krzysztof Komeda’s legendary ensemble and as a co‑creator of "Astigmatic" (1965), the groundbreaking album that reshaped the landscape of European jazz.Over the course of his remarkable career, Stańko forged a distinctive, instantly recognizable sound—lyrical yet raw, emotionally charged yet boldly exploratory. He led numerous ensembles, most notably the Tomasz Stańko Quintet from the 1970s onward, and collaborated with such influential artists as Krzysztof Komeda, Edward Vesala, Jan Garbarek, and Cecil Taylor. His work not only defined the evolution of jazz in Poland but also left a lasting imprint on the global jazz community. Celebrated with many awards and honors, Stańko remains a symbol of creativity, perseverance, and the transformative power of music.On May 18, 2004, I had the privilege of interviewing Tomasz Stańko—just one month before the Tomasz Stańko Quartet embarked on its long‑anticipated tour of the United States and Canada. A revised version of this conversation was first published in June 2024 on "All About Jazz".As a longtime admirer of Stańko’s artistry, I was always moved by his ability to fuse avant‑garde experimentation with profound emotional expression. His music transcended boundaries and spoke directly to the soul. This interview was not only a professional milestone but also the fulfillment of a deeply personal dream.Our conversation touched on many themes: the character of the Polish jazz scene and the legacy of Andrzej Trzaskowski, the vibrant energy of Stańko’s young ensemble, the significance of the upcoming North American tour, and his reflections on inspiration, creativity, and the evolving shape of jazz at the dawn of the 21st century.I am honored to share this dialogue, which offers a rare window into the mind of a true jazz innovator. (Cezary L. Lerski)