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Press Play Conversations

Press Play Conversations

Written by: FM 2.0 Press Play
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Press Conversations is hosted by ”The Don” and Press Play CEO Tina Hauser and frequently joined by Sirius XM Host Dean Baldwin is a podcast that dives into the goosebump moments of songs by both classic and emerging rock and country artists. Join Don, Tina, and Dean as they he unpack the emotional and musical magic that makes these tracks unforgettable.Copyright 2025 All rights reserved. Music
Episodes
  • Styx’s Lawrence Gowan on Creativity, Survival, and The Beatle Who Saved His Career
    Dec 5 2025

    In an intimate and electric conversation on Press Play Conversations, Styx frontman Lawrence Gowan sits down with Don, Tina, and Dean to break down Circling From Above—a concept album that sounds as urgent and alive as anything in the band’s 53-year history. From the album’s nature-vs-technology storyline to the three-way creative chemistry between Gowan, Tommy Shaw, and Will Evankovich, the interview dives into the artistic friction, classical roots, and unexpected inspirations shaping Styx’s modern renaissance. Gowan moves fluidly from humor to philosophy to piano performances mid-conversation, offering fans a rare, candid look at the mind behind one of rock’s most enduring bands. Plus, The Beatle who saved his career.

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    52 mins
  • Morgan Myles Has Nothing to Prove—But She’s Still Got Something to Say
    Nov 5 2025
    Morgan Myles doesn’t just sing songs. She breathes through them, bleeds through them, and sometimes — if you're lucky — she lets you inside. In a wide-ranging and heartfelt interview with Press Play Radio, the Nashville powerhouse opens up about everything from family, faith, and her viral run on The Voice, to heartbreak, healing, and the soul-cleansing power of letting it all out on stage. From the moment the cameras roll, it’s clear this isn’t just another promo stop. Myles is warm, funny, sharp, and real — a woman who wears her heart like a badge of honor, even if it’s still mending. When she jumps on screen with Press Play hosts The Don, and Tina, her charisma immediately radiates — but it’s when her dad pops in for a surprise cameo that the warmth of her world becomes undeniable. “He goes on the road with me everywhere,” she says with a laugh, “like he’s part of my brand or something.” That sense of family, of loyalty, and deep roots runs through everything she does — most notably in the performance that put her on the map: Hallelujah on The Voice. It was a bold choice, as John Legend himself pointed out when he said it took “cojones” to take on Leonard Cohen’s spiritual behemoth. But Myles knew exactly what she was doing. For her, the song wasn’t a vocal showpiece — it was an emotional purge. “The only way you can deliver that with conviction,” she says, “is if you’ve experienced pain. Real pain. That song takes different shapes throughout your life. It meets you wherever you are.” For her, that performance was do-or-die. After 17 years grinding in Nashville, enduring loss, rejection, and more “almosts” than anyone should have to, Myles needed a sign. “If those chairs didn’t turn,” she admits, “I was done.” The universe responded — fast. Within five seconds, Camila Cabello and Gwen Stefani had spun their chairs. Then John. Then Blake. Morgan became the fastest four-chair turn in Voice history. “I was just staring at the light,” she says. “I wasn’t singing to them — I was singing to my purpose.” But her story doesn’t end with the show. In fact, the next chapter may be the most compelling yet. In 2023, just months before this interview, Morgan ended her engagement — and she didn’t just walk away. She walked through fire. Her newest single, “Weight of Your Words,” is the result. Written the day she said “enough is enough,” and co-crafted with songwriting veterans Rebecca Lynn Howard and Rachel Thibodeau, the track is a battle cry wrapped in soul-rock catharsis. “He weaponized my vulnerability,” she says, “used my own words against me. That’s where the song came from.” It’s a breakup anthem — but not in the usual “woe is me” sense. It's scorched earth empowerment. “Every line in that song is something he actually said to me,” Morgan explains. “But it’s not a bitter song — it puts the power back into the hands of the one who’s been hurt.” That honesty carried over into her shows. The night she broke off the engagement — just an hour before stepping on stage — she told the crowd. “It’s just me and a guitar tonight,” she said. “Help me through this.” What followed was an evening of connection and collective release. One woman opened up about surviving domestic abuse. Another man shared that he hadn’t seen live music in 14 years. Morgan, in turn, made up choruses on the spot based on lines submitted by the audience — proof that when you bleed honestly, people bleed back. She also talks about Therapy, a gospel-tinged track released in 2020 that Press Play's hosts rightly call one of her most spine-tingling performances ever. Ironically, the music video for it only came to be because she was denied a gig in Vermont over vaccination policies. “We turned lemons into lemonade,” she says. “I had a videographer with me, so we shot in the theater and just made the best of it.” Whether she’s navigating heartbreak, connecting with strangers in a small town crowd, or dueting with legends like Vince Gill at the Ryman, Myles never loses her center. She’s unafraid to get raw, even when it hurts. Especially when it hurts. From Mariah Carey and Amy Grant to Muscle Shoals and The Grand Ole Opry, her influences are as eclectic as they are spiritual. And when she laughs with the Press Play team about Janet Jackson choreography or quips about needing a chiropractor from hauling gear, you see the full picture: a woman who is grounded, grateful, and not even close to done. “This is my healing,” she says. “And by sharing it, I’m building community with people who need it too. That’s what it’s all about.” Yes, she can belt. Yes, she can write. Yes, she’s a total pro. But more than anything, Morgan Myles is the real deal — a voice of resilience for anyone who's ever had to rebuild from the ashes of “I do not.” She didn’t win The Voice. But she’s ...
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    43 mins
  • 38 Special’s Don Barnes Talks Hooks, History, and Holding On Loosely
    Oct 24 2025

    It’s not every day you sit across the virtual table from a man whose voice once soundtracked your first kiss, your summer road trip, or that awkward high school dance. But when Don Barnes of 38 Special drops into the Press Play Conversations Zoom room, flanked by Press Play CEO Tina and SiriusXM’s Dean Baldwin, it’s more than just another legacy interview. It’s a masterclass in American songwriting, perseverance, and what happens when you’ve still got fire in the tank 50 years into the game.

    Barnes, affable and sharp as ever, settles into the discussion with his signature Southern ease—part statesman, part story-weaver. The conversation kicks off with a tribute to a longtime collaborator: Jim Peterik, the Survivor mastermind and co-writer of “Hold On Loosely.” What started as a random co-writing session decades ago turned into a songwriting marriage that would yield hits like “Caught Up in You” and “Fantasy Girl.”

    Barnes remembers the moment “Hold On Loosely” was born like it happened yesterday. “I was going through a relationship that was going south,” he admits. “And I said to Jim, ‘What is it about people trying to change each other?’ Then I tossed out, ‘Hold on loosely?’ And he fired back, ‘But don’t let go.’” The rest, as they say, is Southern rock history.

    As Tina jumps in, she adds that she’s used that song as relationship advice for each of her kids. Barnes nods. “It’s true. You love too much, you smother someone. People come up to me and say that song saved their marriage. I’m like—really? We were just trying to get on the radio.”

    But 38 Special did more than get on the radio. They owned it. Dean, a human jukebox of rock history, offers a truth that’s often overlooked in retrospectives: 38 Special were the band that brought Southern rock to the mainstream, showing country how to lean into rock riffs without losing its roots. “Southern bands were singing about whiskey and gators,” Barnes jokes. “We were chasing the hook, man. I wanted songs that lifted.”

    And lifted they did. “Rockin’ Into the Night” might’ve been handed off by Survivor, but Barnes and company turned it into a declaration. Then came the anthems—“Hold On Loosely,” “Caught Up in You,” “If I’d Been the One”—each track delivered with tight arrangements, radio-friendly hooks, and a working-class grit that felt both polished and lived-in.

    Talk turns to Milestone, the band’s new album that celebrates 50 years of 38 Special. It's not just a look back—it’s a push forward. “We didn’t want this to be a nostalgia trip,” Barnes says. “We wanted to show we could still hang in 2025.” The result is an album that nods to the past while refusing to live in it. Take “Slightly Controversial,” a grinding, hook-laden duet with Train’s Pat Monahan that’s pulled in a whole new generation of fans aged 20 to 35. “That song hit a nerve,” Barnes explains. “Pat came in and crushed it. And the phrase? Never used in a song before. It just sang well.”

    Another standout, “All I Haven’t Said,” may be one of Barnes’ most personal to date. Co-written with his wife Christine, the ballad aches with mature love—the kind that lingers after years of silence, routine, and unspoken devotion. “She gave me the title,” Barnes says, still in awe. “And then the line: I would write it across the sky how I loved you. It just poured out from there. That’s my diamond.”

    Even the album’s roots trace back decades. Barnes dishes on his shelved solo album from 1989, recorded with members of Toto and meant to break him out in a new light. A label sale shelved it—until a fan in Australia helped him resurrect it decades later. “It finally got released in 2017. We toasted champagne. It was worth the wait.”

    For a guy who helped shape the FM rock dial, Barnes remains grounded. He’s passionate about honoring the band’s past, but even more excited about its future. “We’re adding two new songs to the setlist already. More are coming.” As for touring, the band still plays over 100 dates a year. “We’re road warriors,” Barnes says. “Always have been. The crew is family. The band is family. And after all these years—we still like each other. That’s rare.”

    So what keeps the fire burning?

    “The hook,” Barnes answers, without missing a beat. “I’ve always been about the hook. That’s the thing that sticks. That’s what makes people feel something.”

    And as the conversation winds down, it’s clear Don Barnes still has plenty left to say—and even more left to play.

    Want to hear more from 38 Special? Check out the new album Milestone and explore the band’s legacy at www.38special.com And yes, “Hold On Loosely” still slaps—hard.

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    51 mins
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