In this episode, FQT associate director Che Gossett speaks with author, film producer and director, actor and model, Geena Rocero about Horse Barbie: A Memoir of Reclamation (Random House, 2003), her modeling, directing and acting careers, her public advocacy work, trans diaspora, spirituality, and her new short film Dolls.

Music cred: “QC Gurlz” by Stef Aranas

In this (first of two parts) episode FQT associate director Che Gossett speaks with Professor Susan Stryker.

Stryker is Professor Emerita of Gender and Women’s Studies at the University of Arizona, as well as Distinguished Visitor and 2025-2026 Faculty Research Fellow at Stanford University's Clayman Institute for Gender Research. Stryker has served as Visiting Professor of Gender, Women’s, and Sexuality Studies at Yale University, and Barbara Lee Distinguished Chair in Women’s Leadership, Mills College.

She is an executive editor of TSQ: Transgender Studies Quarterly, and as co-editor of the Duke University Press book series ASTERISK: gender, trans-, and all that comes after. Stryker is the author of Transgender History: The Roots of Today’s Revolution (2008, 2017), co-editor of the two-volume Transgender Studies Reader (2006, 2013) and The Transgender Studies Reader Remix (2022), as well as co-director of the Emmy-winning documentary film Screaming Queens: The Riot at Compton’s Cafeteria (2005).

In episode one of a two part interview, Stryker discusses her field defining scholarship in trans studies, the new of her writing anthology edited by Professor McKenzie Wark, When Monsters Speak: A Susan Stryker Reader (Duke University Press, 2024), and her recent scholarship bringing together abolitionist politics and trans architectural imaginaries.

Music: "Scary Monsters and Super Creeps," David Bowie

In this episode, FQT associate director Che Gossett speaks with psychoanalyst and scholar Avgi Saketopoulou, who is the 2025-26 Avenali Chair in the Humanities at UC Berkeley, about her book Sexuality Beyond Consent: Risk, Race, Traumatophilia (NYU Press, 2023), and the entanglements of race, gender, sexuality and psychoanalysis.

Music Credit: "Consideration" by Rihanna and SZA

In this episode FQT associate director speaks with Harvard Law professor Michael J. Klarman about his award winning scholarship in civil rights and legal history, including From Jim Crow to Civil Rights: The Supreme Court and the Struggle for Racial Equality (Oxford University Press, 2004) which received the 2005 Bancroft Prize in History, and his newest book, The Framer's Coup: the making of the United States Constitution (Oxford UP, 2016) which was a finalist for the George Washington Book Prize and the American Bar Association’s Silver Gavel Award.

Music Credit: "Animosity" by Tupac

In this episode FQT associate director Che Gossett speaks with Professor David Joselit. Joselit is Arthur Kingsley Porter Professor of Art, Film, and Visual Studies and Chair for Art, Film, and Visual Studies (AFVS) at Harvard University. Joselit began his career as a curator at The ICA in Boston from 1983-1989. After receiving his PhD from Harvard in 1995, he has also taught at the University of California, Irvine, and Yale University where he was Department Chair of History of Art from 2006-09, and the CUNY Graduate Center. Some of Joselit's most recent books are After Art (Princeton University Press, 2012) and Heritage and Debt: Art in Globalization (MIT, 2020) which was awarded the 2021 Robert Motherwell Book Award, and Art’s Properties (Princeton University Press, 2023). Gossett speaks with Joselit about his work as a curator, art historian and about art in an era of globalization.

Music Credit:

"erratum Musical (for three voices)” by Marcel Duchamp

In this episode FQT associate director and podcast host Che Gossett speaks with critic, essayist, curator, and professor Nora Khan. Nora Khan recently served as the Arts Council Professor at UCLA in Design Media Arts. Her writing on philosophy of artificial intelligence and emergent technologies is referenced heavily across disciplinary formations in the humanities and the arts. Her books include AI Art and the Stakes for Art Criticism (2025), Seeing, Naming, Knowing (2019) and Fear Indexing the X-Files (2017), with Steven Warwick. She is a member of the Curatorial Ensemble of the 2026 edition of Counterpublic, one of the nation’s largest public civic exhibitions, focused next on ‘Near Futures’, and she also curated Manual Override at The Shed (2020). Khan discusses art and technology, AI, her craft as a writer and curator, and her pedagogy.

Music Credit:

“One Fateful Night” from the Earthbound soundtrack

In this episode FQT associate director Che Gossett speaks with Kellie Jones, Professor in Art History and Archaeology and the Institute for Research in African American Studies (IRAAS) at Columbia University. Professor Jones is a 2016 MacArthur Foundation Fellow, and the recipient of numerous awards for her scholarship and curation. Professor Jones is the author of EyeMinded: Living and Writing Contemporary Art (Duke, 2011), and South of Pico: African American Artists in Los Angeles in the 1960s and 1970s (Duke, 2017), which was named a Best Art Book of 2017 in The New York Times. She has worked as a curator for over three decades and her exhibition “Now Dig This! Art and Black Los Angeles, 1960-1980,” at the Hammer Museum, Los Angeles, was named one of the best exhibitions of 2011 and 2012 by Artforum, and the best thematic show nationally by the International Association of Art Critics (AICA). Professor Jones discusses her extensive scholarship and exhibition curation, growing up embedded in a remarkable artistic community in New York City, the influence of her friends, neighbors and especially her parents, esteemed poets Amiri Baraka and Hettie Jones on her life and work.

Music Credit: Ornette Coleman, Eventually

In this episode, FQT associate director Che Gossett speaks with Huey Copeland, Andrew W. Mellon Chair and Professor of Modern Art and Black Study at the University of Pittsburgh, about his work in art history, criticism, and Black diasporic and contemporary art. Professor Copeland is the author of the critically acclaimed book Bound to Appear: Art, Slavery, and the Site of Blackness in Multicultural America (Chicago, 2013), co-editor of the award-winning volume Black Modernisms in the Transatlantic World (National Gallery of Art and Yale University Press, 2023), as well over 70 essays, interviews, and reviews that have appeared in a range of journals and exhibition catalogues, including Artforum International, Histórias Afro-Atlânticas: Antologia, Modern Women: Women Artists at the Museum of Modern Art, Nka, and Represenations.

Music Credit: Grace Jones, Pull Up to the Bumper