Get out your lie detectors and fedoras, Dear Listeners, as we wade through the drama and deception of Orson Welles’ “F for Fake” with writer Eric Hunt. The conversation examines the boundaries of truth and art, the release of anonymity, the hope of legacy, and looks to answer the question- is this even a podcast? (Spoiler alert- it is!)

We're back, Dear Listeners, and we've missed you! We hope you've missed us too. We're kicking off Season Two with this teaser, and all new episodes, some recorded last year and some this year. We're working real hard to find that light among all this dark, and hope you continue to join us as we go Finding Good Bones.

In this episode, Dear Listeners, Calandra Lindstadt takes us to Prince Edward Island and lost centuries with L.M. Montogmery’s Magic for Marigold. It’s a conversation with musings on the beauty and challenge of generations of family living close to one another, the joy of a sassy, judgey grandmother, the gift of independence, the power that can be found in surrendering to a good death. But please, don’t mention any Anne of Green Gables adaptations other than the 1985 CBC and PBS version, and don’t call us late for dinner.

Dear Listeners, the day after the 2024 Presidential Election many people were (are) feeling a WAY. So we decided to make a very special episode of Finding Good Bones, in case you need help sitting with the dark and looking towards the light. Kate and Amy bring some of the pieces speaking to them right now: “Hope Is the Thing With Feathers” by Emily Dickinson, “Hope Is Not a Bird, Emily, It’s a Sewer Rat” by Caitlin Seida, Carpe Jugulum by Terry Pratchett. There’s no political analysis, but there IS a free roaming three year old and at least one musical break. The discussion includes morality, mothering, niceness vs. kindness, an inevitable reckoning, and different ways hope can show up - a bird, a sewer rat, sometimes even a toddler.

It’s bangarang, Dear Listeners, as we leave Neverland with Patty Griffin’s “Peter Pan,” brought by whole human woman and this episode's guest Kim Caldwell. A wistful but firm examination of lovingly leaving what we’ve outgrown, the discussion covers the art that gives us clear directions in life, the hard truth that believing isn’t enough to make something real, and the feeling of deeply comforting melancholy. Also, we all agree that Peter Pan does not have an email address but Captain Hook does have an Only Fans.

Buckle up, Dear Listeners, we’re headed to Sunnydale for our first (but certainly not last) official episode on Buffy the Vampire Slayer. The conversation explores what the show means to Kate and Amy, living through big moments of change, working to offer others the grace we’ve received, and managing the oppositional truths that arise when something you love was written by a real asshole.

Join us, Dear Listeners, as we fall under the thrall of The Overstory by Richard Power and teacher, writer, publisher and editor Melanie Haupt. It’s a lengthy selection befitting a lengthy novel and the conversation covers man vs. nature, the devastation of loss, the nostalgia of Christmas, the longevity and patience of trees, and the writing that changes our lives.

Welcome back, Dear Listeners, as we revel in the gritty nostalgia of Paul Westerberg’s “We May Be the Ones” with musician and 6th grade social studies teacher D.L. Nailing. You can practically feel the death trap playgrounds of the 1980s as we discuss the specificity and yet universality of the people in the lyrics, the power of a pocketknife, the intense calm of dissociating, and just a touch of David Lee Roth.