FolknHell tackles Tobe Hooper’s The Texas Chain Saw Massacre (1974), its still-shocking violence, suspicious barbecue and surprisingly solid claim to American folk horror. Also, this is Take Two because somebody forgot to press record.

Some films age gracefully. The Texas Chain Saw Massacre (1974) still looks as though it has been left in the Texas sun beside a sack of bones, and that is very much a compliment.

In Episode 29, Andy Davidson, David Hall and Dave Houghton revisit Tobe Hooper’s horror landmark and ask why its grainy, documentary-style nightmare remains so brutally effective more than fifty years later. The discussion gets into the first hammer blow, the meat-hook sequence, Marilyn Burns finding several entirely new levels of screaming, and Gunnar Hansen giving Leatherface a strange flicker of pathos beneath the mask.

Then comes the FolknHell question: is this really folk horror? The answer involves an isolated patch of land, a family with its own inherited rituals, bone totems, slaughterhouse traditions and a group of outsiders who discover that the local rules include becoming barbecue.

There is also a comparison with House of 1000 Corpses, a debate over whether the film refuses to glorify violence or is gleefully sadistic, and the mystery of a missing sound effect that one host had apparently been carrying in his head for decades.

This is also the second attempt at recording the episode. The first version, which nobody recorded, was obviously the greatest podcast ever made.

Spoilers throughout. Watch the film first if you would rather enter the farmhouse without knowing exactly where the hooks are.

The Texas Chain Saw Massacre is American folk horror as well as a proto-slasher. The isolated landscape, closed family community, inherited slaughterhouse customs, ritualised bones and doomed outsiders fit the genre with alarming neatness. It is not an enjoyable film in the cosy sense, but it remains an essential and astonishingly powerful horror experience.

- David Hall: 8.5/10

- Dave Houghton: 8/10

- Andy Davidson: 8.5/10

- Total: 25/30

Folknhell is the folk horror podcast where Andy Davidson, Dave Houghton and David Hall dig into strange cinema, argue about whether it really counts as folk horror, and score every film out of 30.

Add your own score and comments about the films at https://www.folknhell.com/scores

Find us on the socials:

• YouTube: @folknhell
• Facebook: FolknHell
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Bol and Rial escape South Sudan, enter the British asylum system and discover that trauma has followed them into the wallpaper. FolknHell debate Remi Weekes's His House, its terrifying apeth and whether travelling folklore still counts as folk horror.

A grim English house, a Dinka night witch and three men immediately making the folk horror definition everybody's problem.

In Episode 28, Andy Davidson, Dave Houghton and David Hall discuss Remi Weekes's His House (2020), starring Wunmi Mosaku, Sope Dirisu and Matt Smith. Bol and Rial have survived war, displacement and a lethal crossing, only to be placed in a decaying home where the walls are noisy, the dead are restless and the asylum rules make moving out rather awkward.

The conversation gets into the film's refugee trauma, survivor's guilt and low-level bureaucratic nightmare, plus Bol's desperate push to assimilate and Rial's refusal to treat the past like unwanted luggage. There is plenty of admiration for the performances, the labyrinthine council estate, the watery footprints and one light-switch sequence that could have gone on all night, in the nicest possible appalling way.

Then comes the apeth in the room. Is His House folk horror because its terror grows from Dinka folklore and inherited belief? Or is it a psychological ghost story that happens to contain a witch? Dave and David say not quite folk horror. Andy says yes, then accepts defeat under protest and begins considering restraints!

Spoilers throughout. Watch the film first unless you enjoy having your moral devastation efficiently pre-delivered.

FolknHell Verdict

His House is not traditional, land-bound folk horror, but it has strong folkloric bones and makes a compelling case for folk horror that travels with displaced people. Whatever shelf it ends up on, all three hosts agree it is concise, intelligent, frightening and well worth watching, then arguing about long after the walls have stopped whispering.

Scores

• Dave Houghton: 7/10

• David Hall: 7/10

• Andy Davidson: 7.5/10

• Combined score: 21.5/30

• IMDb: https://www.imdb.com/title/tt8508734/

• TMDb: https://www.themoviedb.org/movie/575774-his-house

• Rotten Tomatoes: https://www.rottentomatoes.com/m/his_house

• Wikipedia: https://en.wikipedia.org/wiki/His_House

Content Warning: Spoilers throughout, with discussion of war, displacement, racism, refugee trauma, child death, drowning, grief, violence and disturbing supernatural imagery.

Folknhell is the folk horror podcast where Andy Davidson, Dave Houghton and David Hall dig into strange cinema, argue about whether it really counts as folk horror, and score every film out of 30.

Add your own score and comments about the films at https://www.folknhell.com/scores

Find us on the socials:

• YouTube: @folknhell
• Facebook: FolknHell
• X: @FolknHell
• Bluesky: FolknHell

See acast.com/privacy for info.

Hosted on Acast. See acast.com/privacy for more information.

FolknHell enters Robert Eggers’ The Witch (2016) with special guest Ian Winterton. Is this the perfect modern folk horror film, or does its Christian Devil complicate the usual ancient-threat rules? Expect Puritan pride, phenomenal performances, baby mush and Black Phillip at full gallop.

In Episode 27, Andy Davidson, Dave Houghton and David Hall are joined by writer, lecturer and former film critic Ian Winterton to discuss Robert Eggers’ feature debut, The Witch.

The family is isolated, the corn is rotting and the goat is considerably more articulate than anyone would like. The group digs into William’s pride, Thomasin’s place inside a collapsing patriarchal household, Eggers’ obsessive historical research, the period dialogue and a cast firing at frankly indecent levels.

Then Ian throws a crooked branch into the usual FolknHell criteria. If the threat is Christianity, Satanism and European witchcraft carried into New England by settlers, does it really count as an older force rising from the land? The answer leads into ergot theories, folktale logic, the Unholy Trinity and a firm final verdict on the film’s folk horror credentials.

There is also admiration for Harvey Scrimshaw’s extraordinary death scene, the almost invisible appearance of the Devil’s red boot, the ecstatic final flight and the early sequence that has made many unsuspecting viewers quietly decide they have somewhere else to be.

Spoilers throughout. Watch the film before listening unless you are happy to meet Black Phillip contractually unprepared.

The Witch is unequivocally folk horror, even if it makes the checklist squirm. Isolation, inherited belief, landscape, accusation and religious terror do the heavy lifting, while the supernatural gives the family’s collapse a beautifully wicked shove. It is severe, meticulous and one of the defining horror films of its era. Watch it, then listen to the argument.

• Dave Houghton: 9/10
• David Hall: 10/10
• Andy Davidson: 9/10

- Ian Winterton: https://www.imdb.com/name/nm3410151/

- IMDb: https://www.imdb.com/title/tt4263482/

- TMDb: https://www.themoviedb.org/movie/310131-the-witch

- Rotten Tomatoes: https://www.rottentomatoes.com/m/the_witch_2016

- Wikipedia: https://en.wikipedia.org/wiki/The_Witch_(2015_film)

Folknhell is the folk horror podcast where Andy Davidson, Dave Houghton and David Hall dig into strange cinema, argue about whether it really counts as folk horror, and score every film out of 30.

Add your own score and comments about the films at https://www.folknhell.com/scores

Find us on the socials:

• YouTube: @folknhell
• Facebook: FolknHell
• X: @FolknHell
• Bluesky: FolknHell

See acast.com/privacy for info.

Hosted on Acast. See acast.com/privacy for more information.