The 1970s gave us some of the most memorable songs ever recorded and some artists who, for one reason or another, only broke through once. In this episode, we take a closer look at those so-called "one-hit wonders" and the stories behind the songs that stuck.

From the laid-back groove of "How Long" by Ace, to the quiet melancholy of "Good Time Charlie's Got the Blues" by Danny O'Keefe, we explore what made these tracks connect and why they lasted. We'll get into the funk-rock crossover of "Play That Funky Music" by Wild Cherry, the sunny pop of "Sweet City Woman" by The Stampeders, the tight pop classic "Cruel to Be Kind" by Nick Lowe, and the disco smash "Ring My Bell" by Anita Ward. And how do you make a hit song about a brief encounter in a Chevy van, anyway? Was it luck? Timing? Skill? A little of all of that? Tune in for a discussion on these classic hits of the 1970s.

Imagine a train carrying the precious cargo that includes Janis Joplin, The Grateful Dead, The Band, and many more of our legendary performers! This was not a figment of the imagination but a real tour in the summer of 1970. This episode examines why this tour, which is not considered in the same vein as Woodstock, deserves its place in early 70s rock history.

"Baby, if you ever wondered, wondered whatever became of me, I'm living on the air in Cincinnati, Cincinnati WKRP."

In this episode, WKRP in Cincinnati proves that a sitcom can be more than laughs—it can capture a cultural moment. Through sharp writing and memorable characters, the show explores the intersection of music, politics, and culture through the power of radio. In this case, it was a fictional radio station on a sitcom that aired from 1978 to 1982. However, even though it was fictional, it felt real to its fans and even to record labels, who appreciated its authenticity and its cultural reach.

Television. The Ramones. Patti Smith. The Talking Heads. Blondie. These bands and more used the iconic club, CBGB, as their proving ground, giving rise to punk and new wave rock. The environment might have been dicey, but hey, what's a few weird smells and maybe a rat or two when you have the chance to listen to some of the most unique live music the 70s had to offer!

Americans watched a lot of television in the 70s and talk shows were among the most popular shows to watch. Talk shows were the true intersection of music, politics, and culture. This episode will examine some of the most popular talk shows of the 70s including "Dinah!" "The Mike Douglas Show," and, of course, "The Tonight Show" with Johnny Carson. Its hard to discuss 70s politics without Richard Nixon entering the fray, which he does in his attempts to deport Mike Douglas's co-host, John Lennon, and by using the power of the presidency to threaten "Soul!" and other public affairs programming on PBS.

The heartland is an American region, but heartland rock is not regional. In fact, it can be argued that it is more of a culture than a sub-genre of rock. This episode discusses the origins of heartland rock and the themes that attracted fans to it, which are far more universal than record companies and music executives of the 70s and 80s would have liked to admit. Artists such as Bob Seger, Bruce Springsteen, and John Mellencamp created music that touched on feelings and issues that many people could relate to, whether they lived in the American heartland or not.

How did heavy metal change from the 70s to the 80s? This episode examines the birth of "hair metal" and how, for a short but LOUD period of time, heavy metal was one of the most popular genres in American music. Bands such as Quiet Riot, Def Leppard, and even Van Halen benefitted from widespread exposure on MTV as the visual aspect of a band's image became as important as the music. *This also marks a change in venue for 80s music topics as FTR80 will be merged into the FTR70 feed. Look for 80s topics to be a continuation of topics previously discussed on FTR70.*