Recorded live at the 2025 UTS Writers’ Festival, this episode of Fully Lit Live features novelists (and UTS writing alumni) Andrew Pippos and Gretchen Shirm in conversation with Delia Falconer.

In The Transformations, Pippos sets a love story inside a newsroom on the brink of digital collapse. What happens to intimacy when the workplace becomes all-consuming? How do you hold onto care, or truth, in an institution built on speed?

Shirm’s Out of the Woods, shaped by her time observing war-crimes trials in the Hague, turns to the ethics of witnessing. How is atrocity translated into legal language? What does it mean to listen to testimony day after day? And who carries its weight?

From newsrooms to courtrooms, this is a sharp, humane discussion about work, power and the radical patience of long-form storytelling.

Fully Lit is produced by Impact Studios at the University of Technology Sydney.

Credits

Gretchen Shirm is the author of Having Cried Wolf, Where the Light Falls, The Crying Room and her latest, Out of the Woods. Her novels have been shortlisted for the Christina Stead Prize for Fiction and the University of Queensland Fiction Award. Gretchen teaches in the UTS Writing and Publishing Program.

Dr Andrew Pippos is a writer of fiction and narrative nonfiction. His first novel, LUCKY'S (Picador), was published in 2020 and shortlisted for the 2021 Miles Franklin literary award. Transformations is published by Pan Macmillan. He teaches in the UTS Writing and Publishing Program.

Dr Delia Falconer is the author of two novels (The Service of Clouds and The Lost Thoughts of Soldiers) and two works of nonfiction (Sydney and Signs and Wonders: Dispatches from a time of beauty and loss), which have been shortlisted for national and international awards across the categories of fiction, nonfiction, innovation, biography, history and research. She is the editor of three cohort-defining collections: The Best Australian Stories 2008, The Best Australian Stories 2009 and The Penguin Book of the Road. Delia's short stories and essays have been widely anthologised, including in the landmark Macquarie PEN Anthology of Australian Literature and The Penguin Century of Australian Stories. She has received grants and residencies from the Australia Council, the Marten Bequest Travelling Scholarship, Varuna and Bundanon, and the Tyrone Guthrie Centre in Ireland. Since 2010 Delia has specialised in writing and teaching creative nonfiction, and she is a senior Lecturer in the UTS Writing and Publishing Program.

Series Producer: Regina Botros.

Executive Producers: Sarah Gilbert and James Jiang

Fully Lit is an Impact Studios production, in collaboration with the Sydney Review of Books.

Mixed by Siobhan Moylan.

23. In this episode of Fully Lit Live, we present The Critics Report, an event hosted by the Sydney Review of Books at the State Library of NSW in December 2025.

Moderated by SRB deputy editor Tiffany Tsao, the conversation brings together critics, editors and scholars to assess a year that placed unprecedented pressure on Australian arts and cultural institutions — and on the artists and writers who depend upon them.

Australia’s 2025 Venice Biennale entrants and Martu writer Karen Wyld, along with journalist Antionette Lattouf, all felt the impact of efforts to set the boundaries of acceptable expression.

What are the longer-term effects of these cultural eruptions? And with “social cohesion” high on the political agenda, how might the arts respond? What can the arts tell us about what makes a society cohere in the first place?

(Note that our panel took place before Adelaide Writers’ Week imploded, an event that suggests these questions remain urgent, and before the happy news that QUT had stepped up to rescue Meanjin.)

The discussion ranges over other important questions, including the role of government and universities as cultural funders, the potential impacts of AI on the arts, and the strain placed on literary journals and critics asked to defend culture while also keeping it alive.

Host

Tiffany Tsao is Deputy Editor of the Sydney Review of Books. She is a novelist, translator and critic whose work has appeared in major Australian and international publications. Alongside her editorial work at the SRB, she has published multiple novels and is widely recognised for her literary translations from Indonesian to English.

Guests

Daniel Browning is a Bundjalung and Kullilli writer, journalist and radio broadcaster, and Professor of Indigenous Cultural and Creative Industries at the University of Sydney — a newly established leadership role within the School of Art, Communication and English. He is a former presenter of The Art Show and Arts in 30 on ABC Radio National.

Nicholas Croggan is an art historian and critic, and Public Programs Coordinator at the Power Institute at the University of Sydney. He completed his PhD in Art History at Columbia University, New York.

Roanna Gonsalves is editor of Southerly, Australia’s oldest literary journal, and a Senior Lecturer in Creative Writing at UNSW Sydney. She is the author of The Permanent Resident (UWAP), and her novel The Servants will be published in November 2026.

James Jiang is Editor of the Sydney Review of Books. Prior to joining the SRB, he was Assistant Editor at Griffith Reviewand Australian Book Review. He holds a PhD in Modernist Literature from the University of Cambridge and has taught in the English and Theatre Studies Program at the University of Melbourne.

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Fully Lit is brought to you by...

In this episode of Fully Lit Live, we bring you a panel discussion recorded at the Blue Mountains Writers Festival in November 2025.

James Jiang, editor of the Sydney Review of Books, hosts Willo Drummond and Hasib Hourani for an exploration of how poems work - in the body, on the page, and in your ears.

From a discussion of formative reading experiences to a shared close reading of Emma Lew’s Marshes, this conversation is an intimate encounter with poetry and its enduring value.

If you’re a devoted reader of poetry, or someone who is yet to approach it, this episode is for you.

GUESTS

Hasib Hourani is a Lebanese-Palestinian writer, editor, arts worker and educator. His debut book, rock flight, won the Kenneth Slessor Prize for Poetry and the Mary Gilmore Award, and was shortlisted for the 2025 Prime Minister’s Literary Award for Poetry.

Willo Drummond is a poet and lecturer in creative writing. Her debut collection Moon Wrasse was shortlisted for the Kenneth Slessor Prize for Poetry in the NSW Premier’s Literary Awards and commended in the Five Islands Poetry Prize for a First Book of Poetry.

James Jiang is a critic and scholar, and editor of the Sydney Review of Books.

CREDITS

Fully Lit is brought to you by Impact Studios at UTS, the Sydney Review of Books, and the UTS Writing and Publishing Program, and is produced by Regina Botros.

Executive Producer: Sarah Gilbert

Mixed by Siobhan Moylan

Alexis Wright’s novels are often thought of as “difficult,” but this episode of Fully Lit Live challenges that label, and asks what that word is really doing.

Critic Geordie Williamson is the author of the recent On Alexis Wright, part of Black Ink’s 'Writers on Writers' series. In this conversation with Ivor Indyk, Wright’s publisher and editor at Giramondo, we learn how to read Wright’s books on their own terms — with attention to rhythm, repetition, and scale rather than plot alone.

Moving through Carpentaria, The Swan Book, and Praiseworthy, the discussion centres on Wright’s idea of ‘all time’: a narrative field where ancestral, mythic, and present time coexist, and where people, animals, weather systems and spirits all speak.

What happens when we make space for Wright’s digressions and tonal shifts, and allow ourselves the time she demands?

GUESTS

Geordie Williamson has been chief literary critic of The Australian since 2008. He is publisher of the Picador imprint at Pan Macmillan, a former editor of Island Magazine and Best Australian Essays, and author of The Burning Library, a collection of essays on neglected figures from Australian literature. He lives in Hobart.

Ivor Indyk is the publisher of the Giramondo book imprint and Whitlam Chair in the Writing & Society Research Centre at the University of Western Sydney.

CREDITS

This episode is brought to you in partnership with our friends at Gleebooks. Head to the Gleebooks events page to discover more great literary events featuring some of Australia’s best and best known authors.

Fully Lit is brought to you by Impact Studios at UTS, the Sydney Review of Books and the UTS Writing and Publishing Program, and is produced by Regina Botros.

Executive Producer, Sarah Gilbert. This episode was mixed by Siobhan Moylan.

Find more episodes of Fully Lit wherever you get your podcasts.

In this episode, we return to Roland Barthes’ famous 1967 essay, The Death of the Author. This influential text is often taught as an anti-authoritarian gesture, shifting the power of meaning from the author to the reader. But what happens when we consider Barthes’ ideas alongside the voices of anticolonial writers who, at the same historical moment, were mobilising literature to galvanise communities against oppression?

We explore what these debates reveal about contemporary writing’s tendency to blur authorial fact with fiction, and why questions of agency still matter today. The conversation is sparked by Michael Griffiths’ new book, The Death of the Author and Anticolonial Thought, and was recorded live at UTS’ Centre for the Advancement of Indigenous Knowledges.

Michael Griffiths – Author of The Death of the Author and Anticolonial Thought, Michael is a scholar whose work explores intersections between literary theory and postcolonial studies.

Ben Etherington – Academic and writer with expertise in world literature and cultural theory.

Elizabeth McMahon – Scholar and author focusing on literature, identity, and critical theory.

Graham Akhurst – Academic and author whose work engages with Indigenous storytelling and creative practice.

Credits

This live event was recorded on Gadigal land, live, at UTS’ Centre for the Advancement of Indigenous Knowledges on November 27.

The event was produced and recorded by Ben Etherington.

Fully Lit is an Impact Studios podcast, made in collaboration with the Sydney Review of Books.

Its producer is Regina Botros.

Executive producers are Sarah Gilbert and James Jiang.

Recorded at the UTS Writers’ Festival on Friday, 7 November 2025, this episode of Fully Lit Live brings you Rebel Daughters, where you’ll hear acclaimed poet Anne Casey share readings from her latest collection, followed by a Q&A with award-winning poet and critic Sarah Holland-Batt, newly appointed Professor and Head of Creative Writing at UTS. Together, they explore themes of resilience, heritage, feminism, and the rebellious spirit that shapes contemporary Australian writing.

Anne Casey

Anne Casey is an award-winning Irish-Australian poet and writer whose work spans themes of identity, heritage, and resilience. Her poetry has been widely published internationally and translated into multiple languages. Anne is known for her evocative style and fearless exploration of social and cultural issues.

Sarah Holland-Batt

Sarah Holland-Batt is an acclaimed Australian poet, critic, and academic. She is the newly appointed Professor and Head of Creative Writing at the University of Technology Sydney. Sarah is the author of several award-winning poetry collections and a leading voice in contemporary literature. Her work often interrogates memory, mortality, and the complexities of human experience, earning her recognition as one of Australia’s most influential literary figures.

In December 2023, the Sydney Review of Books and Western Sydney University's Writing and Society Research Centre were delighted to announce renowned fiction writer, Yumna Kassab, as the inaugural Parramatta Laureate in Literature, a program delivered in partnership with the City of Parramatta.

The program, now in its second iteration, recognises the unique and vital work of writers as contributors to narratives of place – through storying, remembering histories, and shaping a creative vision for our shared future.

As the inaugural Laureate, Kassab has composed Parramatta: A Dictionary of Place and Memory. She writes in the introduction to her work: 'It was my idea that a dictionary could tell the story of a person (me) in connection with a place (Parramatta) with enough flexibility to take in detours, digressions, musings, and general quirkiness. I knew at the outset that the entries would be placed under titles and it would be fragmentary in spirit.'

Extracts from the Parramatta Dictionary are free to read on the Sydney Review of Books website.

Author note:

Yumna Kassab is a Parramatta-based novelist and short fiction writer, a high school teacher, and a staunch supporter of the Western Sydney Wanderers.

The Lovers (2023) was shortlisted for the Miles Franklin Literary Award, the Prime Minister’s Literary Award for Fiction, and the Victorian Premier’s Award for Fiction. She has also authored The House of Youssef (2019), Australiana (2022), Politica (2024), and Theory of Everything (2025).

Guests

Host: Kate Fagan - Director of the Writing and Society Research Centre Western Sydney University

Interviewer: James Jiang - Editor at The Sydney Review of Books

Credits

Recording engineer Sevan Dermelkonian recorded this episode on the 30th October, 2025 at PHIVE, Active Wellness Studios, Parramatta.

Fully Lit is a collaboration between Impact Studios, UTS, and the Sydney Review of Books. Its producer is Regina Botros, and its executive producers are Sarah Gilbert and James Jiang.

In this episode, we’re bringing you a story from our friends at History Lab.

Historical novelist Sienna Brown brings to life the story of Nellie Small, a trailblazing performer whose life challenged the boundaries of race, gender, and identity in early 20th-century Australia. You'll hear actor Zahra Newman as Nellie, and an interview with playwright Alana Valentina, for whom Nellie has been a rich source of writerly inspiration.

Head to History Lab and subscribe to hear all four episodes of this special series, Caribbean Echoes - and much more.

History Lab is an Impact Studios podcast, made in collaboration with the Australian Centre for Public History.

Alana Valentine is a librettist, playwright, and director who is an expert at working with real life subjects and stories, dramatizing them with respect. She has three plays on the NSW HSC Syllabus: Parramatta Girls, Shafana and Aunt Sarrinah, and Cyberbile. Her play, Letters to Lindy, has seen hundreds of amateur and school productions. Valentine is particularly distinguished in her skills as a co-collaborator, notably with Barbara and the Camp Dogs, which won the 2019 Helpmann Award for Best Musical and Best Original Score. She has chronicled her practice in Bowerbird and published the memoir Wed By The Wayside.

Professor Cassandra Pybus FAHA specializes historical narratives about people who have been marginalized, forgotten or written out of history. An award-winning author she has published 13 books including Black Founders: The Unknown Story of Australia's First Black Settlers and the bestselling biography, Truganini. She has held research professorships at the University of Sydney, Georgetown University in Washington DC, the University of Texas and King's College London. She is descended from a colonist who received the largest free land grant on Truganini's traditional country of Bruny Island.

Vanessa Cassin is Education Manager at Society of Australian Genealogists with extensive experience in providing training and assessment in the trustee industry, both as an in-house trainer for the NSW Trustee & Guardian and as an assessor for Western Sydney University the College’s Registered Training Organisation. Vanessa holds a Diploma in Family Historical Studies from the Society of Australian Genealogists and has been researching her own family history for over 20 years.

Zahra Newman was born in Port Antonio, Jamaica, and moved to Australia at age 14. A graduate of the Victorian College of the Arts, Newman has an extensive list of credits in theatre, television, and film. Her notable works include her performance as Nabalungi in the original Australian cast of The Book of Mormon, and her lead role in the play The Hate Race and in the film Long Story Short. She has received a Green Room Award, a Sydney Theatre Award, and multiple Helpmann Award nominations. Newman played all 23 characters in the Sydney...