Join host Sam Bishop as he interviews Jeremy Dennis, a Shinnecock Nation artist renowned for his digital photography that weaves Native American stories, history, and contemporary issues. Jeremy shares his journey from early sketches to staged narratives, discusses the social aspects of art-making, his nonprofit Ma's House art space, artist residencies, and inspirations like Jeff Wall and Faith Ringgold. Explore themes of cultural preservation, self-determination, and creative community in this engaging conversation.

In the second part of this two-episode "Oh, For the Love of Art" conversation, host Sam Bishop continues his deep dive with choreographer, author, and educator Marlita Hill as she reflects on her current life—balancing teaching, mentoring artists and entrepreneurs through faith-centered programs, speaking engagements, book writing, and project-based work while prioritizing family support and personal sustainability. Marlita shares practical insights on finding clarity in one's "niche," organizing a multi-faceted creative career around a core passion (helping others build clarity in faith, art, and entrepreneurship), embracing seasons of change, and the importance of community, movement, and openness to evolving paths in sustaining a long-term life in the arts. The episode wraps with inspiration from music (salsa and jazz), daily struggles like fatigue and decision overload, and a final piece of advice: remain open to unexpected ways of building your artistic life.

In this first part of a two-episode conversation on "Oh, For the Love of Art," host Sam Bishop chats with choreographer and dance educator Marlita Hill about her unexpected entry into the world of dance at age 15 through a church ministry, the role of faith in guiding her path, and the gritty realities of navigating early adulthood as an aspiring artist while balancing creativity, education, and survival. Marlita shares candid stories of perseverance through rejections, odd jobs, and self-doubt, highlighting how she forged her own rugged route in the dance world rather than waiting for traditional opportunities. Tune in to part two for more on building a sustainable life in the arts.