Brass, dissonance, and pedal tones: Overture (Björk)
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Narrated by:
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Written by:
About this listen
Listen to the song
- YouTube - https://www.youtube.com/watch?v=6w6apA_LbOE
- Spotify - https://open.spotify.com/track/1cgesvTA9wgm2x6a6AEjnn?si=03d52c468f934754
- Apple Music - https://music.apple.com/us/song/overture/313221988
- Amazon - https://music.amazon.com/albums/B0027OQ2ZY?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_JV1c672eQzcyAHeWfT24LjGtR&trackAsin=B0027OQ3AI
Other links
- “New World” by Björk
- YouTube - https://www.youtube.com/watch?v=UZt8eic_KNw
- Spotify - https://open.spotify.com/track/6tgLIvZaal11lbuSXv48BD?si=3d0ba049609f4695
- Apple Music - https://music.apple.com/us/song/new-world/313222042
- Amazon - https://music.amazon.com/albums/B0027OQ2ZY?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_TH5hZ5UARlYNOpFbIQiGCRM3g&trackAsin=B0027OM5ZK
- “The Carnival of Venice” with Wynton Marsalis - https://youtu.be/q0V4qPEK8jQ
Key takeaways
- Trist and Elaine discuss “Overture,” a movie soundtrack composed by Björk, focusing on the arrangement and textural choices she made in this all-brass arrangement
- This episode delves into how Björk’s "Overture" uses repeated themes, pedal tones, and layering to build and resolve tension, creating a captivating listening experience
- In the Mailbag segment, Trist and Elaine discuss the concept of setting a personal limit on recording takes, balancing perfectionism with practicality, and how technology has changed the approach to music production
About us
Trist Curless is a Los Angeles-based vocalist, educator, and sound engineer. As a performer, Trist has toured worldwide as a co-founder of the pop-jazz vocal...
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