I speak with Anik Pearson, Angelique Pierre and Nancy Kleppel, the co-founders of Mentorship for Women in Architecture.

We talk about the mentorship program, why it is useful for young female architects to have experienced female mentors, and how everyone can benefit from the experience of others.

We also discuss what the 'Old Girls' Network could be!You can find the mentorship program herewww.womeninarchitecture.netPlease share with anyone you think may enjoy the episode, and don't forget to subscribe!

I had a great conversation with Silvia Rueda about the really cool and interesting things she has been using Twinmotion for.

Silvia is an architect and immersive media specialist from Colombia. In her 7 years working for Heatherwick Studio, she explored the capabilities of Unreal Engine and Twinmotion to visualize design projects and help make them come to life.

We also discuss Silvia's Burning Man project with Understory, and she takes us through the process of how she used realtime technology to create this amazing structure in the desert!

Check out Silvia here

www.understorystudio.cowww.ruedasilvia.comwww.linkedin.com/in/silvia-rueda

You can also see her Masterclass talks for ATNarchi-tech.network/pages/twinmotion-masterclass

and more about her Nebulus project for Burning Man here

www.unrealengine.com/en-US/spotlights/fungi-inspired-art-with-real-time-lighting-illuminates-burning-man

Enjoy and don't forget to like and subscribe!

I chat with Diana Diriwaechter about how teachers can best prepare art students for a career in VFX and film.

Diana is a Professor of VFX and Virtual Production at the Savannah College of Art and Design, and brings her extensive experience in the industry (including 18 years at Blue Sky) to make a super exciting and enlightening podcast episode. I wish all my teachers had been this enthusiastic!Check out the episode and let me know what you think!

linkedin.com/in/dianadiriwaechter

I am joined by Terrence Masson, the Chair of MFA Computer Arts at the School of Visual Arts in New York City. Terrence is an education and CGI expert with 35+ years experience in film production. We discuss how schools can best prepare students to enter their chosen industry in film and CGI, and how to keep them excited and interested!You can find Terrence heretmasson@sva.eduwww.sva.edu

I have a great conversation with Arturo Brena, the founder and CEO of KéexFrame, a New York based VFX studio.

We talk about how Unreal Engine and realtime technology has encouraged and enabled artists from different fields to work in related CGI fields. Enjoy the podcast!www.keexframe.com

Do we get sick of 3D Art and just want to go and use our hands?Where are all the women?Is there a glass ceiling for Senior Artists?These are the hot topics that Camila and I discuss in the latest episode. One of my personal favorites, Camila is an ex-colleague and a great friend of mine, and between us we may have worked in half the arch viz studios in London and New York (exaggeration). We have so much to discuss to put the world and the arch viz industry to right! Join us!www.linkedin.com/in/camila-gomez-cualla-49845415www.inzyaccesorios.com

How do we challenge visual biases in AI to maintain a culture’s identity?What even is a cultural identity? Who decided that? Is it worth trying to keep it?I have Hassan Ragab returning to the podcast to chat to me about cultural Identity, using AI to create art and what he hopes to achieve with the art he puts out into the world.Check out Hassan herewww.hsnrgb.com

Has the competitive market for Arch Viz images forced artists / companies to scale down their quality? I'm back with Season 3! To kick it off, I speak with Taras Kvitka, the founder of Marygold Studio, and Arch Viz studio based in Ukraine and London. We discuss how the quality of visuals being produced in the past 5 years has changed, and how the market has a large part to play in this. Check out Marygold here IG: @marygoldstudio www.marygold-studio.com