Jinx Navigator Podcast — Episode 14: Issue #14 Issue #14 is a busy one — Annemann makes the case for learning fortune telling, prints a point-by-point rebuttal from a critic in full, and delivers a card on a window, a coin transposition for platform use, and the two-person mentalism piece he's been using in real-world conditions. There's also a dime passing through a handkerchief, which Jay notes would be perfect EDC material if anyone still carried handkerchiefs.

Effects Covered [1:00] Editorial — Theodore Annemann Annemann opens with a practical case for learning fortune telling — nothing takes over a party faster, he says, and card layouts do most of the work once you know the meanings. He also addresses magic exposés in Popeye cartoons, touches briefly on the ongoing Burling Hull dispute, and closes with an elaborate fantasy publicity campaign involving a coffin, a jailbreak, a department store climb, a bullet catch, and a live burial — described in gleeful detail. Jay endorses the fortune telling advice and points to his own numerology site as a companion resource.

[3:20] The Burling Hull Letter Battle — Burling Hull / Theodore Annemann A departure from the usual format: Annemann prints a full letter from Burling Hull responding to criticism directed at Hull's publication Stage Magic. Hull defends his publication history point by point, cites over 1,200 testimonials, and closes with a pointed shot at Annemann's own book — noting it nearly didn't appear at all and only made it to print through a dealer's intervention. Annemann prints it in full, as promised, which says something about how he ran the Jinx.

[4:43] Images of Business Cards — Theodore Annemann A full page of magicians' business cards from the era — not something that translates to audio, but worth a look at jinxnavigator.com.

[4:51] A Card in Flight — Bobby Hummer A helper notes a card, the deck goes into a borrowed hat, and the performer appears to remove the spots one by one — flicking them away. The card vanishes from the deck entirely, and when a window curtain is raised, the card is on the outside of the glass looking in. The vanish uses small pieces of black paper and a move inside the hat that happens in plain sight without anyone registering it. The card on the window is a duplicate, planted during an earlier visit that same day.

[5:55] Coins En Route — Otakar Fischer Ten coins on a helper's palm under a handkerchief, ten more in a second helper's cupped hands — the first helper shakes the handkerchief a chosen number of times, and that many coins travel invisibly between them. Fischer's contribution is a quiet steal built into the initial counting action, looking purely functional. Diachylon plaster is called for in the original; Jay recommends magician's wax and notes this may be the first coin version of a traveling-coins effect he's encountered.

[7:05] A Cute and Quick Location — Theodore Annemann Four cards dealt face down, the helper touches one, and its value tells the performer exactly how far down in the deck to count for the selected card. Four specific cards in a particular order near the top of the deck — that's the entire setup. Annemann discovered it while noodling around rather than setting out to invent anything, which gives it the feel of something that slots naturally into a casual impromptu session.

[7:52] Metal vs. Fabric — Fred Demuth A dime and a penny are placed on a handkerchief, the cloth is twisted tight around them, and the dime is pulled slowly through the fabric — leaving only the penny behind. The method uses a classic coin set that many performers already own, with Demuth offering a new application that makes the penetration visible and direct. Jay notes that pennies are still around even if handkerchiefs aren't, and recommends giving it a shot.

[8:53] Thoughts in the Air — Theodore Annemann A two-person mentalism piece that Annemann has been using and finds genuinely practical. A helper hides a personal object somewhere in the room while the performer is present — then the performer leaves, the assistant returns, finds a chosen card in the deck, and locates the hidden object without asking anyone anything. The card selection is pure misdirection; what the audience remembers afterward is the object being found and returned. The location system divides the room into a coordinate grid, learnable with a partner in about five minutes. Jay plans to try it at an upcoming magic club meeting.

[10:28] Outro Links and a preview of Issue #15 — featuring Annemann's original faked envelope with a publicity angle.

Jinx Navigator Podcast — Episode 13: Issue #13

Issue #13 arrives with two black cats overhead and Annemann unbothered — he notes the cat should be the worried one. The issue delivers practical stagecraft from a Viennese theater veteran, a publicity stunt involving a postage stamp and a ceiling, a newspaper prediction with mentalism flair, and a self-working eight-ace routine that Manning insists should be performed as one unbroken sequence.

Effects Covered

[0:56] Editorial — Theodore Annemann Annemann opens with a genuine pet theory: magicians do too many things in threes, and the third repetition risks nullifying the mystery entirely. Jay pushes back slightly — he's fine with threes, but argues that if you repeat something, at least vary what the audience perceives. The editorial also covers a bird cage update tracing Robert Heller's version, a recommendation for U.F. Grant's one-way deck booklet, a cigarette vanish by Calvert Cole that fooled Annemann completely, and Andrew Brennan's follow-up to last issue's shrinking dollar — which ends with a large souvenir penny and the punchline that the secret of 59 cents is that they have bigger cents.

[4:21] An Original Tie for Loads — Otakar Fischer A practical stagecraft solution from a man who spent 12 consecutive years performing two-hour shows at a magical theater in Vienna. The device is a simple endless loop of cord with a ring and a dress hook — a load secured diagonally releases instantly with a single upward motion of the hook, and the heavier the load, the more securely it holds until needed. Twelve years of professional use is about as good a recommendation as it gets.

[5:17] Higher Magic — Theodore Annemann A wet postage stamp pressed to a half dollar and thrown at the ceiling with a particular motion — the coin comes back down, the stamp stays up. Annemann's best version involves a card name written in ink on the back of the stamp, placed on a hotel ceiling during one visit and confirmed by forcing that card on a return visit. Practical notes: use ink not pencil, small stamps work best, and for a walking advertisement, have gummed stickers printed with your name instead.

[6:35] The Super Slates — Anonymous A two-slate effect where both slates are openly numbered on all four sides before anything happens — and when opened, there's chalk writing on the inside of each one. The method involves a precisely timed sequence of flap handling woven around the numbering procedure. Jay's honest take: lay audiences probably aren't going home wondering why only one slate had writing on it, but if you want to fool the folks at the next magic club meeting, this will do it.

[7:51] Cards and a Newspaper — Arthur Johnson A helper shuffles and cuts a deck into four piles, cards are moved between them, and the top card of each pile turns up a page number, column, line, and word — which matches a prediction written before anything began. The underlying card principle is one magicians will recognize from the classic four-aces location, but Johnson's repurposing of it as a newspaper prediction shifts the feel entirely toward mentalism. Jay notes it would work just as cleanly as a book test with a small adjustment to the presentation.

[8:58] Aces of Eight — Otis Manning Eight aces — two from each suit — are mixed and cut by a helper, and the performer produces them from behind his back in a sequence of escalating phases: matching suits, then matching colors, then a spelling sequence, then finally both hands emerge with reds in one and blacks in the other. No conventional sleight of hand — the work happens behind the back through arrangement and one simple repeated move. Manning's instruction is to learn it smoothly and perform the whole thing as one continuous unbroken effect.

[10:04] Outro Links and a preview of Issue #14 — featuring Annemann's Thoughts in the Air, an almost-impromptu two-person mentalism effect.

Jinx Navigator Podcast — Episode 12: Issue #12

Issue #12 is an all-Annemann affair — editorial, notebook column, a stacked-deck solitaire hustle, and a stage four-aces routine built for maximum fairness. He's also bottle-feeding a puppy, which explains a few things about the issue's more notebook-jottings character.

Effects Covered

[0:48] Editorial — Theodore Annemann Annemann blames August heat and an eight-day-old bird dog for a lighter-than-usual issue, then pivots to a genuinely frustrated observation about magicians who ignore published effects until someone else does something brilliant with them — at which point the whole community suddenly discovers it's great. He closes with a word about the late dealer Sam Bailey and goes to feed his puppy.

[2:22] Thoughts in General — Theodore Annemann Annemann's occasional miscellany column covers a card puzzle involving 25 cards and five poker hands, a betting proposition hidden in a fanned shuffled deck, an improved handling of the Seven Keys to Baldpate built with Robert Thrasher, a shrinking dollar bill stunt with Roosevelt-era patter, a canary-in-a-lightbulb variation using water, and a pointed note to anyone still using cop-and-robber patter in 1935. He also digs into the history of the vanishing bird cage and cards from the pockets, and closes with a practical angle for secretly loading an object into a helper's pocket using a card trick as cover. Jay notes that put-pocketing, it turns out, is not a new idea.

[5:03] The Solitaire King — Theodore Annemann Annemann discovered that the Eight Kings stack, applied to the solitaire game Canfield, produces a win nearly every time — and built a presentation around it for card parties. After a few card tricks, you offer to demonstrate how you can always win at solitaire, false shuffle the stacked deck, lay out the game, and it plays itself to a win with one decision point in the middle. Annemann is modest about it: he didn't invent either piece, he just noticed they fit together.

[6:06] Four Aces on the Stage — Theodore Annemann A classic close-up effect gets a full platform treatment. Four volunteers each find an ace themselves, cover it with three cards, and one packet is chosen at random — the rest go back into the deck, which gets shuffled, rubber-banded, and tossed into the audience for someone to search. No aces anywhere. The chosen volunteer spreads their cards: all four aces. The method uses a short-card deck and three extra aces, with the key moves happening precisely when every eye in the room is on the volunteers or the audience member searching the deck. Jay — confirmed non-card-guy — says this one sounds genuinely fun to both perform and watch.

[7:37] Outro Links and a preview of Issue #13 — featuring Arthur Lloyd Johnson's Cards and Newspaper.

Jinx Navigator Podcast — Episode 11: Issue #11 Issue #11 is a card-heavy issue with a few pleasant surprises — a clever cigarette gag, a matchbook divination that requires nothing more than a book of matches and one quick calculation, and a borrowed business card that survives being cut in half. Annemann's editorial is in a reflective mood, anchored by a story about a fireman with an excellent memory for shoes.

Effects Covered [0:56] Editorial — Theodore Annemann Annemann opens with a summer complaint about slow mail, recommends a Liberty magazine article on university telepathy experiments, and highlights a magic newsletter disguised as a hometown newspaper. The centerpiece is a story about a fireman who remembered a substitution act from 20 years earlier in perfect detail — including the performer's shoes changing mid-routine — which Annemann uses to make the point that audiences are paying closer attention than performers tend to assume. [3:45] A Cigarette Rolled by Proxy — Orville Meyer Tobacco and rolling paper go into the mouth, a few chewing motions later, out comes a perfectly rolled cigarette. Meyer's version uses a rubber novelty cigarette and a well-timed switch, and produces a clean result every time — unlike earlier marketed versions that often left the cigarette looking the worse for wear. For close-up situations, Meyer suggests substituting ground coffee for the tobacco, signing off with a cheerful "after all, it's for the sake of art." [5:40] The Fan Location — El Rey A card technique rather than a complete effect — a method for secretly marking a selected card the moment it's returned to a fanned deck, using nothing but a finger's sense of touch and a tiny crimp. The right hand stays completely clear throughout, the helper can even be invited to reposition their card, and the deck ends up shuffled by the helper with the performer's hands nowhere near it at the crucial moment. Jay — self-described non-card-guy — tried it this morning and reports it works as written. [7:17] A Trick with the Fan Location — Theodore Annemann Annemann's own application of El Rey's technique, built around a neat reversal of standard card trick logic: the helper chooses their card from a face-up spread, returns it, shuffles the deck, and the performer finds it face-down. The presentation hook — chosen face up, found face down — gives the effect a tidy internal logic that, as Annemann notes, tends to stick in people's minds long after the show. [8:26] A Card to Be Thought About — Theodore Annemann A helper mentally selects one of three freely chosen cards, the deck is mixed, and the performer produces — incorrectly, then incorrectly again — before ultimately finding the card in the most dramatic way possible: from his pocket. The method is structured so that the pocket production is the most likely outcome, and the apparent failures along the way make the ending land harder whenever it arrives. [9:48] A Divination with Matches — Fred Demuth A helper secretly pockets some matches, tears out more to represent the count remaining, then holds an unknown number in their fist — and the performer names exactly how many without asking a single question. The secret is a fixed mathematical principle built into the standard 20-match booklet that always produces the same result regardless of the choices made, leaving the performer with just one quick calculation. Adapted from an older card effect, the matchbook setting gives it a pleasantly casual, impromptu feel. [11:15] The Card Unharmed — Theodore Annemann A borrowed business card is sealed in an envelope, both ends are cut off, the card is slid back through so both ends are visibly sticking out, and then the scissors cut straight across the middle — yet the card comes out completely unharmed. Annemann has been using this as a press piece for years, preparing batches of envelopes in advance and carrying them mailed and ready. Jay has a note about the moment when the card first gets shaken out after cutting the end off — check the comments at jinxnavigator.com. [12:59] Outro Links and a preview of Issue #12 — featuring Annemann's thoughts, tidbits, and ideas on several different magic effects.

Jinx Navigator Podcast — Episode 10: Issue #10

Issue #10 of The Jinx opens with Annemann on his soapbox about impromptu magic — and Jay gets on one of his own — before delivering a signed card on a ribbon, a startling deck production, a masterclass in cigarette vanish presentation, and a one-person picture-duplication effect that Annemann vouches for with characteristic honesty. A strong issue from start to finish.

Effects Covered

[0:52] Editorial — Theodore Annemann Annemann makes the case that working professionals who can't perform on the spot are failing at showmanship, pointing to Harry Blackstone and John Mulholland as performers who built their public reputations largely on impromptu work. Jay weighs in with his own take on the "I'm not a performing monkey" crowd. The editorial also covers news from the New York scene, U.F. Grant's new newsletter The Trickster, and a firm no to advertising in the Jinx — because, as Annemann puts it, he's selling usable information, not ads.

[4:30] 20th Century Cards — Theodore Annemann A helper signs their chosen card and punches a hole in it with a ticket punch, making it unmistakably theirs — then it vanishes from the deck and reappears threaded onto a ribbon between two other cards, everything examinable. The method uses one prepared card and a lead-based adhesive that Annemann called Diachylon, for which Jay suggests magician's wax as a perfectly reasonable modern substitute.

[6:07] Surprise!! — J. G. Thompson Jr. A full deck of cards is produced from nowhere by plunging a bare hand straight through a tambourine — the hand goes in empty, comes out the other side holding a fanned deck, faces out toward the audience. The method centers on a wire gimmick illustrated in the original article, and Jay suggests the gimmick itself is worth studying even if tambourines aren't exactly standard equipment anymore.

[8:02] The Henry E. Dixie Cigarette Vanish — Henry E. Dixie A cigarette is lit, smoked, pushed into a closed fist, and vanishes — performed entirely without words, unhurried, and utterly natural. Annemann's point isn't really the method, which uses a standard piece of apparatus working magicians will recognize immediately — it's that what made this remarkable was Dixie's presentation, and he uses it as a broader argument that performers spend too much time chasing new methods and not enough time on what actually happens in front of an audience.

[10:27] Extra Sensory Perception — Theodore Annemann Thirty-two cards bearing hand-drawn sketches are shuffled and distributed, helpers concentrate on their top card, and the performer reproduces the drawings on a slate from across the room — leaving everything with the audience at the end. Annemann is upfront that Julius Zansig's two-person act was the gold standard for this kind of work, but calls his single-performer version as clean as anything he knows of. Jay has performed this one recently and left notes in the comments at jinxnavigator.com.

Jinx Navigator Podcast — Episode 9: Issue #9

Issue #9 of The Jinx features one of the most widely used envelope techniques in mentalism, a mathematically driven counting effect dressed up in Depression-era politics, and the effect Annemann himself called one of the greatest one-man psychic pieces available — and it's hard to argue with him. The editorial is lively too, with convention news, a rare unprompted book recommendation, and a very satisfying mathematical footnote.

Effects Covered

[0:51] The Modernized Reading — Theodore Annemann A method for secretly reading the contents of a sealed envelope while it's still being held by the person who sealed it — using a prepared envelope, one piece of ordinary office supplies, and a natural-feeling moment of staging that arouses no suspicion. Annemann traces the idea back to 1924 and notes this is the cleanest version he knows. Jay points out it's almost certainly the precursor to Alan Shaxson's famous envelope work, and adds some tips of his own in the comments at jinxnavigator.com.

[2:41] The Renovated Sphinx Card Trick — Eddie Clever Three helpers each initial a freely chosen card, all three go into a hat, and from there the cards travel back and forth between the hat and the deck in ways that shouldn't be possible. Two specially prepared cards do the heavy lifting — one a familiar gimmick many card workers already own, the other a small but clever alteration to a single index. The sleights involved are minimal enough that Jay prefers to call them moves.

[4:08] A Matter of Policy — Theodore Annemann A mathematical counting effect built around a 1935 political joke — twenty oversized cards representing Republican and Democratic employees get counted off every tenth one, and every single Republican ends up out of a job. No sleight of hand, just a very old principle in a topical wrapper. Jay notes the method works regardless of what's on the cards, so the presentation is wide open for updating.

[6:20] Pseudo Psychometry — Theodore Annemann A dozen helpers seal personal objects inside envelopes while the performer's back is turned — and then the performer opens them one by one, sometimes describing the owner in detail, sometimes walking directly into the audience to return the object without asking anyone to identify themselves. The method requires nothing but the envelopes and a system simple enough to hold in your head while performing. Annemann called it one of the greatest one-man psychic effects available, and Jay wholeheartedly agrees.

[8:07] Editorial — Theodore Annemann Annemann reports on a busy convention season and notes the Jinx now has 859 readers as of May 2, 1935. He defends his five-foot shelf list from the volume of argumentative mail it generated, announces a new Jinx Extra — a 16-page special edition twice a year for $1 — and revisits the unauthorized endorsement controversy from Issue #8 now that he's actually bought and examined the trick. He closes with a mathematical curiosity from Royal V. Heath: 84 is the only number between zero and 4,800,000,000 spelled with ten completely different letters — which Annemann notes makes the Jinx's uniqueness official.

[10:19] Outro Links and a preview of Issue #10 — featuring Annemann's Extra Sensory Perception, a mind-reading effect that Jay calls one of his personal favorites.

Jinx Navigator Podcast — Episode 8: Issue #8

Issue #8 of The Jinx is a varied one — a mathematically clever card effect, two contributions from Dr. Duncanson, a borrowed bill in nested envelopes, and Annemann's own opinionated reading list for magicians. The editorial is packed: a victory lap, a moving tribute, and Annemann publicly setting the record straight on not one but two separate grievances.

Effects Covered

[1:07] An Improvement à la Carte — Theodore Annemann A helper names any card, then makes a series of apparently free choices as the deck is dealt and sorted — and somehow lands on the exact card they named at the start. Annemann offers a second, cleaner handling using a written prediction and a face-down borrowed deck. The method involves a stack and Magician's Choice, and Jay is candid about which version he'd actually want to perform.

[3:14] The Astral Shirt Again — Dr. L. E. Duncanson A stage version of the shirt-removal effect from Issue #6, this time with the performer stepping into a small cabinet, wrists genuinely tied by a rope held by helpers on either side. He goes in wearing white, a colored shirt is handed in, and he steps out wearing it. Jay notes that "almost immediately" may have meant something different in 1935 — and proposes an elaborate Zoolander-themed solution that he seems genuinely tempted to perform.

[6:25] Thought Raise — Dr. L. E. Duncanson A helper writes a word, a number, and a drawing on a slate, shows it to the audience, erases everything, and returns to their seat — and the performer reproduces all three exactly. The method involves some household chemicals and a prepared slate, and Annemann cheerfully notes that a mentalist had been selling the same principle for ten dollars, despite it having been published in a book back in 1907.

[8:07] The Jinx Five-Foot Shelf of Magic — Theodore Annemann Annemann's personal reading list for magicians — not trick books, but what he considers genuine textbooks covering every principle a working performer needs. He singles out Stanyan's Magic and Tarbell's Course as essential above all else. Jay notes there's a comment on the site linking to a video about an updated version of the list.

[9:07] Transient Money — E. D. Wolf A borrowed, initialed bill vanishes and reappears inside the smallest of three nested envelopes, each sealed and initialed by a different helper and in plain view the whole time. The method requires a single small prop that fits on your thumb. Jay has some thoughts on tightening the handling — and strongly suggests a flash bill vanish for theatrical effect.

[11:06] Editorial — Theodore Annemann Annemann opens with a tongue-in-cheek celebration of the Jinx running on schedule, complete with an imaginary parade involving flash paper and a fishbowl. He follows with a moving update on John Northern Hilliard's unfinished book, addresses an unauthorized endorsement that used his name without permission, and formally gives everyone blanket permission to steal from the Jinx — on the grounds that readers will figure out where it came from anyway.

[12:27] Outro Links and a preview of Issue #9 — featuring Annemann's classic pseudo-psychometry, an effect that has well and truly stood the test of time.

Links

Read every article in every issue: jinxnavigator.com

Jinx Navigator Podcast — Episode 7: Issue #7

Issue #7 of The Jinx is a strong one — a clean card transposition, a clever two-person code system, a prediction that disappears from the deck, and a classic bill-in-lemon with some real teeth to it. Annemann also pays tribute to a giant of the magic world and goes on a rant that's just as relevant today as it was in 1935.

Effects Covered

[0:57] The ELM Card Change — E. Leslie May A chosen card and a card initialed by the performer swap places — the helper's card ends up in the performer's pocket, the performer's card turns up in the middle of the deck. Works with any borrowed deck, no switches, no special cards, and the moves you'll learn along the way are worth adding to your repertoire regardless.

[2:04] Question of the Month — Theodore Annemann Rather than a finished effect, Annemann throws down a challenge: he has the production figured out for a card-through-tambourine routine, but not the vanish — and he's offering a 10-issue subscription to any reader who can solve it. If you're listening in 1935, now's your chance.

[3:21] A Practical Card Code — Orville Wayne Meyer A complete verbal coding system for a two-person mind reading act, where suit and value are hidden inside what sounds like perfectly natural conversation. Annemann closes with a clever tip: force a pre-agreed card at the end and name it without a single word spoken between you — a nice way to throw off anyone listening too carefully.

[4:55] The New Nightmare — Theodore Annemann A card is freely stopped at, and a prediction written beforehand names it exactly — but the twist is that the predicted card has also vanished from the deck and turned up as the card the prediction was written on. Works with a borrowed deck, requires a simple self-made gimmick, and almost no sleight of hand.

[6:23] The Lemon and the Dollar — Conrad Bush A borrowed, signed bill vanishes and reappears rolled up inside a lemon that's been in a helper's pocket the whole time — serial number matches, torn corner fits. Annemann adds an editor's note pushing back on one aspect of Bush's handling and offers an alternative vanish method.

[7:56] Editorial — Theodore Annemann Annemann opens with a warm tribute to John Northern Hilliard, a press agent and business rep for some of the era's greatest magicians. He then pivots to a rant about magicians who over-explain everything — a critique that, as Jay notes, lands just as hard today as it did in 1935. He closes with a tease for Issue #8 and the controversial list he's been sitting on for two years.

[9:05] Outro Links and a preview of Issue #8 — featuring Annemann's Five Foot Shelf of Magic, which has a modern equivalent available.

Links

• Read every article in every issue: jinxnavigator.com
• Full details on all effects: Issue #7 at jinxnavigator.com

Next episode: Issue #8 — featuring Annemann's Five Foot Shelf of Magic.