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Martini Shot

Martini Shot

Written by: TheAnkler.com
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 When you’re filming a movie or a television show, when it’s the last shot of the day, the first assistant director will call out, “This is the Martini Shot!” I call these stories “Martini Shots” because they’re exactly the kinds of stories we tell — and lessons we learn — after we’ve wrapped for the day. - Rob Long theankler.comAnkler Media Art
Episodes
  • My Dutch Boyhood

    My Dutch Boyhood
    Feb 25 2026
    Michael Lynton, the former CEO of Sony Pictures, has a new book that tells the story of greenlighting the Seth Rogen comedy that provoked North Korea into hacking his studio. He traces it back to an awkward childhood in Holland and a lifelong need to fit in with the cool kids. Rob Long also had an awkward childhood in Holland. He also ended up in show business. But he’s not sure Lynton’s story is really a cautionary tale. The entertainment business isn’t suffering from too much risk. It’s suffering from too little. Also: Puppets might have helped. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    11 mins
  • Faith Is So Hot Right Now

    Faith Is So Hot Right Now
    Feb 11 2026
    Rob Long tries — unsuccessfully — to convince his Hollywood friends that seminary isn’t a branding exercise. His stint at Princeton, where he’s working towards a Masters in Divinity and ordination, has all the hallmarks of a great pilot. But according to Rob, it’s the opposite. Show business has prepared him well for studying the Bible — and led him to the unsettling realization that biblical scholarship and credits arbitration are basically the same thing. Transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    10 mins
  • Catherine O’Hara, A Writer’s Dream

    Catherine O’Hara, A Writer’s Dream
    Feb 4 2026
    The late and irreplaceable Catherine O’Hara’s greatness lived in the microscopic choices — the mouthed lines, the half-beats, the emotions stacked on top of jokes — none of which were written down, and all of which made the comedy work. From Waiting for Guffman to Best in Show to Beetlejuice, she gave audiences “permission to laugh” by making even the most absurd premises feel emotionally true. Which is why the Home Alone franchise became a global phenomenon, and why for writers especially, her loss is painful in a very specific way: The best, funniest, most essential parts of a script aren’t written, if you’re lucky enough to have Catherine O’Hara reading your lines. Transcript here. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    7 mins
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