From the amazing UrbanArt Commission’s Movable Collection site:

Frank D. Robinson Jr. is a Memphis-based visual artist with a primary focus on narratives and the transformation of discarded objects from everyday life, such as packaging, cereal boxes, fast food papers, glass, and keys, into exquisite jewels for his large-scale mixed-media artworks. He holds a BFA from the University of Memphis and a Masters in Painting from the Art Institute of Chicago. His artwork can be found in numerous private collections and is also a part of the collection at the University of Illinois.

Robinson is best known for his Trash to Treasure Portraits, which delve into the beauty of life’s struggles, the ability to turn adversity into positivity, and the overarching theme of caring for humanity. Over the course of two decades, he has faced personal challenges related to diabetes and dialysis, and these experiences have significantly influenced his creative work, incorporating elements from his health journey.

In his efforts to inspire young artists and art teachers, Robinson offers the following advice: “Dream big, use kind words, express love, embrace laughter, and find joy in silliness. Share your talents, remember to say ‘please’ and ‘thank you,’ practice gratitude, lend a helping hand, and always keep your promises. Avoid complaining, be open to new experiences, take moments to breathe, stay composed and carry on, and, most importantly, don’t forget to laugh out loud.”

From Birdcap’s amazing website:

Birdcap is a myth-making muralist and comic artist whose work drifts between folklore and philosophy. With roots in street culture and a mind full of ghosts, he creates poetic narratives about impermanence, rebellion, and the strange joy of continuing on.

From Birdcap’s amazing website:

Birdcap is a myth-making muralist and comic artist whose work drifts between folklore and philosophy. With roots in street culture and a mind full of ghosts, he creates poetic narratives about impermanence, rebellion, and the strange joy of continuing on.

From Paul’s amazing website:

Paul Behnke (b. Memphis, Tenn.) is an American painter whose practice is grounded in contemporary abstraction, with a sustained engagement in chromatic intensity, gestural mark-making, and the formal possibilities of non-objective painting. He holds a Bachelor of Fine Arts degree in Painting from the Memphis College of Art.

Behnke’s work has been the subject of solo exhibitions in New York City, Philadelphia, Heidelberg, Saint Augustine, and Memphis, and included in numerous curated group exhibitions in San Francisco, Honolulu, London, Dublin, Glasgow, Paphos, the Netherlands, Cernay-lès-Reims, and New York. His paintings have garnered critical attention in publications such as Hyperallergic Weekend, The New Criterion, and The New Republic, where his work has been situated within ongoing discourses around abstraction and contemporary painterly practice.

In addition to his studio output, Behnke contributes to the field as a writer and editor. His essays and critical reflections have appeared in AbCrit: A Forum for Debate on Abstract Art, Painters’ Table, Gamut, and No. Magazine. He served as co-editor of Shad Runn, an independent art zine based in Memphis, and has maintained Structure and Imagery, a blog dedicated to contemporary painting and visual culture, since 2011. From 2015 to 2017, he co-directed Stout Projects, an artist-run exhibition initiative in Bushwick, Brooklyn, focused on emerging and mid-career artists.

Following a three-year residency in Taos, New Mexico, Behnke currently lives and maintains a studio practice in Memphis, Tennessee.

From Paul’s amazing website:

Paul Behnke (b. Memphis, Tenn.) is an American painter whose practice is grounded in contemporary abstraction, with a sustained engagement in chromatic intensity, gestural mark-making, and the formal possibilities of non-objective painting. He holds a Bachelor of Fine Arts degree in Painting from the Memphis College of Art.

Behnke’s work has been the subject of solo exhibitions in New York City, Philadelphia, Heidelberg, Saint Augustine, and Memphis, and included in numerous curated group exhibitions in San Francisco, Honolulu, London, Dublin, Glasgow, Paphos, the Netherlands, Cernay-lès-Reims, and New York. His paintings have garnered critical attention in publications such as Hyperallergic Weekend, The New Criterion, and The New Republic, where his work has been situated within ongoing discourses around abstraction and contemporary painterly practice.

In addition to his studio output, Behnke contributes to the field as a writer and editor. His essays and critical reflections have appeared in AbCrit: A Forum for Debate on Abstract Art, Painters’ Table, Gamut, and No. Magazine. He served as co-editor of Shad Runn, an independent art zine based in Memphis, and has maintained Structure and Imagery, a blog dedicated to contemporary painting and visual culture, since 2011. From 2015 to 2017, he co-directed Stout Projects, an artist-run exhibition initiative in Bushwick, Brooklyn, focused on emerging and mid-career artists.

Following a three-year residency in Taos, New Mexico, Behnke currently lives and maintains a studio practice in Memphis, Tennessee.

Don Estes is known for harmonious, dimensional abstractions of the landscape of the American South. He focuses on geological formations, river bluffs, coastlines, and horizons- places where water, land, and light interact and change through the passage of time. In a range of intensities and textures, he layers dry pigment, pastel, and gesso in horizontal and vertical bands, narrow stripes, wide blocks, and translucent washes onto raw canvas or panel. His works share the same dualities and subtle complexities of the environments he interprets: solid yet temporal, monumental yet vulnerable, present and grounded yet untethered. Like fossils, they reveal hidden dimensions and histories through their shape, form, and texture.

Don Estes received his BFA and MFA from the University of Memphis. Estes has participated in exhibitions in Boston, New York, Nashville, Austin, and Amsterdam. He was an original founder of Number: A Quarterly of the Visual Arts, as well as a pioneer of the South Main Arts District. His Second Floor Contemporary Gallery (1999-2005) was an important non-commercial art space for new work by regional and national artists.

Don Estes is known for harmonious, dimensional abstractions of the landscape of the American South. He focuses on geological formations, river bluffs, coastlines, and horizons- places where water, land, and light interact and change through the passage of time. In a range of intensities and textures, he layers dry pigment, pastel, and gesso in horizontal and vertical bands, narrow stripes, wide blocks, and translucent washes onto raw canvas or panel. His works share the same dualities and subtle complexities of the environments he interprets: solid yet temporal, monumental yet vulnerable, present and grounded yet untethered. Like fossils, they reveal hidden dimensions and histories through their shape, form, and texture.

Don Estes received his BFA and MFA from the University of Memphis. Estes has participated in exhibitions in Boston, New York, Nashville, Austin, and Amsterdam. He was an original founder of Number: A Quarterly of the Visual Arts, as well as a pioneer of the South Main Arts District. His Second Floor Contemporary Gallery (1999-2005) was an important non-commercial art space for new work by regional and national artists.

From a text message from Tom Lee after I asked for a brief bio:

“born somewhere in texas, i ain’t sayin, moved a bit with preacher dad, sweetest mom, too many sibs to admit to, some strangers to me and mine, texas education, say what you will, understand you’re being a skeptic, i do, higher ed tho, land of grizzlies, bozeman and all, lotta nice and smart folks, artists all, highest ed, the old miss, ha! tolerable, took me where i went, mca, a haven and heaven to who i am deep, no longer tho, still lying and talking shit to friends unwilling to say ‘enough, bob’ (got called bob a lot, wtf), miss all the ones i grew to treasure, some the ones i thought i wouldn’t, i keep sayin, “i don’t wanna die in mississippi”, but here i be until i ent…

art forever, honeys, and goodnite.”