My guest for this episode is Big Big Train vocalist, composer, multi-instrumentalist, and producer Alberto Bravin. Arriving from legendary Italian prog band PFM a couple of years back, Bravin discusses the band's new album (his second with Big Big Train), Woodcut. It's the 16th studio album for BBT but the band's first concept album. Alberto sat for the interview in early December 2025, but the album drops Friday, Feb. 6 from Inside Out Music. In addition to the making of the album and the concept story background, Alberto spoke about his musical beginnings and influences, how he found out he was producing the new album, and much more. To learn more about Big Big Train, visit bigbigtrain.com.

Please hit the like button and/or leave a rating/review wherever you consume this podcast. You can read my Michael's Record Collection newsletter for free by signing up at michaelsrecordcollection.substack.com. Follow MRC on Twitter (@MikesRecords), like it on Facebook, and follow on Instagram, and Bluesky. Have questions or comments or want to suggest a topic? Hit me up at michaelsrecordcollection@gmail.com.

I'd love to have your support for this independent podcast. You can become a patron of this show by becoming a Michael's Record Collection Patreon subscriber starting at only $2 per month at the MRC Patreon page. Supporter benefits escalate at each level, providing more value the more you support the show. For example, you will know about interviews in advance and at some levels you can submit questions for the artists, come on the show to co-host, enter prize drawings, and more.

My guests for this special episode are all four members of veteran progressive rock band Echolyn — Raymond Weston, Christopher Buzby, Brett Kull, and Jordan Perlson. The four musicians joined me to discuss their self-released twin albums, TimeSilentRadio II and TimeSilentRadio vii, which came out March 7. The band just released a new video and these outstanding modern prog albums are well worth your time. They were kind enough to tell me about the album, their writing approach, their history, some of their early influences, and much more. For more information on this band that not nearly enough people know about, visit echolyn.com.

lease hit the like button and/or leave a rating/review wherever you consume this podcast. You can read my Michael's Record Collection newsletter for free by signing up at michaelsrecordcollection.substack.com. Follow MRC on Twitter (@MikesRecords), like it on Facebook, and follow on Instagram, Bluesky, and/or TikTok. Have questions or comments or want to suggest a topic? Hit me up at michaelsrecordcollection@gmail.com.

I'd love to have your support for this independent podcast. You can become a patron of this show by becoming a Michael's Record Collection Patreon subscriber starting at only $2 per month at the MRC Patreon page. Supporter benefits escalate at each level, providing more value the more you support the show. For example, you will know about interviews in advance and at some levels you can submit questions for the artists, come on the show to co-host, enter prize drawings, and more.

Nick D'Virgilio returns to discuss the reissue of his 2008 Rewiring Genesis A Tribute to The Lamb Lies Down on Broadway album. The reissue drops Friday, with some new parts recorded, including guitar by Genesis legend Steve Hackett and strings recorded at the iconic Abbey Road Studios in London. Nick discussed what's been added, what makes The Lamb special, his own personal history with the classic Genesis album and the band, touring as Hackett's drummer, what's next for D'Virgilio, Morse & Jennings and Big Big Train, and more. For more info on Nick, check out his website at www.nickdvirgilio.com.

lease hit the like button and/or leave a rating/review wherever you consume this podcast. You can read my Michael's Record Collection newsletter for free by signing up at michaelsrecordcollection.substack.com. Follow MRC on Twitter (@MikesRecords), like it on Facebook, and follow on Instagram, Bluesky, and/or TikTok. Have questions or comments or want to suggest a topic? Hit me up at michaelsrecordcollection@gmail.com.

I'd love to have your support for this independent podcast. You can become a patron of this show by becoming a Michael's Record Collection Patreon subscriber starting at only $2 per month at the MRC Patreon page. Supporter benefits escalate at each level, providing more value the more you support the show. For example, you will know about interviews in advance and at some levels you can submit questions for the artists, come on the show to co-host, enter prize drawings, and more.

My guest for this episode is vocalist and multi-instrumentalist Ted Leonard, who is the front man for Spock's Beard, Pattern-Seeking Animals, and Enchant. Ted and his Spock's Beard mates are set to release the band's 14th studio album (the fourth since Ted came in to replace Nick D'Virgilio as vocalist after the latter left the band). The Archaeoptimist drops Friday from Madfish Music. Ted talks about the big influence Ryo Okumoto had in writing the album, the many references to classic Spock's Beard songs sprinkled throughout the tracks, the status of Enchant as a band, his musical background, and much more. Find out more about the new album at spocksbeard.com.

Please hit the like button and/or leave a rating/review wherever you consume this podcast. You can read my Michael's Record Collection newsletter for free by signing up at michaelsrecordcollection.substack.com. Follow MRC on Twitter (@MikesRecords), like it on Facebook, and follow on Instagram, Bluesky, and/or TikTok. Have questions or comments or want to suggest a topic? Hit me up at michaelsrecordcollection@gmail.com.

I'd love to have your support for this independent podcast. You can become a patron of this show by becoming a Michael's Record Collection Patreon subscriber starting at only $2 per month at the MRC Patreon page. Supporter benefits escalate at each level, providing more value the more you support the show. For example, you will know about interviews in advance and at some levels you can submit questions for the artists, come on the show to co-host, enter prize drawings, and more.

My guest for this episode is Swedish multi-instrumentalist and composer Jonas Lindberg. His band/solo project, Jonas Lindberg & The Other Side is set to release its third album, Time Frames, on Nov. 7. Jonas was kind enough to tell me about the new album, his approach to songwriting, why the band hasn't played live in more than 10 years, his musical influences and background, and more. The music can best be described as a mixture of Spock's Beard, The Flower Kings, Kaipa, and Genesis, but there are other flavors as well. Learn more about Jonas' work on the band's Facebook page or his website: https://www.lindbergmusic.com/.

Please hit the like button and/or leave a rating/review wherever you consume this podcast. You can read my Michael's Record Collection newsletter for free by signing up at michaelsrecordcollection.substack.com. Follow MRC on Twitter (@MikesRecords), like it on Facebook, and follow on Instagram, Bluesky, and/or TikTok. Have questions or comments or want to suggest a topic? Hit me up at michaelsrecordcollection@gmail.com.

I'd love to have your support for this independent podcast. You can become a patron of this show by becoming a Michael's Record Collection Patreon subscriber starting at only $2 per month at the MRC Patreon page. Supporter benefits escalate at each level, providing more value the more you support the show. For example, you will know about interviews in advance and at some levels you can submit questions for the artists, come on the show to co-host, enter prize drawings, and more.

My guest for this episode is founding member and keyboardist of Norwegian progressive rockers Gazpacho. This is one of the most interesting bands in modern progressive rock, and they're back with a new album on Oct. 31 called Magic 8-Ball, a conceptual piece that provides everything you already love about Gazpacho and yet delivers some fresh new sounds and ideas as well. Thomas was kind enough to talk to me about his background and influences, the story behind the Magic 8-Ball concept, the album Gazpacho had to scrap before making the new one, and much more. To find out more about the band, visit GazpachoWorld.com.

Please hit the like button and/or leave a rating/review wherever you consume this podcast. You can read my Michael's Record Collection newsletter for free by signing up at michaelsrecordcollection.substack.com. Follow MRC on Twitter (@MikesRecords), like it on Facebook, and follow on Instagram, Bluesky, and/or TikTok. Have questions or comments or want to suggest a topic? Hit me up at michaelsrecordcollection@gmail.com.

I'd love to have your support for this independent podcast. You can become a patron of this show by becoming a Michael's Record Collection Patreon subscriber starting at only $2 per month at the MRC Patreon page. Supporter benefits escalate at each level, providing more value the more you support the show. For example, you will know about interviews in advance and at some levels you can submit questions for the artists, come on the show to co-host, enter prize drawings, and more.

My guest for this episode is Polish composer, producer, and multi-instrumentalist Mariusz Duda (Riverside, Lunatic Soul) about the upcoming Lunatic Soul album, The World Under Unsun. It's the first double album for Lunatic Soul (the name under which Duda records his solo albums). Despite being a double concept album, he keeps the length manageable, and Mariusz was kind enough to tell me about the new record, the story that underlies all of Lunatic Soul's recorded work, his influences and background, his songwriting approach, his concept of genreless music using a variety of musical styles, and much more. For more information on Lunatic Soul, visit the official website at Lunaticsoul.com.

Please hit the like button and/or leave a rating/review wherever you consume this podcast. You can read my Michael's Record Collection newsletter for free by signing up at michaelsrecordcollection.substack.com. Follow MRC on Twitter (@MikesRecords), like it on Facebook, and follow on Instagram, Bluesky, and/or TikTok. Have questions or comments or want to suggest a topic? Hit me up at michaelsrecordcollection@gmail.com.

I'd love to have your support for this independent podcast. You can become a patron of this show by becoming a Michael's Record Collection Patreon subscriber starting at only $2 per month at the MRC Patreon page. Supporter benefits escalate at each level, providing more value the more you support the show. For example, you will know about interviews in advance and at some levels you can submit questions for the artists, come on the show to co-host, enter prize drawings, and more.

My guest for this episode is vocalist/keyboardist Lawrence Gowan of Styx. The Canadian musician took over for Dennis DeYoung ahead of the 2003 album Cyclorama and although he's only been part of the band's last five studio albums in that time, Styx continues to find ways to explore interesting musical ideas and create memorable music. Lawrence was kind enough to discuss the new album, Circling From Above (which came out in July), his first favorite record, how Jon Anderson of Yes ended up on his solo album, joining Styx, playing in a band with his brother, and (of course) the excellent new album. Learn more about Styx at Styxworld.com.

Please hit the like button and/or leave a rating/review wherever you consume this podcast. You can read my Michael's Record Collection newsletter for free by signing up at michaelsrecordcollection.substack.com. Follow MRC on Twitter (@MikesRecords), like it on Facebook, and follow on Instagram, Bluesky, and/or TikTok. Have questions or comments or want to suggest a topic? Hit me up at michaelsrecordcollection@gmail.com.

I'd love to have your support for this independent podcast. You can become a patron of this show by becoming a Michael's Record Collection Patreon subscriber starting at only $2 per month at the MRC Patreon page. Supporter benefits escalate at each level, providing more value the more you support the show. For example, you will know about interviews in advance and at some levels you can submit questions for the artists, come on the show to co-host, enter prize drawings, and more.