In a small medieval palace on Kathmandu’s Durbar Square, a young girl chosen from a caste of Buddhist goldsmiths watches over this broad valley and protects the country and its people.

She’s the embodiment of Devi, the universal goddess, and Hindu kings have sought her blessings for centuries to legitimate their rule.

Isabella Tree uncovered the secrets of this strange tradition over many years and many visits to Nepal. She peeled away the layers of myth, religious belief and modern history, and she slowly overcame the reluctance of priests and caretakers to meet Kathmandu’s living goddess herself.

Isabella is the author of The Living Goddess, Islands in the Clouds, The Book of Wilding, and other books. Her work has appeared in Granta, National Geographic, The Sunday Times and other publications. She’s an award winning conservationist, and lives West Sussex, in the middle of the Knepp Wildland, the first large-scale rewilding project in lowland England.

We spoke about the powers of the living goddess, how she is chosen, the connection to tantric ritual, and how the goddess foreshadowed the massacre of Nepal’s royal family.

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Every book I read about Easter Island said roughly the same thing: a small, isolated group of people living on the world’s most remote inhabited island couldn’t have sculpted, moved and erected the enormous statues that are Easter Island’s most famous feature.

Or if they had, they must have been consumed by a monument building obsession that led them to cut down all the trees, causing mass starvation and warfare, and destroying their own civilization in the process.

Archaeologist Mike Pitts tells a very different and far more compelling story.

He draws on the latest research to build a picture of a remarkable cultural flourishing in a remote and unforgiving environment, by people with a highly sophisticated system of agriculture and a rich tapestry of myths, religion, political stratification and artistry.

His new book is one of my top reads of the year, and I couldn’t wait to talk to him about it.

We spoke about the small group of settlers who discovered the island, the genesis of the famous ecocide myth, and what those massive stone statues really mean.

Personal Landscapes relies on the support of listeners like you to keep going. Please consider joining my Member's Club on Substack https://www.personallandscapespodcast.com/p/start-here

You’ll be supporting an independent ad-free podcast that publishes carefully curated conversations like this one, backed by decades of reading.

Moonlighting posed as a detective show, but it was actually an old-fashioned 1940s screwball-comedy. Mysteries were just a framework for the romantic tension between the two main characters, played by Bruce Willis and Cybill Shepherd.

In an era when television was serious and even the comedies were overly-earnest, Moonlighting threw out all the rules.

Chase scenes ended in food fights and soap suds. They did song and dance routines, made film noir and Shakespeare episodes, broke the fourth wall, and did cold opens where the lead actors spoke to the audience in character.

It really is a time-capsule of what was great about the 1980’s, when we could still laugh at ourselves without being ‘triggered’.

Today I’m bringing you the inside story on the creative chaos and private feuds at the heart of that decade’s most original TV show.

I'm joined by Scott Ryan, author of Moonlighting: An Oral History.

We spoke about Moonlighting’s most creative episodes, the chaos and fighting on-set, and the myth the so-called Moonlighting Curse.