In this episode of Phoenix Cinema Podcast, hosts Chris Austin and Luke Parker delve into Rian Johnson's latest film, 'Wake Up Dead Man,' the third installment in the Knives Out trilogy.

They explore the film's gothic atmosphere, character development, and the intricate plot that intertwines themes of faith and greed. The discussion highlights the performances of the ensemble cast, particularly Daniel Craig and Josh O'Connor, while also comparing the film to its predecessors.

The hosts reflect on the expectations of whodunit films and how this installment both meets and subverts those expectations, ultimately leading to a conversation about Rian Johnson's unique filmmaking style and the film's accessibility for audiences. They conclude with recommendations for pairing films and the overall enjoyment of the Knives Out series.

Like, rate and subscribe if you like what you're hearing and happy listening!

In this episode of the Phoenix Cinema Podcast, host Chris Austin speaks with BAFTA-nominated composer Blair Mowat about his journey in film and TV music.

Mowat shares insights into his early musical influences, the importance of short films in his career, and his transition to feature films. He discusses his work on the Doctor Who spin-off 'Class' and his recent documentary 'The Age of Disclosure', which explores the reality of UAPs. The conversation delves into the differences between scoring narrative films and documentaries, the impact of iconic composers, and the significance of collaboration in the industry.

Blair is one of the best guests we've spoken to and we encourage you to check out more of his work! Happy listening.

In this episode of the Phoenix Cinema Podcast, hosts Chris Austin and Luke Parker delve into the film 'Nuremberg,' directed by James Vanderbilt. They discuss the film's exploration of the psychological dynamics between an American psychiatrist and Hermann Goring, the highest-ranking Nazi official left alive after World War II. The conversation covers the film's themes of humanity, evil, and the historical context of the Nuremberg trials, as well as character analyses, performance highlights, and the impact of historical footage.

Chris and Luke emphasize the film's relevance to modern-day issues and recommend it as a must-watch for its compelling storytelling and powerful performances.

If you like what you're hearing please like, rate and subscribe for more!

In this latest episode of the Phoenix Cinema Podcast, host Chris Austin interviews renowned film composer Antonio Pinto, known for his work on films like Central Station and City of God.

Pinto shares insights into his creative upbringing in a family of artists, his early musical experiences, and the pivotal collaborations that shaped his career. He discusses his breakthrough with Central Station, the impact of City of God, and his experiences at the Oscars.

Pinto also reflects on his ongoing collaborations with filmmakers and his latest projects, including scoring for Flight Risk and the upcoming Lord of War 2.

We hope you enjoy the conversation as we continue to speak to the best film composers working today.

In this episode of Phoenix Cinema Podcast, hosts Chris Austin and Luke Parker delve into Yorgos Lanthimos' latest Oscar-nominated film, 'Bugonia.'

They explore the film's themes of paranoia, conspiracy, and the blurred lines between delusion and reality. Chris and Luke also highlight the performances of Emma Stone and Jesse Plemons, discussing their character dynamics and the film's dark humor while reflecting on their personal relationships with Lanthimos' work, the film's narrative structure, and its commentary on contemporary societal issues.

As usual the episode concludes with thoughts on the film's score and a discussion of potential pairings with other films.

Happy listening!

In this episode of the Phoenix Cinema Podcast Film Club, we discuss the 1992 film 'Bad Lieutenant' directed by Abel Ferrara.

The conversation delves into the film's challenging themes, including morality, redemption, and the role of religion. Each host shares their initial reactions, with many finding the film difficult to watch due to its graphic content and portrayal of a morally ambiguous protagonist. The discussion also touches on the film's stylistic choices, the performances of the cast, particularly Harvey Keitel, and the overall impact of the film on viewers.

The episode concludes with reflections on the film's legacy and its reception among cinephiles.

This is a tough one, folks! But a lot of fun to discuss. Join us as we sift through this one and then listen on for the reveal of what the next film will be. We shall see you then!

Join Chris Austin and Luke Parker on Phoenix Cinema Podcast as they discuss Kathryn Bigelow's latest film, A House Of Dynamite.

The conversation delves into the complexities of defense spending and the inherent risks associated with military technology. It highlights the tension in global politics and the uncertainty of future events, emphasizing the precariousness of the current geopolitical climate.

It's a scary time, folks. And our modern day cinematic landscape is reflecting that back at us. Well worth a watch, now available on Netflix.

If you enjoy what you hear then press that button, not the 'Nuclear' button, the 'Like' one.

Welcome to our very first live episode of the podcast where Chris Austin got the opportunity to meet director Hugh Welchman after a screening of his wonderful LOVING VINCENT, the very first animated fully painted film.

Listen on as Hugh talks about his entry into the world of cinema, his years spent producing many films and winning an Oscar for one of them, to the incredible behind the scenes story of the making of this seminal and unique film and beyond to what's next.

To watch LOVING VINCENT in a venue as beautiful and historic as Phoenix Cinema was truly a wonderful event and we hope for many more like to come for the cinema as well as the podcast.

Thank you for your support to those who listen, do let us know how you feel about the podcast. We want to hear from you. Until then, we'll see you on the next one.