Photography can fill every corner of your life if you let it. Even when you are not shooting, you are thinking about shooting. You are noticing light in a window, framing scenes in your head, planning locations, sorting gear, editing, posting, and taking in other people's work. If photography is more than a casual hobby for you, it has a way of quietly becoming part of how you move through the day. For some people, it is also a job, which adds deadlines, client expectations, and the pressure to keep producing. There is nothing wrong with being devoted to it. The problem starts when the devotion becomes constant, and the rest of life gets squeezed into whatever is left over...

Podcast Notes: https://www.moneymakerphotography.com/making_time_for_yourself_photography/

Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/

Music From the Doctor's Office: https://www.moneymakerphotography.com/music-from-the-doctors-office/

I have been noticing something more and more, and I do not think it is just me. People who once cared a lot about photography are walking away from it. Not just beginners who bought a camera, tried it for a month, and got bored. I mean, people who used to go out on purpose to shoot. People who used to talk about photos, plan trips around photos, and spend real time learning and improving. Now the camera sits. The bag stays closed. Months go by, and they do not miss it the way they thought they would.

The idea of quitting photography feels strange because, for years, it was treated like a lifelong thing. You start, you keep building, you keep upgrading, you keep chasing better work. You are "a photographer," and that identity can stick to you even when the hobby has stopped fitting your life. So when someone starts thinking about calling it quits, it can feel heavy, as if they are quitting a part of themselves. A lot of the time, they are not quitting who they are. They are just being honest about what their days can hold now, and what their mind has room for now...

Podcast Notes: https://www.moneymakerphotography.com/when-to-call-it-quits-photography/

Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/

Music From the Doctor's Office: https://www.moneymakerphotography.com/music-from-the-doctors-office/

My brain does this thing where photography and sound keep borrowing ideas from each other. I will be setting up a shot, thinking about light and shadow, and suddenly I am thinking about microphones. Or I will be setting up a mic, and I start thinking about lenses.

Both are about choosing what you want and choosing what you do not want.

With a camera, you make decisions that shape what the viewer sees. You pick a lens. You choose an angle. You decide what is sharp and what is soft. You decide what stays in the frame and what gets cut out.

With audio, it is the same kind of thinking. You still pick a tool. You still aim it. You still decide what matters most. The big difference is that sound is more complex to "see," so people sometimes forget it is a craft full of choices...

Podcast Notes:

https://www.moneymakerphotography.com/bridging-sound-and-vision-exploring-polar-patterns-in-creative-work/

Photography Clips Podcast:

https://www.moneymakerphotography.com/podcast/

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When we look at old photographs, we tend to expect them to be in black and white. We expect the past to feel distant, muted, and quiet, as if history were always supposed to be sepia-toned and far away.

Sergei Prokudin-Gorsky did not accept that.

He wanted people to see the world as it actually looked. Not in our time, but in his. Not as a ghost of history, but as something alive with color...

Podcast Notes:

https://www.moneymakerphotography.com/sergei-prokudin-gorsky-russia-color-photography/

Photography Clips Podcast:

https://www.moneymakerphotography.com/podcast/

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Photography looks ordinary now. A phone comes out, a tap happens, and an image appears. That ease can make photography seem like a simple act of collecting proof that something took place. Yet the real power of photography has never been about evidence alone. It has always been about attention, time, and meaning. A photograph can be a record, but it can also be a decision about what deserves to be noticed. It can be a way of saying, "This mattered to me," even when the subject is small, quiet, or gone a moment later.

This essay argues three ideas. First, photography is a distinct way of seeing, not only a way of recording. Second, the emotional force of photography comes from its direct relationship to time and loss, plus the photographer's choices. Third, the phone era did not erase photography. It changed the social conditions around it, which makes intention and care more valuable, not less...

Podcast Notes:

https://www.moneymakerphotography.com/why-i-love-photography-and-why-you-might-too/

Photography Clips Podcast:

https://www.moneymakerphotography.com/podcast/

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The common advice for new and aspiring photographers is to take as many photographs as you possibly can – every day of the week if possible. For many, that means starting on a photo-a-day or 365 project. This is terrific advice, but I don't necessarily think it is limited to beginners. Even professionals can benefit from something like a photo-a-day project. Especially professionals, since I think the tendency to get involved in the business side of photography means we don't always make time to create images each day.

The best part about photo-a-day projects (aside from the ability to polish your skills even further) is that they don't need to be a year-long commitment. And, you don't need to wait until January 1 to start your project. You can get started right now! If you're having trouble settling into a daily photo project, I'll show you some of the benefits that you could be missing...

Podcast Notes:

https://www.moneymakerphotography.com/improve-skills-photo-day-project/

Photography Clips Podcast:

https://www.moneymakerphotography.com/podcast/

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Here's something I've mentioned before, and I believe that I've spoken of it in terms of how organization and trip planning is a good thing. Because that is the truth—none of us wants to spend a lot of money and time on a trip only to come home with no photographs to show for it.

This time around, however, I want to argue the opposite. Conflicting opinions, I know, but as with everything, I believe that there is a balance to strike. Sometimes planning out your photographic excursions down to the last detail is a good thing...

Podcast Notes:

https://www.moneymakerphotography.com/wandering/

Photography Clips Podcast:

https://www.moneymakerphotography.com/podcast/

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https://www.facebook.com/Will.Moneymaker

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Ansel Adams said, "There is nothing worse than a sharp image of a fuzzy concept." As photographers, this is our greatest struggle — to produce images with a meaning that is immediately evident and warrants a deeper examination of the subject material.

So how do we produce images like this? One way to create a powerful collection — a meaningful portfolio — is to seriously zero in on your concepts. Take your subject material and distill it until only the most resonating elements stand out. However, this isn't the only thing you'll need to consider as you strive for a striking collection of images. I'll show you a few good ways to approach this task...

Podcast Notes:

https://www.moneymakerphotography.com/four-ways-create-powerful-portfolio/

Photography Clips Podcast:

https://www.moneymakerphotography.com/podcast/

Follow me:

https://www.facebook.com/Will.Moneymaker

#PhotographyClips #WillMoneymaker #PhotographyPodcast