Mark Forbes is a photographer with European roots now based in Australia. I came across his work quite by accident when looking at cool medium format photos and decided to get in touch and see if he’d like to be on the show. Thankfully for me he said yes and you’ll get to hear about his process, his book making adventures and the value that a bit of distance from the moment of capture can make to your relationship to what you’re making. It’s classic Prime Lenses, here’s my chat with Mark.

Sign up to the Prime Lenses newsletter for a mid-week treat.

Support the show on Patreon.

More about this show:

A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

Justin French is a self taught photographer and director who has studied in London and is now based in New York. His work is beautiful, modern and textured with a style that borrows heavily from classical painting and has taken him around the world shooting for the likes of National Geographic, Vogue, Rolling Stone and many more. He’s thoughtful and charming company and I think you’ll enjoy this conversation with Justin.

Sign up to the Prime Lenses newsletter for a mid-week treat.

Support the show on Patreon.

More about this show:

A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

Dave Faulkner is a product designer and engineer turned camera maker. Having successfully released the Tych half frame film camera in 2022, he’s back with a new project, the Alfie [BOXX] camera designed to allow a user to make beautiful small prints using a handmade wood and brass camera. Dave agreed to come on to the show to talk about the new camera and what he’s hoping folks will get out of it.

You can back the kickstarter here, and if you use our link, Prime Lenses will receive a kickback at no additional cost to you. Thanks for considering supporting us and Alfie Cameras.

More about this show:

A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

Tammie Joske is a photographer turned creator who has recently decided to go it alone and make videos about street and film photography. A friend of the show recommended I get in touch with her because like me she shoots the C Biogon 35 f2.8 on her M camera. That would ordinarily be enough, but the fact that Tammie is such fun to watch online meant that I knew we’d have a great conversation. I hope you enjoy it as much as we did.

Sign up to the Prime Lenses newsletter for a mid-week treat.

Support the show on Patreon.

More about this show:

A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

Mattia Bidoli is photographer and magician who has worked in some of the most dangerous places on the planet. His photography from places experiencing conflict like Ukraine and Gaza are sadly in demand in 2026. I met him at the Raw Photo Festival in May and he was kind enough to talk to me while we were there and give me a copy of his book which I devoured on the journey home. He’s a wonderful human being, great photographer and has very strong opinions about pizza.

Sign up to the Prime Lenses newsletter for a mid-week treat.

Support the show on Patreon.

More about this show:

A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

Benj Haisch is part of a proud tradition of guests who are musicians turned photographers/ YouTubers which nicely reinforces my personal biases when it comes to what genuinely constitutes creativity. Cutting his teeth photographing everything, with everything he’s a voice I trust in the photography space. He’s a warm, fun photographer and was a joy to speak with so I’ll get out of the way and let you enjoy our chat.

Sign up to the Prime Lenses newsletter for a mid-week treat.

Support the show on Patreon.

More about this show:

A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

Justin Sorensen is a sports photographer based in New York. He has a book out about the effect of sports on the human body. I wanted to speak to him about how he came to make the book and what’s next. You can pick up a copy of the book here.

More about this show:

A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

Lydia Winters is a former game developer turned photographer/ story teller for hire. She and I have worked on Minecraft in the past but never got to work together. All that changes now as we go deep into our nerdy love for cameras and just a little bit of fun with watches.

Sign up to the Prime Lenses newsletter for a mid-week treat.

Support the show on Patreon.

More about this show:

A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.