Welcome back to the gutter where the living ain’t easy and the joys of scraping by are . . . well, few and far between. But like, ‘community’. And like, ‘therapy’. Because while everything is on fire you can at least anaesthetise with self-care and yet another instalment of whatever the Kardashians are up to these days (*vomit sound). On the Kardashians, the rats revisit Kanye’s public apology for like, the last few years in which he identified as a Nazi and made songs about hitler, as well as rubbing shoulders with soft-cock fake-goth abuser Marilyn Manson, and a slew of albums which suffered not only from ironic fascism (???) but also lacked the glory of previous albums in which craft was the priority and not flaccid alt-right shock. Can we really forgive a balding bipolar has-been because, to quote his apology, he had a ‘head injury’ that made him think jews bad hitler good? Probs not tbh.

Also; clearly Nicola Willis is terrible at her job. But with one of her few credentials being in English and poetry, the rats wonder what a poet Willis used to write about. Did she subvert canon and use kiwi imagery steeped in the miseries of Sylvia Plath? (Think a pavlova drizzled in period blood). Or maybe she used staccato stream of consciousness, like an affluent Janet Frame, minus the flare or urgency (and talent). The rats can only guess without eyes on Willis’s actual work, but they have to assume she’s a better poet than treasurer because if not, the safest thing would be for this early work to stay buried lest it resurface as just another humiliation on an already long list; somewhere between disappearing boats, e-scooter fails, and a collection of Blazers so plain they’d make Margaret Thatcher look like Liberace.

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Wow, what a year this week has been! Just when you think the stink of western madness couldn’t get thicker on the air…it does. But anyone living on this side of 9/11 knows already that it can always get worse; and just in time for Christmas! One of our favourite things to do over the Christmas period is spiral in the family home after declining to join your loved ones at lunch, only to pull back from full dissociative affect by watching a familiar movie. Often this is Batman Returns or Eyes Wide Shut. But this year, why not remember the year that was by spiralling into a classic Rob Reiner, who we are presently mourning after he and his wife were stabbed to death in their LA home. The man gave us Princess Bride, and also This Is Spinal Tap, among others. And much like the inconceivable tragedy on Bondi Beach, Reiner’s death has already been re-framed by a toad-faced politician with a tic-tac-choad. Apparently, his death was an inevitable result of being anti-Trump (or so says Trump). Also on the agenda this week; theorist Byung Chul Han’s notion of terrorism as the ultimate selfie (kms), the offering of comedians versus the offering of musicians, the semiotic wasteland of techno neo-feudalism, the mirage of nationalism, and the unlikely power of Lynn Ramsey’s latest film Die My Love, in which impending climate doom and The Malaise Of The End are gorgeously rendered as one woman’s struggle with post natal depression (serious, it’s lit; and also the most punk thing you’ll see this year).

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