Why has sound been used as a tool for healing across cultures and throughout history? And what does modern neuroscience reveal about this ancient practice?

In this first episode of Resonances, physician, singer, and researcher Patricia Caicedo explores the deep and enduring relationship between music and medicine—from prenatal life and shamanic ritual to Pythagoras, Renaissance physicians, and contemporary neuroscience.

Drawing on history, biology, and clinical research, this episode examines how sound interacts with the nervous system, regulates emotion, modulates pain and stress, and shapes our experience of health. What ancient cultures understood intuitively, science is now beginning to explain.

This episode invites you to listen differently—and to reconsider the role of music not as metaphor, but as a biological and cultural force in human health.

🎧 In this episode:

• Sound, the body, and early healing practices
• Rhythm, vibration, and nervous system regulation
• Music as medicine across history
• What neuroscience tells us today

Welcome to Resonances—where music, health, and identity meet.

What if one summer could change the way you see music—and yourself—forever?In this episode of Resonances, Patricia Caicedo reunites with participants of the 2025 Barcelona Festival of Song—including Eden Rosenbaum, Cassandra Brittany Leisher, Ana Socaci, Jaiden Wettstein, Katelyn Breen, Campbelle Stencel, Sofia Jaquez, Crystal Buck, Stella Roden, Amethyst Shanks, David Dies, and Robert Rocco—as they reflect on their artistic journeys, discoveries, and the deep bonds formed through eleven transformative days of making music together.

What happens when Federico García Lorca’s most sensual poems collide with a historic piano in the heart of Barcelona?

In this behind-the-scenes episode, soprano-musicologist Patricia Caicedo welcomes composer David Dies and tenor James Kryshak to reveal the fiery birth of El Diván del Tamarit—a brand-new song cycle premiering July 4, 2025 at the Biblioteca de Catalunya on Enric Granados’ own piano.

🔍 Listen in to discover: • How Dies turns Lorca’s “white fire” and surreal images into razor-edged harmonies and soaring vocal lines. • Why Kryshak calls the poems “painfully urgent” for today—and how he sculpts every Spanish syllable for maximum impact. • Caicedo’s mission to prove the United States is already a Spanish-speaking nation and to spotlight Iberian-Latin American art song at the Barcelona Festival of Song (July 3–12, 2025). • The teamwork—pianist Joel Papinoja, live poem recitations, and more—that transforms raw verse into living performance.

If you love poetry, vocal drama, or the electric moment when art is born, join us—on site or online—as Lorca’s echoes reverberate through 21st-century Barcelona.

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What if I told you that one of Latin America's greatest composers of art song was born in a house that once belonged to a president... and died on the very day that would later be declared a global celebration of his legacy?

This is the story of Jaime León—a composer whose music connects continents, memories, and generations.

In this special episode of Resonances, we honor the life and music of Colombian composer, conductor, and pianist Jaime León, on the occasion of the International Day of Latin American and Iberian Art Song—celebrated every May 11.

Join me, Patricia Caicedo, as I reflect on my personal relationship with Jaime León, his transnational identity, and the lasting impact of his art songs on the repertoire and on my own journey as a performer and scholar. You'll hear two beautiful selections from the album Más Que Nunca, which I recorded with pianist Nikos Stavlas and which features León’s complete songs for voice and piano.

🎧 Listen to the album on Spotify: Más Que Nunca – Patricia Caicedo & Nikos Stavlas

🌐 Explore Jaime León’s life and work: jaimeleon.net

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By listening, you're expanding your musical horizons, supporting underrepresented voices, and helping build a more inclusive, vibrant, and just musical world.

Welcome to the first episode of Resonances, formerly The Latin American and Iberian Art Song Podcast. In this short introductory episode, I explain why I’ve rebranded the podcast and what this new phase represents—a deeper, more integrated expression of who I am.

As a soprano, musicologist, and physician, I no longer want to separate the different parts of my identity. Resonances is a space where all of them meet—where music, culture, history, health, and language come together in conversation.

You’ll hear episodes in English, but also poems and songs in Spanish, Portuguese, and Catalan. I’ll explore Latin American, Spanish, and Catalan art song not only as music, but as cultural memory, lived experience, and poetic expression.

If you’re someone who refuses to be defined by a single box—who sees music as part of life, not separate from it—this podcast is for you.

✨ Subscribe to the podcast, share it with a friend, and join the conversation.

📝 Sign up for the Resonances newsletter: https://www.patriciacaicedo.com/resonances 📱

Follow me on Instagram: @patriciacaicedobcn 🎶 Listen to my music on Spotify.

🌍 Explore my work: https://www.patriciacaicedo.com

Let’s begin.

In this episode, we delve into Dr. Patricia Caicedo's thought-provoking article "Memory, Nostalgia, and Resistance: The Afro-Latin Art Song," exploring how the African diaspora in Latin America, impacted by the Atlantic slave trade, used music, language, and rituals as mechanisms of cultural preservation and resistance.

We discuss how Afro-Latin composers and poets embedded rhythmic, melodic, and idiomatic elements into art songs to keep their cultural identity alive while navigating the challenges of acculturation. These art songs served as a way to participate in avant-garde artistic movements and also as a tool for social mobility and political advocacy. Dr. Caicedo highlights how, despite their cultural contributions, the diaspora faced a "whitening" process that threatened to strip away their symbolic and artistic wealth once again.

Join us as we explore how these art songs became powerful expressions of resistance, memory, and identity, shedding light on the deep connection between music and social change in Latin America.

You can read the full article, published in Diagonal, an Ibero-American music review by the University of California, Riverside, by clicking [here].

Did you know that music, power, and national identity are entangled and constantly changing? In this Episode, Hermann Hudde and Patricia Caicedo talk about the political and cultural relations between the United States and Latin America and how these were staged at the Tanglewood festival led by Serge Koussevitzky in the 1940s. An opportunity to discover the role of music in what we know as cultural diplomacy.

Did you know that there was an important operatic activity in Brazil during the XVII and XVIII centuries? Did you know that there were opera houses in many Brazilian cities where European and local artists performed together, including mulatos, blacks, and women?

In the second season premiere, Patricia Caicedo talks to Dr. Rogerio Budasz, a Brazilian musicologist and the author of Opera in the Tropics: Music and Theater in Early Modern Brazil, a fascinating book that puts in evidence how music is a space where political, social, and religious power struggles are constantly negotiated.