In the final part of Riverside Readings' exploration of Frankenstein, or the Modern Prometheus, we conclude the story of Victor, Robert Walton, and the Abhorred Monster by bringing their stories together for one last confrontation, whether triumphant or tragic. What will the final letter reveal? What lessons will be shared with our fellow explorers? Find out by listening to Riverside Readings, an audio drama podcast that brings the classics to life!

Music Credit:

Beethoven - Piano Sonata No. 4 in E Flat Major, Op. 7 (https://www.classicals.de/beethoven-piano-sonata-no4)

In Part Four, we explore whether Victor Frankenstein will heed his monster's plea to foster a love that longs for him. What might happen if he rewires his rejection? And if he chooses acceptance? How much patience can the despised creature muster for his creator, and how receptive is Victor likely to be? This raises questions about whether the story will spiral into catastrophe, conclude happily, or unfold as a series of never-ending horrors.

Listen in to Part Four: Retribution on Riverside Readings, an audio drama podcast, where we bring the classics to life!

Translation for Dramatische Szenen bei <> (12) <> Von Joël Moos - JVM Productions - Eberhard Rex

Death sits with us.
He breathes with us.
He is with us at all times.
No mountains made of stone;
No Lakes made of tears;
No Heart, however great, can ever conquer Him.

Death sits with us.
He breathes with us.
He is with us at all times.
Death everywhere, Death!
Death everywhere, Death!

So many people:
So much death everywhere, death!

So many animals:
So much death everywhere, death!

So many plants:
So much death everywhere, death!

Music Credit:
Schubert - Piano Sonata in E flat major, D. 568 (https://www.classicals.de/schubert-d568)
Borodin - String Quartet No. 1 in A Major (https://www.classicals.de/borodin-string-quartet-no1)
Beethoven - Coriolan Overture - Op.62 (https://www.classicals.de/beethoven-op62)
Maarten Schellekens - Reminiscing (https://www.classicals.de/neoclassical)
Chopin - Cello Sonata Op. 65 - I. Allegro moderato (https://www.classicals.de/chopin-collection)
Aguado, Dionisio - Adantino in A Minor - Nuevo metodo para guitarra, Leccion 19 (https://www.classicals.de/aguado-selection)
Beethoven - Piano Sonata No. 31 in A flat Major, Op. 110 - I. Moderato cantabile molto espressivo (https://www.classicals.de/beethoven-piano-sonata-no31)
Brahms - Symphony No. 1 in C Minor, Op. 68 - I. Un poco sostenuto — Allegro – Meno allegro (C minor, ending in C major)(https://www.classicals.de/brahms-symphony-no1)
Josef Suk - Meditation on the Old Czech Chorale 'St. Wenceslas', Op. 35a (https://www.classicals.de/suk-meditation)
Chopin - Nocturne Op. 15 no. 1 in F major (https://www.classicals.de/chopin-collection)
Maarten Schellekens - If Only I Could Stop the Clock (https://www.classicals.de/neoclassical)
Brahms - Symphony No. 3 in F Major, Op. 90 - II. Andante (https://www.classicals.de/brahms-symphony-no3)
Beethoven - Piano Sonata No. 4 in E Flat Major, Op. 7 - II. Largo con gran espressione (https://www.classicals.de/beethoven-piano-sonata-no4)
Sergei Prokofiev - National Symphony Orchestra of Ukraine - Cinderella Suite No.1, Op. 109: VII: Cinderella Waltz- Theodore Kuchar
Shunske Sato - Brondenburg Concerto no. 4 in G. Major - Netherlands Bach Society for all Bach
G.F. Handel - Sarabande - The City of Prague Philharmonic Orchestra
Steigerlied (Glück auf, der Steiger kommt) - Ruhkolle - Chor, WDR-Sinfonieorchester & Miners
Dramatische Szenen bei <> (12) <> Von Joël Moos - JVM Productions - Eberhard Rex
Leonard Bernstein - Berlioz's Symphonie Fantastique 4th movement: Allegretto non troppo (Marche au supplice) - Orchestre National de France
Hanneke van Proosdij & David Tyler - Suite No. 3, BMV 1068, Early Music Voices

Part Three: The Abhorred Monster takes our story to a cave, where the creator and the monster try to understand each other, to hear about its struggles, trials, and endless quest for acceptance. As we explore self-reflection, societal structure, language, and all the mysteries of life that seem to be revealed in an instant, can the monster contain this newfound knowledge, or will we see it in a new light, accept it, and give it the life it wants?

Listen closely to this tale, as we hear from the monster itself, in Part Three: The Abhorred Monster on Riverside Readings, Where We Bring the Classics to Life!

Music Credit:
Michael Ghelfi Studios - Cave Ambiance #2
Tuomas Kourula - Chase Music
Alexander Guitar - Kingdom of Heaven
Alexander Guitar - Lost in the Desert
Raphaël Feulliâtre - Couperin : V. Les barricades mystérieuses (Arr. Antoine Fougeray pour guitare)
David Brandon - French Lullaby
Guitar Video Tabs - Tchaikovsky Old French Song
Roxane Elfasci - Clair de Lune: Debussy (guitar)

Part Two: The Mad Scientist takes us into Victor Frankenstein's perspective. We learn about his background, dreams, ambitions, and the youthful enthusiasm for education and scientific progress. But how did these aspirations steer him toward animating a corpse? How did something so pure become haunted, hated, and filled with despair in Victor's heart?

Join us as we travel along the river in Part Two: The Mad Scientist on Riverside Readings - Where We Bring the Classics to Life!

Music Credit:

Rachmaninov, The Isle of the Dead, Symphonic Poem Op. 29, Royal Stockholm Philharmonic Orchestra, Sir Andrew Davis
Tarantella Napoletana, Jo Brunnenberg
Dmitri Shostakovich: Waltz Quintet No. 2, Carion Wind Quintet, arr. David M.A.P. Palmquist
Mussorgsky's Promenade Pictures at an Exhibition, Cleveland Orchestra, Christoph von Dohnányi
Chopin, Nocturne in C Major Op 9 No 3, Claudio Arran
Tchaikovsky, Chanson Triste, Mario Schott-Zierotin & Georg Wagner
Per-Olov Kindgren - Study in E Minor, Eduardo Díaz
Maurice Ravel - Jeux d'eau, M. 30
Dmitri Shostakovich - Symphony No 10 in E Minor Op 93: II Allegro, Rudolph Barshai & WDR Sinfonieorchester

We begin this dark tale in the streets of St. Petersburg, the alleyways of Archangel, and on a ship crossing the icy seas, all narrated by Robert Walton, voiced by Bakari Garvin. What do these letters reveal, and how do they set the stage for the story ahead? Why was he destined to meet Victor and share this unique story?

Discover more on Riverside Readings - An Audio Drama Podcast - where we bring the classics to vivid life!

Part One Music Credit:

J.S. Bach, Toccata and Fugue in D Minor, BWV 565 - Jean-Baptiste Dupont, Basilique Saint Sernin
The Nutcracker, Op 71, Pas De Deux, Pyotr Ilyich Tchaichovsky, The National Philharmonic Of Russia, Vladimir Spivakov
Claude Debussy, Nuages from Nocturnes, YouTube Symphony Orchestra, Carnegie Hall

Welcome back! We continue our journey along the River, guided by more people than ever before for Part 2 of Little Women by Louisa May Alcott!

We were introduced to the Marches, the Laurence Boy, and we had a ball! What more awaits our humble family and will anybody new show their face to try and win a sister's heart? Listen to Part 2 and find out for yourself, on Riverside Readings - A Dramatic Reading Radio Show hosted by Trent Mylie

*Part Two consists of Chapters 11-23, unlike written by the authors chapters 24-47*

On Riverside Readings, we are traveling the waters of Massachusetts in Louisa May Alcott’s “Little Women”! Considered to be one of the most significant literary contributions, not just by a woman but by anyone who has put paper to pen, “Little Women” tells the story of 4 sisters, Jo March, played by Mary Kate Phillips, Meg March, played by Amari Roach, Beth March, played by Nadia Jacobs (who voices Mrs.March as well) and Amy March, played by Maddie Morman, “Little Women” takes us on a semi-autobiographical journey into our author's life. During this story, we challenge the role of women in society and actively question what it means to be ‘prim and proper’ all while coming of age during a time in America that was filled with endless turmoil during the Civil War. Though there are countless others within this story, all of which are connected with the March sisters and their Mother (Marmee) in one way or another, I look forward to having these ‘Little Women’ guide us to safety on Riverside Readings - A Dramatic Reading Radio Show hosted by Trent Mylie.

*Part One consists of Chapters 1-10, unlike written by the Author of Chapters 1-23*

Our final author of Pride Month is none other than Emily Dickinson, who is regarded as one of the most influential and essential authors and poets who challenged the notion of standard poetry and the definition of poetry itself.

Her work sees the poems from a different perspective, one of an inescapable narrative in which they live and dwell within the confines of society. Much like Dickinson herself, a bisexual woman, her poetry points to a future she believed was possible, one where gay men and women can live openly and proudly about who they are without having to make themselves feel in prison when they want to make a home.

As we end this Pride Month, know that we all love who we love; it is not a choice we make per se, but it is ingrained in us, in our nature as humans, something beyond us and understanding. We are born to love whom we choose; when we find that love, the earth’s ground may crumble beneath us, but we will not be stirred. Love yourself, Love each other, Love Love Love as we navigate the river once more on Riverside Readings - A Dramatic Readings Radio Show hosted by Trent Mylie.